The night before his granddaughter's birthday, a man who likes having a flutter on the horses (Utu star Anzac Wallace) has a "dream". But which horse is he meant to bet on this time? Raniera gets help from his wife (Erihapeti Ngata) and the local community, to understand what the dream might mean. This edition of the pioneering Māori drama series marked Rawiri Paratene's debut as director. Patricia Grace based the screenplay on her story 'The Dream'; Temuera Morrison has a small role. Viewers can choose whether to watch the episode in Te Reo or in English.
Fresh from larger than life comedy Came a Hot Friday, Ian Mune made an abrupt turn to horror with his second feature as director. Friday alumni Phillip Gordon joins a brat pack of young Kiwi actors. Going bush, they meet gun-totting cattleman Bruno Lawrence and a young woman. He is not happy. In this clip, the group begin to crack under the strain of being hunted. Originally written by American Bill Baer, the film was pre-sold to an investor in the United States. Mune's LA agent later told him that letting the dog die didn't help the film's commercial chances in the States.
The last novel by Taranaki author Ronald Hugh Morrieson revolves around a freezing plant worker (Peter McCauley) in an inter-racial marriage. The role of an English remittance man was expanded in a failed attempt to cast Peter O'Toole (the role ultimately went to NZ-born Bruce Spence). Morrieson's view of small town NZ is a dark one, as he explores racism, violence, murder, suicide and blackmail. Bruno Lawrence contributes to Jonathan Crayford's jazz-tinged score, and features in the wedding band. The freezing works scenes were shot at the defunct plant in Patea.
Saving Grace sees spiky street kid Grace (Kirsty Hamilton) get taken in by enigmatic carpenter, Gerald (Jim Moriarty). As Grace falls under (much older) Gerald's spell, she's flummoxed by his claim that he is the messiah. Could Gerald be Jesus of Cuba Street or is he a delusional dole bludger? The screenplay was adapted by Duncan Sarkies (Scarfies) from his stage play. Botes' dramatic feature debut converted fewer viewers than his earlier work, the classic hoodwinker Forgotten Silver; although critic Nicholas Reid welcomed an NZ film that offered "style and brains".
There's panic on the streets as 19-year-old tearaway Ska (Matthew Hunter) comes to terms with love and death in Auckland's 80s urban underworld. After an ultimately tragic attempt to 'rescue' his prostitute sister, Ska plots revenge at a rock gig ... with riotous results. Directed by Bruce Morrison when broken glass was still on the ground from the Queen Street riot, the film was inspired by a story from 16-year-old Richard Lymposs. In this teen spirit-infused excerpt, street-fighter Ska saves rich girl Stacy (Kim Willoughby), and meets her classy parents.
This report for TVNZ’s flagship 1980s arts show was made to tie in with Nicholas Reid’s book about the renaissance in NZ cinema that began with Sleeping Dogs in 1977. Reid and a who’s who of filmmakers discuss many of more than 50 films made in the previous decade (with Bruno Lawrence ever present) — and ponder the uniqueness (or otherwise) of NZ film. The industry’s fondness for rural and small town settings, and forceful (often conflicted) male leads is explored; and more neglected areas — Māori film making and more of a voice for women — are traversed.
The ‘OE’ is a Kiwi rite of passage, but for those travelling in a Kombi van, the trip can feel “like mixed flatting in a space the size of a ping-pong table” (Peter Calder). In Kombi Nation, Sal sets off to tour Europe with her older sister and friend; they’re joined by a dodgy male and a TV crew, recording the shenanigans. Shot guerilla style after workshopping with the young cast, Grant Lahood’s well-reviewed second feature anticipated the rise of observational ‘reality TV’, but its release was hindered by the collapse of production company Kahukura Films.
One of those Blighters began life as a doco on Taranaki novelist Ronald Hugh Morrieson, but after interviews with many who knew him, morphed into something more offbeat: a semi-fictionalised tale of Morrieson’s mates reminiscing about his departure, interwoven with highlights from his tales of drunkards and con artists. The dramatisations are from his four novels - all became movies - plus one posthumously published short story. Amidst a cast packed to the rafters with carousing Kiwi screen legends, fellow multi-talented muso Bruno Lawrence plays Morrieson.
Viewable in full, comedy/drama Hopeless is a portrait of Wellington 20-somethings attempting to get along with crushes, exes, and never weres. Well-meaning Ben (Phil Pinner) finds himself becoming relationship therapist to two friends, despite possessing a dangerously unstoppable mouth. Hamstrung by an advertising campaign highlighting Pinner sitting on a toilet, Hopeless won warm reviews. It also offered impressive movie debuts for Mia Blake (No. 2), Scott Wills (Stickmen) and a hilariously unhinged Adam Gardiner (Agent Anna). Spin-off TV series Lovebites followed.
While playing at the beach with their grandmother, two children witness an Elvis impersonator walk out of the sea. They believe he's the "fishman" lover of a female taniwha, Hine Tai. Magic realist mayhem — and tragedy — ensues as the stranger stirs up the life of their whanau in the quiet fishing village. The fable, written by Briar Grace-Smith and directed by Peter Burger, received six nominations at 2002 NZ TV Awards, winning Best Drama, and Camera. It screened on TV3 and features the Bic Runga song 'All Fall Down'.