Evan Short, one half of drum and bass duo Concord Dawn, talks about electronic music making in this episode from a series made for high school students. Appropriately, he first met future collaborator Matt Harvey in school music lessons and they later reconnected as drum and bass fans while studying audio engineering. To the thundering accompaniment of Concord Dawn’s student radio hit 'Morning Light', Short discusses hardware, software for beginners, the importance of developing good "ears", and the international recognition they have received.
In this episode from a series made for high school music students, Dallas Tamaira and DJ Mu recall Fat Freddy's Drop's early history as a duo with just turntables and a microphone in a vibrant Wellington scene. They reveal an aversion to rehearsals, preferring to develop their music in a live setting and Mu demonstrates the component parts of their song 'Midnight Marauders' on his secret weapon — an Akai sampler capable of emulating all of the instruments in their sound. His verdict that every school should have one may not have gladdened principals' hearts.
SJD (aka Sean James Donnelly), winner of the 2013 Taite Music Prize, talks samples, lyrics and home studios in this series made for secondary school music students. Donnelly demonstrates his fondness for old synthesisers (he admits liking their crankiness, and the way they make their most interesting sounds as they start to fall apart). Talking a couple of years after the release of second album Lost Soul Music, he traces the origins of Lost Soul single ‘A Boy’, and its music video — which features his son, and was animated and co-directed by his brother Kieran.
Mareko, Savage and Alphrisk from Dawn Raid act Deceptikonz offer a rhyme filled hip hop primer in this episode from a series for secondary school music students. Their vision of hip hop has little use for American-style guns and gangster rappers, but fighting with words is another matter and there are tips on the art of writing a battle verse (along with unlikely endorsements for The Discovery Channel and English classes). They also stress the importance of understanding an industry where artists arrive as musicians but need to leave as businessmen.
Indie legend Chris Knox is featured in this episode from a series made for secondary school music students. He performs 'One Fell Swoop' — a love song he describes as an aberration amongst his more "nasty" numbers — and explains its composition while denying Whitney Houston comparisons. Knox is typically forthright in discussing his varied career as musician, cartoonist, TV presenter and "renaissance bloke". He outlines his philosophy of DIY self-sufficiency and extols the virtues of never compromising (so that even failure is "much more meaningful").
This episode from a series for high school music students features Auckland hip-hop act Nesian Mystik who can speak from personal experience about music education after forming at Western Springs College and first making an impression in Rockquest's Pacifica Beats. They perform stripped down versions of their APRA Silver Scroll winner 'For the People', and 'Better than Change' (written by Dallas Tamaira of Fat Freddy's Drop) and emphasise how simple music making can be — they started out with just their voices and a Playstation One programme.
Former Blam Blam Blam, Front Lawn and Mutton Birds member, Don McGlashan takes time out from making his first solo album to talk about songwriting in this episode from a series made for high school music students. McGlashan is passionate in exhorting his audience to write their own songs and make their own voices heard. Acoustic versions of his classic 'Dominion Road' (written about a neighbouring street) and another Mutton Birds number 'White Valiant' (based on a dream) underline his enthusiasm for writing about immediate surroundings, not faraway places.
Hip hop DJ/ producer P-Money (Pete Wadams) talks about a career born from very modest beginnings in this episode from a series for secondary school music students. After initial attempts at scratching on his father’s turntable were quickly rebuffed, he began making music using twin cassette decks. Success in DJ contests followed; and creating his own beats led to collaborations with acts including DLT, Scribe and Che Fu. He describes the process where his music for Scribe’s ‘I Remember’ was built up from samples from a particularly unlikely source.
TrinityRoots' vocalist and songwriter Warren Maxwell talks about his career and songwriting in this episode from a series for secondary school music students. Maxwell explains the genesis of the Wellington roots/reggae act's classic 'Little Things' (and the making of its music video); he performs a stripped back excerpt from the song. Maxwell also recalls the problems the band encountered in recording their first album and previews a new work, 'Angel Song' (which later appeared on TrinityRoots' second album Home, Land and Sea).
Rodney Fisher and Gareth Thomas from Auckland band Goodshirt preach a DIY message, in this episode from a series directed at secondary school music students. In the backyard of the house where they made their debut album, they perform stripped back versions of 'Slippy' (inspired by a Grey Lynn bus ride) and 'Blowing Dirt'. There's also a guided tour of the back shed where they built a recording studio with accessibly priced equipment that was good enough to produce a chart topping single in 'Sophie' — and stop them going into debt to a record company.