Inspired by Māori oceanic prowess, Tawhiti follows five Māori astronauts who have returned to Earth after living on Mars for five years. The te reo short film follows the crew of NUKU as they visit their marae. NUKU captain Ruanui (Patara Berryman of Mai Time fame) wants to head back to Mars with his family, but his wife Rongo (Maraea Te Wara) is hōhā (annoyed) — "What kind of Māori are you? This is your home!". Director Tamati Ihaka made the sci-fi short film so Māori could "imagine themselves in a different way", and "reconnect with our explorer heritage."
Tokelau is a New Zealand territory, spanning three small South Pacific atolls. In the 1960s the New Zealand Government expressed concern about overpopulation, and instigated the Tokelau Islands Resettlement Scheme. This National Film Unit documentary surveys Tokelau society and culture from a New Zealand perspective, and follows the journey of a group of Tokelauans who chose to migrate to Aotearoa (where they adapt to telephones and horses near Te Puke). It was one of three NFU documentaries directed by Derek Wright on Pacific Island subjects.
Arts magazine series For Arts Sake screened on TV One for two hours on Sunday mornings for 22 weeks in 1996. This segment features the acclaimed Hone Kouka play Waiora - The Homeland, about a Māori family struggling to deal with their move from traditional rural ways to city life in 1960s New Zealand. The item includes excerpts from the play, and interviews with playwright Kouka, director Murray Lynch, and cast members Rawiri Paratene, Nancy Brunning and Mick Rose. The play and this story feature both English and te reo Māori.
Lala Rolls (Children of the Migration) wrote and directed this short film, which gives a view of family life from a child's perspective. A young girl (Chelsie Preston Crayford) is disturbed from sleep by the sound of adults arguing. She tries to shut out this grown-up world by pretending to be "adult" and taking care of the dinner wasting in the kitchen while her parents unwittingly carry on arguing.
This pre-Rugby World Cup 2007 interview follows All Black fullback Mils Muliaina as he revisits the grounds of his alma mater, Southland Boys High in Invercargill (Mils is one of 21 All Blacks from Southland Boys). He talks about his family’s migration from Samoa to Invercargill, and heads south to Bluff to score some oysters with the film crew. Muliaina also talks about finding out via the six o’clock news that he was in the All Blacks, recalls the game he remembers most fondly, and discusses his fondness for rolling his rrrs.
Arriving in the first decade of Kiwi hip hop, this track edged into the top 20 of the Kiwi singles chart. The performance-based video was shot on the streets of South Auckland, in a mix of both black and white and colour. Lost Souls was made up of two Samoans, a Niuean, a Tongan and a Cook Islander. Two years after recording this tale of post-migration PI life in Aotearoa, Lost Tribe rapper Brotha D (Danny Leaosavai'i) co-founded legendary hip hop label Dawn Raid, with Andy Murnane.
The Governor was a television epic that examined the life of Governor George Grey in six thematic parts. Grey's "Good Governor" persona was undercut with laudanum, lechery and land confiscation. NZ TV's first (and only) historical blockbuster was hugely controversial, provoking a parliamentary inquiry and "test match sized" audiences. It won a 1978 Feltex Award for Best Drama. Auckland Star reviewer Barry Shaw trumpeted: "It has made Māori matter. If Pākehā now have a better understanding of the Māori point of view [...] it stems from The Governor.
A documentary about author Janet Frame based on the eponymous biography by Michael King. It travels through the familiar Frame themes - her alleged mental illness, family tragedies, overseas stays, how she began writing. Its value, and fresh insight, lies in the interviews with Frame's close friends and key figures in her life. They shed light on her personality and achievements. King in particular provides a considered, often-amusing account of Frame's life. This was his last interview for film; he was killed in a car accident in 2004.
Private Journeys / Public Signposts turns the camera on photographer Ans Westra. Dutch emigree Westra has captured iconic images of New Zealanders since the late 1950s, expressively observing Aotearoa societal changes, particularly Māori urban drift. This film explores her remarkable life and work, and includes commentary from family and friends, fellow photographers, and colleagues, as well as discussion of the Washday at the Pa controversy. Luit Bieringa, curator of Westra's retrospective photo exhibition, directed the film, his first.
Nanna Maria (Ruby Dee), the matriarch of a Fijian family in Auckland, feels that the heart has gone out of her clan. She demands that her grown grandchildren put on a traditional feast, at which she will name her successor. The grandchildren reluctantly turn up, but tiffs spin things into chaos and she calls the whole thing off. Based on his second play, this love letter to the suburb of Mt Roskill marked the first film for director Toa Fraser (Dean Spanley). It screened at many festivals internationally, and won the 2006 World Cinema audience award at American festival Sundance.