This seven-part documentary series chronicled the history of modern Māori music, from the turn of the century and Rotorua tourist concert parties, through to the showband era (Howard Morrison Quartet, Māori Volcanics, Māori Hi-Five) and reggae and hip hop. The programme ranged from ‘Ten Guitars’ to Tui Teka, from Guide Rangi doing poi to The Patea Māori Club, from opera singer Kiri Te Kanawa to Upper Hutt Posse, Ardijah, Herbs and Moana and the Moa Hunters. The acclaimed 1990 series was directed by Tainui Stephens (My Party Song, The New Zealand Wars).
The Ralston Group was an anarchic early 90s TV3 political chat show. Ringmaster Bill Ralston wrangled a caucus of political and media industry insiders, ranging from broadcaster Derek Fox and writer Jane Clifton to Peter Williams QC and PR man Richard Griffin. The irreverent show offered in the moment opinions on an especially heady era in NZ politics. A 2003 issue of The NZ Herald remembered it as “the best sort of dinner party: noisy and gossipy, the guests well informed, well lubricated with lots of opinions and zero inhibition.”
Shortland Street is a fast-paced serial drama set in an inner city Auckland hospital. The long-running South Pacific Pictures production is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week. In 2017 the show was set to celebrate its 25th anniversary, making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture — starting with “you’re not in Guatemala now, Dr Ropata!” in the very first episode. Mihi Murray writes about Shortland Street here.
Growing up in one of New Zealand’s many convent schools before they were reordered by the Second Vatican Council in the 1960s, was an experience many found tough. This documentary explores the stories of the girls who endured the nuns’ strict rule, including interviews with Ginette McDonald, Moana Maniapoto and painter Jacqueline Fahey, plus some of the nuns themselves. They discuss discipline, education, their thoughts on becoming nuns and how despite all the rules, they wouldn’t have changed it for the world.
This documentary examines an unusual Aotearoa first encounter: between Māori and Russians in 1820, when Queen Charlotte Sound was visited by Fabian Bellingshausen aboard the sloop the Vostok. Alongside reenactments of crew diaries, presenter Moana Maniapoto gets a history lesson from Tipene O'Regan, and visits Russia to look at traded taonga and archive material — and also find out what the famed Antarctic discoverer was doing in Ship Cove shortly after Napoleon was sent packing from Moscow. The doco screened on Māori TV and at Australia's Message Stick Festival.
This documentary looks at the history of the island of Motutaiko, the prominent landmark in the middle of Lake Taupō. Motutaiko is a sacred site for Ngāti Tūwharetoa. Directors Toby Mills and Moana Maniapoto use interviews and shots of island life to examine Motutaiko’s geological and mythological origins, its strategic place in Māori history (from the muttonbirds that gave the island its name, to its role as a stronghold), desecration of burial sites, and its contemporary place as a conservation bastion free of predators — and home to rare birds, insects and trees.
As Syd Jackson’s daughter Ramari puts it, there are some who sit on the couch and moan, and others who get up and take action. Winner of Best Māori Programme at the 2003 NZ TV Awards, this episode of Ngā Reo profiles the late fighter for Māori, women's and homosexual rights. The "warrior" intellectual helped put Treaty debate on the agenda, and led Māori activist group Ngā Tamatoa and the Clerical Workers Union. His nephew, broadcaster Willie Jackson, credits his uncle with rousing "the sleeping giant" of Māori activism in the 70s. Jackson would die in September 2007.
This series of portraits of Māori kaumatua, by Toby Mills and Moana Maniapoto, won Best Māori Programme at the 2000 NZ TV Awards. In this first episode, Kaa Rakaupai reminisces about catching crayfish with socks; master carver Paki Harrison spurns his family to follow his ambitions; Tawhao 'Bronco' Tioke's grandfather was jailed with prophet Rua Kenana; and Joan Mohi muses on being Pākehā and Māori. The millennial morehu ('survivors') talk of hopes for tamariki, and lament lost traditions — but not the bad old schooldays when they were forbidden to speak te reo.
In 2002, musician Moana Maniapoto was prevented from using her first name to market herself in Germany because it was copyrighted by someone else. That bewildering experience prompted this award-winning doco made with partner Toby Mills. It explores wider issues of commercial exploitation of 'exotic' indigenous cultures by global companies — a vexed area which Western intellectual property law seems ill-equipped to deal with. There are case studies of the good, the bad and the ugly over usage by brands including Lego, the All Blacks, Ford, Moontide and Playstation.
This 2002 documentary profile of the late Ngāti Porou master carver and 2013 Arts Foundation Icon award winner Pakariki Harrison won that year’s Best Māori Language Programme at the TV Guide NZ Television Awards. The documentary follows Harrison, the eldest of 21 children from Ruatoria, who honed his practice while still a student at Te Aute College in Hawke’s Bay and who left a legacy as one of the finest tohunga whakairo (expert carvers) of his generation. It also examines the unique chisels used by the carver, and their specific uses and patterns.