Rock'n'roll couple Karyn Hay and Andrew Fagan have both had long and varied careers in New Zealand music and media. They have been night-time hosts on Radio Live, but Fagan spent many years as the lead singer of pop band The Mockers, and Hay was the long-time host of iconic music show Radio with Pictures. Hay and Fagan are also both published authors.
Matt Heath and Chris Stapp first launched grungy rockers Deja Voodoo as the fictional house band in brief segments of their TV show Back of the Y. The offer of a university orientation tour encouraged them to take their mock rock creation more seriously, and actually become a real band. In line with their Back of the Y antics, the concerts saw ten burning acoustic guitars were smashed over Stapp’s head. Deja Voodoo have released two albums celebrating alcohol, women and beer: Brown Sabbath and Back in Brown. They also featured extensively on the soundtrack to Heath and Stapp’s 2007 film The Devil Dared Me To.
'My Old Man’s an All Black' was a big hit for the Howard Morrison Quartet in 1960. The song subverted 'My Old Man's a Dustman' to mock an apartheid South African decree banning Māori players from the touring All Blacks. In this 1990 performance, Morrison and Billy T James (months after heart surgery) update the song’s lyrics for a more recent controversy: the dropping of popular All Black captain Wayne 'Buck' Shelford. Howard ribs rugby’s supposed amateurism, and Billy T explains why Buck isn’t packing down in the scrum. The final haka includes an unexpected guest...
A military exchange between New Zealand and the United Kingdom is the focus of this National Film Unit short. About 150 Kiwi soldiers head to London for Exercise Powderhorn in 1964, which includes guard duty at Buckingham Palace and the Tower of London. And they still have time to see the sights. Meanwhile a contingent from the Loyal Regiment in North Lancashire arrives in New Zealand for Exercise Te Rauparaha. They experience jungle warfare in a mock battle on the West Coast and practise mountain craft in the Southern Alps.
This edition of the NFU magazine series first travels to Waiouru to observe the NZ Army’s elite Special Air Service, in the year it was established. The soldiers undergo bush exercises, an obstacle course and a mock ambush, training for deployment to Malaya. Then it’s up to Auckland Zoo to meet husky litters destined for an Antarctic Adventure with Hillary and the Trans-Antarctic Expedition (the dogs are related to Captain Scott’s huskies). And finally, it’s further north to go shark fishing for “a day on the Kaipara” in a segment directed by Maurice Shadbolt.
This 1965 National Film Unit classic follows the working life of a young musterer, on a 145,000 acre South Island merino sheep station. He hands over his swag and gets to work (after he’s been mocked for bringing an electric blanket). He begins in the summer: training dogs and breaking in a horse. In the autumn it’s the muster: wrangling 10,000 sheep from the tops, across rivers and down to the yards before winter snow. Peter Newton’s 1947 musterer memoir, Wayleggo, was a local bestseller, and the film bolsters the book’s Kiwi mountain man mythology.
Away Laughing was an early sketch comedy show for both TV3 and Wellington production company Gibson Group. In this first episode from the second series, spies, skateboarders, Kiwi mateship, and All Black Buck Shelford are the butt of jokes. Along the way, Murray Keane plays both an Australian mocking New Zealand place names, and a true blue Kiwi; a trio of firefighters make idiots of themselves in a classroom; kids argue about the best kind of lunch; and onetime Telecom promo man Gordon McLauchlan (David Downs) interviews two gorillas about Telecom's privatisation.
The golden age of rock is recaptured in a studio mock-up of the Wellington Rock 'n' Roll Revival Club. Hosted by Paul Holmes (under the name Wonderful Wally Watson), the show features Tom Sharplin and his band. Dalvanius Prime also puts in an appearance, delivering a wonderful version of 'The Great Pretender'. The show mixes studio and location sequences, as it delivers hits made famous by the likes of 50s legends Bill Haley and Chuck Berry. Actors Marshall Napier and Brian Sergent are on hand to play a couple of bodgies, referencing the milk-bar cowboys of the era.
This film records the devising of a “work in progress” by theatre director Ashley Thorndyke (Jason Hoyte). The concept — by Duncan Sarkies (Two Little Boys, Scarfies) — mocks the gamut of thesp and drama school cliches: from ‘wanky’ director to wacky warm-up exercises (animal impersonations, primal screams, Love Boat theme song). Peter Burger, fresh out of Broadcasting School, co-directs, and the willing cast is drawn from the 90s Wellington theatre scene orbiting around Bats and Victoria University. Future Conchord Jemaine Clement memorably learns to get loose.
In the final episode of the season, larrikin presenters Bill and Ben pretend to offend rugby league stars Monty Betham and Awen Guttenbeil (with a nod to American Beauty). The show's closing references the controversial finale of The Sopranos (complete with mocking soundtrack), and there are cameos from Karl Urban and Temuera Morrison. Ben revels in extended torture of Bill, while Auckland Blues coach Pat Lam concentrates on golfing. Elsewhere a shop dummy does some begging, and a unique interpretation of cross-training enrages a passing screen producer.