Real Pasifik is a roving celebration of Pacific food and culture. Inspired by chef Robert Oliver’s acclaimed cookbook Me’a Kai, the show follows Oliver as he travels across the Pacific, aiming to inspire resort chefs to showcase indigenous cuisine. In this opening episode of the first series, Oliver heads to the Cook Islands where he visits a marae for a kai blessing, before tasting goat and taro from an an umu (earth oven). He goes lagoon spear fishing, samples pink potato salad (aka ‘mayonnaise’) and serves up a banquet of locally-cooked food to assembled VIPs.
Tales of the Mist was an 80s series for children that dramatised six stories by writer Anthony Holcroft. Peppered with folklore, magic and animism (the belief that things in the natural world posses a ‘spirit’) the six stories feature encounters with otherworldly beings in rustic New Zealand settings: The Island in the Lagoon, The Tramp, Girl in the Cabbage Tree, The Night Bees, and Rosie Moonshine. The show was directed by NZ kids television veteran (Woolly Valley, Count Homogenized) Kim Gabara.
As an intrepid young cameraman for the National Film Unit, Don Oakley travelled to remote parts of New Zealand and brought to the screen scenes of the recently-rediscovered takahē, Opo the dolphin, and life in the backblocks. In a lengthy career, he also filmed in the studio and overseas, rising to be chief cameraman of the NFU.
National Film Unit staffer Ron Bowie was a dedicated and cosmopolitan filmmaker, who overcame obstacles (including five years internment for his pacifist convictions) to pursue his chosen career. Among dozens of NFU films he contributed to, Bowie directed award-winning tourist romance Amazing New Zealand!, helped produce beloved Expo epic This is New Zealand, and edited the Oscar-nominated One Hundred and Forty Days Under the World.
Claude Wickstead started working at the Government Film Studios in 1938. After serving in WWll, he joined the National Film Unit’s sound department, where he contributed to the soundtracks of a great many films including the long-running series Weekly Review and Pictorial Parade. He was in charge of the NFU Sound Department from 1951 until his retirement in 1977.
Kiwi Mark Piper began his career as an actor, then joined emerging director Roger Donaldson — helping Donaldson run company Aardvark Films and assisting him on breakthrough New Zealand feature Sleeping Dogs (1977). Though Piper would later return home to direct episodes of Shortland Street and Mercy Peak, he has since worked largely in Australia, plus occasional work excursions to Vietnam. His extensive directorial CV includes many Australian TV staples, including early episodes of All Saints, Blue Heelers, and Home and Away. These days he is a tutor at Bryon Bay Film and Television School.
Kiwi hair and makeup artist Lesley Vanderwalt won an Oscar and a Bafta for her work on Mad Max: Fury Road. She also collaborated with director George Miller on Babe 2, Nicole Kidman mini-series Bangkok Hilton and the second Mad Max movie. The onetime Wellington hairdresser had makeup duties on early Kiwi classics The Governor, Skin Deep and Bad Blood, before a slew of Australian credits (Shine, Moulin Rouge!).