Made as a promo for the album of the same name by Melbourne-based musician Lance Ferguson, this short documentary covers a golden era of New Zealand music. The documentary focuses on Ferguson’s grandfather, the late Bill Wolfgramm, who released NZ’s first pop album South Seas Rhythm in 1957. Ferguson talks with another legend, Bill Sevesi, who played with Wolfgramm, and visits Auckland's Museum of Transport and Technology, which holds a special significance for him and his family. Included is rare footage of historic TEAL flying boat Aranui in flight.
Tala Pasifika was a pioneering Pacific Island drama series; this episode is one of six short films that screened on TV One in 1996. 'The Hibiscus' is the lighthearted tale of Sefo (Soi Paito Siulepa), a retired grandfather who arrives from Samoa and plants a hibiscus in the family's back yard. Although he has difficulty speaking English, the garden is a forum to explain history and Samoan tradition to the kids. When Mum reveals her plan to concrete the yard and put in a BBQ area, the kids come up with a compromise.
This intense newsreel reports from the war in the Pacific in Easter 1944, as American, Fijian, and New Zealand soldiers battle the Japanese in the Bougainville jungle. Cameraman Stan Wemyss found himself isolated with a Fijian patrol, amidst casualties and under fire from 'Japs'. He later recounted being so close to the action he could hear troops talking in two languages he couldn't understand; at one point he lays down his camera to pitch a grenade. Grandfather of future actor Russell Crowe, Wemyss was awarded an MBE in 1947 for his services as a war correspondent.
This postwar Weekly Review joins a welfare officer from the Crippled Children’s Society on her Wellington rounds: advising parents, chaperoning children to hospitals to undergo physical and speech therapy, and overseeing the supply of specialist footwear and splints. There’s also a Kiwi take on Heidi as a boy is offered a farm holiday, walking on crutches among the cows: “No care and treatment can substitute for the uplift of two weeks in the country.” Released in September 1948, the film was made by decorated war correspondent Stan Wemyss (grandfather of Russell Crowe).
In the third episode of this drama based on the 1888-89 tour of Great Britain by the NZ Natives rugby team, the romance between Pony and Charlotte is gathering momentum. Charlotte’s grandfather — the Earl — might be alarmed by the tryst, but the Cambridge University rugby team has a far blunter way of expressing their displeasure with a Māori rugby player trying to cross class and racial lines. In the face of such opposition, Charlotte and Pony attempt to follow their hearts, but can they resist the pressures now being exerted by both of their cultures?
Vincent Ward's fifth feature follows an Irishwoman in 1860s New Zealand, as Māori tribes resist the occupation of their land by the British. Sarah (Samantha Morton) has had an affair with a Māori and borne his child. Years later the boy is kidnapped by his grandfather, a powerful tribal leader. Sarah embarks on a search for her child, aided by warrior Wiremu (Cliff Curtis). When she finds him, both mother and son must decide to which culture they belong. This excerpt from the notoriously ambitious film sees Sarah encountering charismatic chief Te Kai Po (Temuera Morrison).
Bill Ralston examines more family business empires in part two of Old Money. With varying mixes of vision, hard work and eccentricity, the Hudsons (biscuits), Sargoods (merchants), Hallensteins (clothing), Hannahs (shoes) and Shacklocks (ironmongers) made fortunes that gave their families grand houses and gracious lifestyles. Some of the brands have survived and their legacies include 65,000 items gifted to Otago museum by the Hallensteins and Downstage’s theatre endowed by Hannah money. (Robert Hannah was the maternal great-grandfather of director Jane Campion.)
For this 4 May 2006 20/20 profile, reporter Hadyn Jones heads to rugby great Richie McCaw’s hometown of Kurow, on the cusp of his appointment as All Black captain. Jones quizzes the 25-year-old on his fighter pilot grandfather, girls, and his “second great love” — gliding. Childhood photos and interviews with his family frame spectacular shots of McCaw “rock-polishing”, in a glider above Omarama. Jones asks: “Is it daunting when you think we haven’t won a World Cup in 20 years?” By 2015 McCaw would be the only skipper to have twice held aloft the Webb Ellis Cup.
This documentary unearths the story of the soldiers in the New Zealand Tunneling Company, whose daring World War I raids involved digging tunnels through chalk rock, laying explosives underneath enemy lines, and countermining German tunneling efforts. The story is told through the eyes of a New Zealand woman who retraces her grandfather’s war story to Arras, France, and sees the Kiwi-tagged cavern 'city' nearly 80 years later. The company played a key role on the Western Front, and was especially recruited in NZ, made up of miners, bushmen and labourers.
This 1945 newsreel reports on the repatriation of New Zealand prisoners held in Japanese camps during the war in the Pacific. Cameraman Stan Wemyss (grandfather of Russell Crowe) ranges across Asia with the RNZAF — from Changi in Singapore, to camps in Java (Indonesia), and Siam (Thailand). The narration notes grimly that “the movie camera does not record the stench of death”; and returned PoW, Dr Johns of Auckland, implores for the sake of the children: “that the experiences that we have gone through at the hands of the Japanese shall never, never again be possible.”