Marae DIY is a long-running Māori Television series that brings a tangata whenua twist to the home renovation reality format: "marae knock out their 10-year plans in just four days". This Qantas Award-winning episode heads to Manutuke Marae (south of Gisborne) mid-winter in 2006. Marae DIY creator Nevak Rogers (aka Nevak Ilolahia) has Rongowhakaata whakapapa. Alongside co-presenter Te Ori Paki, Rogers plays cheerleader as her whānau rally to meet the goals: from french doors for the kitchen, to makeovers for the nannies (including a moko by Derek Lardelli).
Long-running series Marae DIY brings a tangata whenua twist to the home renovation format. Series creator Nevak Rogers describes the bilingual production as "the programme which helps marae knock out their 10 year plans in just four days". The drama of the building mahi is mixed with humour, whānau-spirit, tikanga (protocol) and history, and even makeovers for the nannies. For Marae DIY's 11th season in 2015, it shifted from Māori Television to TV3. In 2007 the 'Manutuke Marae' episode won a Qantas Award for Best Reality Show.
Celebrate iconic Māori television, film and music with this collection, in time for Māori New Year. Watch everything from haka to hip hop, Billy T to the birth of Māori Television. Two backgrounders by former TVNZ Head of Māori Programming Whai Ngata (Koha, Marae) look at Matariki, and the history of Māori programming on New Zealand television.
Polyfest, the annual secondary schools' Māori and Pacific Island cultural festival, attracts around 90,000 people and 9000 performers from 64 schools to Manukau Sports Bowl. The 2017 Māori Television coverage, hosted by Sonny Ngatai, showcased every kapa haka performance over 50 30 minute slots. This episode features former winners and 2016 runners-up Ngā Puna o Waiōrea (Western Springs College), who perform routines including poi and haka. Puawai Taiapa (Pūkana) and social media stars Cougar Boys and Chardé Heremaia (Memoirs of a Māori) interview rangatahi.
This Māori Television series merged old media and new: giving a group of young people iPhones and storytelling workshops, and empowering them to tell their own fun stories. In this fourth season episode, the slices of life include: swimming with whales off Tonga, a Te Tai Tokerau marae challenge, holidaying in Sydney and learning to surf in Bali, filming live rugby league at Mt Smart, basketball trials, farewelling a mate at the airport with a haka, and a stage-shaking kapa haka act. Press on the 'CC' symbol below the screen to find subtitles for (occasional) te reo.
In 1973 Prime Minister Norman Kirk announced that the anniversary of the signing of the Treaty of Waitangi would be a unifying national holiday called New Zealand Day. The inaugural 1974 day featured a royal entourage, was watched by 20,000 people and screened live for TV. Excerpts include the Aotearoa pageant (from giant moa to the Age of Aquarius, including kapa haka, settler cabaret, and Howard Morrison as Kupe), and Kirk’s iconic — and more enduring — speech. New Zealand Day was abolished by the next (National) Government, who renamed it Waitangi Day.
Aroha depicts a young Māori chief's daughter who embraces the modernity of the Pākehā world (attending university in Wellington) while confronting her place with her own people (Te Arawa) and traditions at home. The NFU-produced dramatisation is didactic but largely sensitive in making Aroha's story represent contemporary Māori dilemmas (noted anthropologist Ernest Beaglehole was the cultural advisor). Watch out for some musical treats, including an instrumental version of classic Kiwi song, 'Blue Smoke' and a performance of the action song 'Me He Manu Rere'.
The line “where the bloody hell are you?” generated controversy when used in a 2006 Aussie tourism campaign; so who knows what 1980 audiences made of this promo’s exhortation to “Come on to New Zealand.” But as the narration assures: “It’s a safe country. You can walk without being molested.” Aimed at the US market, the film was made as long haul air travel was opening up NZ as a destination. Māori culture, sheep and pretty scenery are highlighted, alongside skinny dipping and weaving (!). Narrated by Bob Parker, the NFU promo marked an early gig for editor Annie Collins.
Groundbreaking 1971 tele-drama The Killing of Kane tells a story of loyalty and corruption amidst the ‘New Zealand Wars’ of the 1860s. Incorporating documentary ‘interludes’, the story involves the predicament of a pair of Pākehā deserters involved in a attack by Māori resistance leader Titokowaru on a Taranaki redoubt. Stellar performances in the dramatic scenes saw Chris Thomson-directed Kane attract praise. It was the first time the controversial subject of colonial conflict had been portrayed on our TV screens. It was also the first local drama shot in colour.
This series of portraits of Māori kaumatua, by Toby Mills and Moana Maniapoto, won Best Māori Programme at the 2000 NZ TV Awards. In this first episode, Kaa Rakaupai reminisces about catching crayfish with socks; master carver Paki Harrison spurns his family to follow his ambitions; Tawhao 'Bronco' Tioke's grandfather was jailed with prophet Rua Kenana; and Joan Mohi muses on being Pākehā and Māori. The millennial morehu ('survivors') talk of hopes for tamariki, and lament lost traditions — but not the bad old schooldays when they were forbidden to speak te reo.