Star interviewer Brian Edwards talked to the sons and daughters of well known New Zealanders in this six part series. Edwards could be a tough interrogator, but his brief here was to explore the pressures placed on the families of the famous without blindly perpetuating public images, or turning the interviews into inquisitions. The subjects (and their famous parents) were Kit Toogood (Selwyn Toogood), John Kirk (Norman Kirk), Donna Awatere (Arapeta Awatere), Barbara Basham (Aunt Daisy), Helen Sutch (Bill Sutch) and John and Hilary Baxter (James K Baxter).
This documentary reviews that 1983 Royal Tour downunder by Prince Charles and Princess Diana. The tour was notable for the presence of royal baby William; images of the son and heir playing with a Buzzy Bee on the lawn of Government House in Auckland were published around the world. The royals also visit the ballet, banquet, waka, hongi, plant kauri, and see Red Checkers and firemen’s displays. Prince Charles’s duties include announcing an extra holiday for school kids and he meets younger bro Edward on his gap year (tutoring at Wanganui Collegiate).
Billy T James ranks as a key figure in the development of Kiwi comedy. Billy honed his talents as a singer and comedian on stages worldwide, then brought them to a local TV audience on throwback show Radio Times. His self-titled comedy show was a major ratings hit. His turn as the Tainuia kid in Came a Hot Friday is still fondly remembered — as is Billy T's infectious chuckle, black singlet and yellow towel.
After time as a reporter and radio producer, Judy Callingham became one of the first women in New Zealand to make her mark as a television scriptwriter (Close to Home, Gloss, Shortland St, and many more). Her broadcasting career has encompassed stints as a presenter (Town and Around, Fair Go), journalism tutor, and NZ On Air board member. These days she runs a media training company with husband Brian Edwards.
The versatile Peter Young began writing and directing at TVNZ's Natural History Unit in 1989. After moving into camerawork, he launched his own company Fisheye Films in 1997. Since then Young has shot images around the world, directed acclaimed passion projects about post-quake Christchurch and the Ross Sea, and helmed TV series showcasing local landscapes and cuisine (Hunger for the Wild, Get Fresh with Al Brown).
Annie Goldson, NZOM, is probably New Zealand's most awarded documentary filmmaker. Her work — including the feature-length An Island Calling, Brother Number One and Kim Dotcom: Caught in the Web — often examines the political through the personal. Goldson's films have played widely overseas, and won awards in New Zealand, England, Spain, France, the Philippines and the United States.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Bruce Morrison's extensive career as director, producer and sometime scriptwriter has crossed the gamut: from innovative arts programming and pioneer music videos, to the long-running Heartland series — plus feature films variously involving fast cars, riotous teens and a glamour-struck Donogh Rees.
Veteran actor Bruce Allpress has played true-blue Kiwis in everything from Ronald Hugh Morrieson classic The Scarecrow to 2011 feature Rest for the Wicked. Alongside a long run of supporting roles, he scored two Feltex awards as swagman star of 80s TV series Jocko.
With a CV that includes everything from judges to Amazon queens, Alison Bruce has often been cast as the strong unsmiling type. Yet two of her biggest screen roles completely break that mould: the fraudulent but well-meaning fortune teller in 2001 feature Magik and Rose, and the eccentric mother in award-winning series Being Eve.