Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
The youngest of eight children from a prominent Canterbury family, brothers Robin and Gordon Harper signed up eagerly to enlist in World War l. The Harpers fought in Turkey and Egypt as machine gunners with the Canterbury Mounted Rifles, earning medals for their bravery at Hill 60 in Gallipoli. Using their farming skills, the brothers found each other on the battlefield with their distinctive dog whistles. Susan Harper, a relative of the pair, displays a Turkish machine gun one of the brothers brought home. The other sibling was killed in battle in Egypt.
After being made redundant, Mike James becomes one of thousands searching for a new employer in Auckland. This episode of documentary series First Hand chronicles the instability faced by the accountant and his family. With their savings dwindling, plans for kids' sports teams and wife Margaret’s prospective tertiary study must be seriously reconsidered. This episode was directed by Seth Keen, who directed further television documentaries (Godzone Sheep) before going on to lecture in new media at the Royal Melbourne Institute of Technology.
A tragic chapter of Samoan and New Zealand history is explored in this Coconet TV documentary. Nearly a quarter of Samoa's population was killed in one month in 1918, after flu sufferers were allowed to disembark the ship Talune in Apia. New Zealand was heavily criticised for not quarantining the vessel. This excerpt shows how the deadly virus spread around the world, killing a third of the population, and explores Aotearoa's colonial interests in Samoa. Interviewees include Oscar Kightley and ex Samoan head of state Tui Atua Tupua Tamasese Ta'isi Efi.
Like the digital ‘mash-up’ concept to come, this 1970 film uses content from more than one source to create something new. In this film collage, relics of visual and material culture from New Zealand museums are combined to evoke life in earlier eras. These objects — from moa skeletons, to scrimshaw, to a stereoscope, and surveys of Māori culture and sex appeal (!) — are mixed with historical footage (including turn of the century Queen Street) and a classical score. Another Time was directed by Arthur Everard for the National Film Unit.
Thanks to NZ On Air's support, The X Factor gave New Zealand performers a primetime platform, created excitement and controversy and drew huge, committed audiences. Former Olympian Barbara Kendall explains why she enjoyed the Kiwi version of the show so much, and why one contestant in particular caught her attention. Then X Factor executive producer Andrew Szusterman shares how this "massive, massive show" came to New Zealand, and celebrates the distinct, Kiwi flavour it took on — one example being Stan Walker's judging style.
Auckland's Massive Company began in 1998 as a youth theatre group, committed to developing multicultural talent. Sons for the Road records a big moment in their evolution: performing at London's Royal Court Theatre, whose long history includes launching another piece of cross-cultural fertilisation, The Rocky Horror Picture Show. Their play is The Sons of Charlie Paora, a tale of rugby players and troubled male identity developed by Massive and UK writer Lennie James (who would later join the cast of hit The Walking Dead). The Independent called the play "wonderfully engaging".
This edition of the National Film Unit’s long-running monthly magazine series features a diverse line-up. The first report covers the opening ceremony of the meeting house at Waiwhetu Marae, Lower Hutt, where Prime Minister Walter Nash and Sir Eruera Tirikatene receive the pōwhiri and haka. Then it’s a canter to Auckland’s 1960 Pony Club Championships; before flowing down south for the diversion of the Waitaki River in the Otago town of Otematata, as part of the Benmore hydroelectric scheme: a massive earth dam destined to be the “powerhouse of the South Island”.
“Unlike Siamese twins who are joined at the hip, we’re joined at the hip-hop…” This 1992 single was the opening track from MC OJ and Rhythm Slave’s What Can We Say? album, released on Murray Cammick’s Southside Records. The duo rap that “we won’t stop until we get enough”, and the hyperactive black and white video captures the youthful energy of the then teenage pair. There’s Converse trainers, turntables, breakdancing, a sinuous silhouette, a ballerina, a hip hop wedding, a massive pillow fight — and some giant trousers that MC and OJ jointly inhabit.
in this interview, Les Hughes recalls serving in the Korean War. Hughes was an artillery gunner in 161 Battery of the Royal New Zealand Artillery. He was involved in the Battle of Kapyong, where UN troops withstood a massive Chinese attack, helping to prevent the capture of Seoul, the South Korean capital. Then aged 86, Hughes reminisces about that battle and his training back in New Zealand, the Kiwi troop’s lack of equipment, and the journey home at war's end. Some 31 Kiwi soldiers were killed in action in Korea. Hughes himself passed away on 19 February 2016.