Before X Factor there was New Faces, before Masterchef ... Graham Kerr, before Country Calendar there was ... er, Country Calendar. This collection picks the screen gems from the decade that gave Kiwi pop culture, "miniskirts, teenagers — and television." Peter Sinclair, Sandy Edmonds, Howard Morrison, and Ray Columbus star. Do your mod's nod and C'mon!
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order).
Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small.
This collection of tourism promos sets out to entice the world with the "upbeat, action-filled New Zealand scene". Skis, swimsuits and scenery are all on the itinerary — plus mile-high hairdos, some totally groovy music, Boy's James Rolleston and an excerpt from three-screen classic This is New Zealand. Listen to the man: C’mon to New Zealand.
One October night In 1938 Orson Welles famously fooled radio listeners into believing that the United States was under attack from martians. New Zealand’s War of the Worlds moment arguably came in 1995, when directors Costa Botes and Peter Jackson unleashed moviemaker Colin McKenzie on an audience of unsuspecting patriots. Forgotten Silver joined a sly tradition of on screen Kiwi leg-pulling: from turkeys in gumboots and John Clarke as a rock star, to fence-playing farmer musicians, phallic molluscs and Māori porn stars.
Winner of Video of the Year 2006 at the Juice TV Awards, the clip was shot over two and a half days, and required dancers attached to elastic strings to move at half speed to achieve the puppet effect.Self confessed dance fanatic Kezia Barnett literally searched the world for the hero marionette doll. "I looked in Paris, Amsterdam, London, Berlin, Auckland and Prague. I eventually bought one in Prague. We changed her hair, face, skin and clothes to match Sarah's."Kezia Barnett, March 09
Frequent collaborators singer Anika Moa and director Justin Pemberton crossed paths again for the music video of this track, from Moa's 2008 album In Swings the Tide — her first, slightly countrified album for EMI. In a tastefully furnished room, Moa wakes in a bed of chocolate satin sheets, only to find the day is nearly done for her and the mysterious bedmate sleeping next to her. Moa exhorts her lover, “please don't be mean to me 'cos I really tried ...”, before stripping the duvet off the relationship to see what's underneath.
After winning attention both in The Thomas Oliver Band and with his solo lap steel guitar work, Thomas Oliver took away the 2016 APRA Silver Scroll songwriting award with 'If I Move to Mars'. The video makes the most of the intragalactic theme, with a Gravity inspired/gravity-defying video made by a pair of effects wizards from Weta Workshop. The visually impressive result sees Oliver in a spacesuit, peacefully orbiting the Earth playing a custom space-guitar as the sun slowly rises behind him.
Lydia Cole's understated yet heartfelt breakup song is accompanied by an equally understated music video. Cole performs in a darkened room which is home to a number of mirrors...plus a man and a woman (possibly the woman who got the guy?). 'Dream' was one of five finalists for the 2016 APRA Silver Scroll songwriting award, after making it through from an original list of 20. The song was released ahead of Cole's second album The Lay of the Land; after she launched a crowd-funding campaign in September 2015 to help fund it, her target was met in only five days.