Shot for an Australian Travel Agents Seminar, this short film seeks to portray 1969 New Zealand as a hip and happening place. The tourism clichés of a scenic wonderland remain, but the film attempts to present a more sophisticated NZ to entice jet-set Aussies east. After all, we "got rid of six o'clock closing ages ago." To complement the Anzac staples of sport, beer and gambling there are mountains and Māori. Nightclubs offer show bands and strippers for "relaxation" after strenuous days of sightseeing. C’mon is a fascinating snapshot of a nation in transition.
Introduced to New Zealand in 1851, red deer soon became controversial residents: sport for hunters, but despised by farmers and conservationists for the damage they caused. First targeted by government cullers in the 1930s, by the 60s they were shot by commercial operators for venison export. Directed by Bruce Morrison and Keith Hunter, this award-winning documentary catches up with the hunt in the 70s, when deer for farming – dramatically caught alive, from helicopters – was a multi-million dollar gold rush. Different versions of the film were made for overseas markets.
Made by Philip McDonald (Such a Stupid Way to Die) for the National Water and Soil Conservation Authority, this award-winning short explores the impact of people on New Zealand’s water cycle. Shots of irrigation, industrial waste and run-off from dairy farming show Godzone’s 1972 waterways to be far short of 100% pure — the closing national anthem played over polluted rivers underlines the point. A young Sam Neill (then working at the National Film Unit) cameos as an eau-so-suave drinker in a scene showing the disconnection between water use and where it comes from.
Made by the NZ Broadcasting Corporation in the mid 1960s, this half hour TV documentary sets out to summarise New Zealand. More than a promotional video, it takes a wider view, examining both the country’s points of pride and some of its troubles. In a brief appearance Barry Crump kills a pig, although the narration is quick to point out that the ‘good keen man’ image he epitomises is also a root of the country’s problem alcohol consumption. The result is patriotic, but certainly not uncritical. Writer Tony Isaac went on to make landmark bicultural dramas Pukemanu and The Governor.
The line “where the bloody hell are you?” generated controversy when used in a 2006 Aussie tourism campaign; so who knows what 1980 audiences made of this promo’s exhortation to “Come on to New Zealand.” But as the narration assures: “It’s a safe country. You can walk without being molested.” Aimed at the US market, the film was made as long haul air travel was opening up NZ as a destination. Māori culture, sheep and pretty scenery are highlighted, alongside skinny dipping and weaving (!). Narrated by Bob Parker, the NFU promo marked an early gig for editor Annie Collins.
This edition of the National Film Unit’s long-running monthly magazine series features a diverse line-up. The first report covers the opening ceremony of the meeting house at Waiwhetu Marae, Lower Hutt, where Prime Minister Walter Nash and Sir Eruera Tirikatene receive the pōwhiri and haka. Then it’s a canter to Auckland’s 1960 Pony Club Championships; before flowing down south for the diversion of the Waitaki River in the Otago town of Otematata, as part of the Benmore hydroelectric scheme: a massive earth dam destined to be the “powerhouse of the South Island”.
Broadcast in the early 1970s — back when local television spanned just a single channel — Living in New Zealand was built around short documentary items. Current affairs was rarely on offer; instead there were pieces on novice skydivers, jetboat adventures, shopping, preparations for Expo 70 in Japan, and singer Phil Garland's search for unrecorded folk songs. An item on national talent quest Search for Stars featured an early screen appearance as interviewer by Ernie Leonard — the future Head of TVNZ's Māori Programming Department.
This series aimed to introduce and encourage young Kiwis into the outdoors. Fronted by climber Graeme Dingle, and based at Turangi's Sir Edmund Hillary Outdoor Pursuits Centre (co-founded by Dingle in 1973), it was produced for the Department of Education. In this sixth episode Dingle surveys the history and confidence-building philosophy of the centre, showing rafting, rope courses, and a bush rescue. He also revisits influential moments in his adventuring career, from heading up the Ganges in a jetboat, to helping disabled climber Bruce Burgess up Ruapehu.
Keith Hawke was behind the camera on landmark TV series Tangata Whenua, and many other productions besides. In the 80s he reinvented himself in Asia as a director/producer of television and corporate videos, working in Hong Kong, Singapore and Malaysia.