This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
NZ On Screen's Car Collection is loaded with vehicles of every make and vintage, as a line-up of legendary Kiwis get behind the wheel — some acting the part. The talent includes Bruce McLaren, Scott Dixon, Bruno Lawrence, a clever canine, and a great many bent fenders. Onetime car show host Danny Mulheron tells tales, and picks out some personal favourites here.
On a Tuesday evening in April 1968, the ferry Wahine set out from Lyttelton for Wellington. Around 6am the next morning, cyclone-fuelled winds surged in strength as it began to enter Wellington Harbour. At 1.30pm, with the ferry listing heavily to starboard, the call was finally made for 734 passengers and crew to abandon ship. The news coverage and documentaries in this collection explore the Wahine disaster from many angles. Meanwhile Keith Aberdein — one of the TV reporters who was there — explores his memories and regrets over that fateful day on 10 April 1968.
Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.
Actor Bruno Lawrence rounds out a handful (Buck, Billy T, The Topps, Crumpy) of Kiwi icons who have achieved sufficient mana to be recognised by an abbreviated name. His charisma was key to ground-breaking films, Smash Palace, The Quiet Earth and Utu. Jack Nicholson reputedly had Bruno envy. This collection celebrates his inimitable performances and life.
Dunedin band Haunted Love ticked every cliché but still won the hearts of librarians everywhere with this tale of summary justice administered to a disobedient user by two spooky, other-worldly librarians (not to mention “the best use of compact movable shelving in a music video, ever”). This video was the song’s only release and achieved considerable viral success. It was directed by Donald Ferns and filmed at Dunedin Public Library with Haunted Love’s Geva Downey and Rainy McMaster as the avenging librarians – and Henry Davidson as the hapless user.
Featuring a rare star turn by stand-up comedian Raybon Kan (who also co-wrote the script), Diagnosis: Death is a genre-stretching tale of oddball nurses, haunted hospitals and bedside romance. Kan plays a cynical teacher sharing a hospital ward with a young student (Jessica Grace Smith), after both are diagnosed with cancer. Trapped in the ward during an experimental drug trial, the duo investigate a strange case of haunting. Shot specifically for DVD, Jason Stutter's second feature also features cameos by Conchords Jemaine Clement, Bret McKenzie, and Rhys Darby.
Roughly four years after debuting on A Haunting We Will Go, Count Homogenized made a memorable re-entrance in his own series. This fifth episode has the simplicity of a good cartoon: disguised as a movable charity bin, the vampire endeavours to trick or talk his way past the local dairy owners, on his endless mission to make it to the milk supplies. Aside from Russell Smith in full comic flight as the Count, Lynda Milligan takes the New Zild accent in dramatic new directions as no-nonsense shopkeeper Rhonda Dearsley.
“In the dark and scary depths of a subway, one young man finds fear has a new name: FIZZ.” Jemaine Clement (pre-Flight of the Conchords fame) is the young man who faces up to a sentient soda machine in this short from Jason Stutter. Made for $2000 and filmed over two wintry Wellington nights, Fizz screened at festivals including Locarno, New York, and Clermont-Ferrand. Stutter would successfully repeat the combo of dark wit and dangerous appliance in his Careful with that … series; Clement starred in Stutter’s debut feature Tongan Ninja (2002).
Anthropologist Max Scarry goes missing in Fiordland, while searching for a fabled Māori tribe. The local policeman believes Max broke local tapu. Max's partner Ruth sets off with his twin brother, murder suspect Edward, to try to unravel the mystery. John Laing's second feature attempts an ambitious Hitchcockian plot, and the cast — especially John Bach's terse doppelganger performance — testifies to the talent on hand in the early days of the Kiwi film renaissance. Atmospheric camerawork makes the most of damp Wellington, and remote bush settings.