This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.
Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small.
This collection celebrates women and feminism in New Zealand — the first country in the world to give all women the vote. We shine the light on a line of female achievers: suffrage pioneers, educators, unionists, politicians, writers, musicians, mothers and feminist warriors — from Kate Sheppard to Sonja Davies to Shona Laing. In her backgrounder, TV veteran and journalism tutor Allison Webber writes how the collection helps us understand and honour our past, asks why feminism gets a bad rap, and considers the challenges faced by feminism in connecting past and present.
This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.
After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
Mary O’Hagan spent five years of her early 20s confined to a psychiatric hospital. This short documentary has O’Hagan reading back the doctors' reports on her mental illness, and comparing them with her own journal entries at the time. In turn the film presents a critique of the treatment of mental illness that O’Hagan endured. The film’s title, Madness Made Me, is also that of O’Hagan’s own memoir, which chronicles her experience with mental illness. The film was made as part of Loading Docs, a series of short films made for exhibition online.
Dancer Shona McCullagh’s award-winning debut short film offers a joyful fingers-up to gravity, dialogue, and the idea that nuns never get up to anything exciting. Two nuns flip twist and fly from bedside to beachside, turning a moving train carriage into a jungle gym (in-between desperately seeking solace from the call of nature). The footloose dance film did some travelling of its own: invited to over 30 festivals, including prestigious dance film festivals, and Edinburgh, Clermont-Ferrand, and Sundance (where it played before Kiwi feature Scarfies).
It seems a fascination with going fast is built into human DNA. Covering distance in the shortest amount of time has long captured our imagination. From muscle-powered freaks of nature (thoroughbred horses, falcons, Peter Snell) to motorhead mayhem, from Formula 1 legends to front-running design innovation, this collection celebrates the particularly Kiwi 'need for speed'.
In 1976 Ian Johnstone became the first NZ TV journalist to visit apartheid South Africa. For this Feltex Award-winning report (one of three for Seven Days) he and a small crew strove — under the regime's close eye — to show apartheid's impact on blacks. Shots of Soweto, human rights meetings, and interviews (Bishop Tutu, students, campaigner Hector Ncokazi), undercut PM Johannes Vorster's case for separatism. Seeing Johnstone being denied service at a burger bar (he was with a black) unsettled Kiwi viewers, weeks before the All Blacks left for South Africa in mid-1976.
This morbidly funny short, made by students of Auckland's Media Design School, depicts the demise of 26 alphabetical and animated animals at the hands of nature’s greatest enemy — the human. Framed as a father possum (Phil Greeves) reading his children their favourite bedtime story, the alliterative animal deaths are undercut with cheerful giggling from the two young possums. The film won acclaim at festivals worldwide —screening at South by Southwest in 2016, and taking out Best Animated film in the Comic-Con Film Festival later that year.