In a nod to his theatre training, Whale Rider actor Rawiri Paratene (then better known as a presenter on Play School) unveils three stories to a marae audience. A bored schoolboy (Faifua Amiga) banters with a sarcastic teacher; a musical number features a prostitute (Rena Owen) and her client; and a young girl and her grandfather prepare and wait for the body of her father at the pā. This was the first screen drama directed by Don Selwyn, who argued "what Rawiri is saying in his script is that there are lots of things Māori which are left out of the education system."
A teenage boy (Lance Wharewaka) should be at school, but instead learns about the bush and the old days from his ailing grand uncle (Bill Tawhai). The friendship prepares the boy with the necessary skills for life. Written by poet Hone Tuwhare, Eel marked the drama directing debut of TV3 newsreader and Wild South presenter Joanna Paul."He [Bill] brought a mana with him and has such irreplaceable Māori knowledge," said Paul, who remembered him discussing "how he used bobs to catch eels. He remembers using flax — you can't buy knowledge like that."
This black and white short film explores a relationship triangle — between a Māori woman, her boorish Pākehā husband, and the woman’s protective father, arguing over rights to a farm. It was made as an Auckland University masters project by Li Geng Xin; he wanted to tell a story using visual language, and choses the expressive mode of the silent film to do so. Māori instruments (taonga puoro) and piano are used on the soundtrack. Mrs Mokemoke was selected for the 2015 NZ International Film Festival, in the Ngā Whanaunga Māori Pasifika Shorts programme.
A culture clash story by Witi Ihimaera inspired this comic drama, which marked the directing debut of screen veteran Larry Parr. Set in the mist-shrouded Taranaki hamlet of Whangamomona in the 1940s, the short film focuses on the conflict between a local tohunga, Mr Hohepa (Sonny Waru) and feisty Pākehā Mrs Jones (Annie Whittle) — as viewed by the young boy who helps deliver her mail and groceries (Julian Arahanga, in his screen debut). The locals think Hohepa has placed a makutu (or curse) on Mrs Jones. But could more basic human emotions be at work?
This collection of 40 classic Kiwi TV series offers up images spanning 50 years. The titles range from Gloss to Gliding On, from Olly Ohlson to Nice One Stu, from Ready to Roll to wrestlers. In this special backgrounder, Stuff's James Croot writes about favourite moments of Kiwi TV. The list is in rough chronological order of when each series debuted.
After success with short films (This is Her, Redemption) director Katie Wolfe made the transition to longer length story-telling with this 2010 drama. With This is Her writer Kate McDermott she adapted the Witi Ihimaera novel about a 40-something man confronting his double life, and the impact that his coming out as gay has on his wife, kids, and whānau. A key change was turning the book’s Pākehā protagonist to a successful Māori businessman (Calvin Tuteao). It screened on TV One on 23 January 2010 and at festivals internationally (where it was entitled Kawa).
Grieving the death of his father, 19-year-old Haami (Michael Koloi from detective series Harry) starts hanging around with a local underground boxing promoter. In order to pay off Haami’s drug debt and keep him safe, his uncle Moko (played by ta moko artist Gordon Toi Hatfield), an ex-street fighter, must make one last sacrifice and step up to fight for his family. Written and directed by Joseph Lee, this gritty short film also features a cameo acting performance by Scotty Morrison, better known as long-time newsreader for Te Karere.
When traumatised soldier Matiu returns from service overseas, he struggles to reconnect with his wife and children. In this episode of te reo series Aroha, the marriage between Matiu (Te Kauri Wihongi) and Wai (Rena Owen) mirrors the Māori legend of Niwareka and Mataora, a union between spiritual and earthly worlds. Matiu decides to seek out his ghosts; he symbolises his reunion with his family through a facial tā moko performed by his father-in-law (Wi Kuki Kaa). Mataroa was written by Aroha co-creator Karen Sidney. It won an award at Canadian festival ImagineNATIVE.
Lovers move towards each other through space and time in this episode of te reo series Aroha. Tapu (Cliff Curtis) plays a doctor who is unnerved by the strange behaviour of elderly patient Kahu. Kahu's death affects his niece Irikura (Ngarimu Daniels) deeply, and at the tangi secrets are revealed. Tapu and Irikura are haunted by visions of a shared past; Kahu's ghost has plans for them. This episode played in black and white. Celebrated Māori actor and mentor Don Selwyn plays Kahu. Director Guy Moana created tā moko and carvings for classic 1994 film Once Were Warriors.
Almost two decades before Once Were Warriors, another drama about urban Māori under pressure stirred controversy. Hema (Dale Williams) and Janey (Julie Wehipeihana) are two kids adrift in the city, trying to escape a broken home. Screen historian Trisha Dunleavy found this "the most powerful and controversial" edition of the Winners & Losers series; it was TV's first drama about "the alienation of Māori in a contemporary urban setting". Based on a Witi Ihimaera story, it also marked the first solo directing credit for Ian Mune. He later directed the sequel to Once Were Warriors.