Geoff Murphy (Utu) directed this freewheeling adaptation of the Māori legend of Uenuku and his affair with mist maiden Hinepūkohurangi. The story of love, betrayal, and redemption was the first Māori myth adapted for TV — and the first TV drama performed entirely in te reo. The Listener softened viewers by printing a translation before it aired. Filmed at the Waimarama base of Murphy and cinematographer Alun Bollinger, Uenuku was produced by company Peach Wemyss Astor for the NZ Broadcasting Corporation — a rare independently produced TV drama in the 1970s.
Long isolated, New Zealand contains a world of Alice Through the Looking Glass natural oddities: birds, insects and plants like nowhere else. Scientist Jared Diamond remarked "it is the nearest approach to life on another planet". Palaeontology (from Professor Michael Archer) and Māori myth (told by Hirini Melbourne) reveal these 'Ghosts of Gondwana'. Then cutting edge camera techniques (earning a Merit Award at 2002 International Wildlife Film Festival) delve into a night world of bat-filled tree trunk saunas, “demon grasshopper” wētā, and furry kiwi with chopstick bills.
Ambitious Jonathan Gunson-created children's series Space Knights pitched the King Arthur myth into a zany sci fi universe of Knights of the Round Space Station, Vader-esque villains, and laser lance jousting. The distinctive look of this early South Pacific Pictures series — like a picture book come to life — was developed by Listener cartoonist Chris Slane, and achieved by using actors in life-size puppet suits and blue screen effects. The series was 22 half hour episodes and screened internationally. The memorable 'Space Junk' theme song was by Dave Dobbyn.
Ambitious kids' sci fi series Space Knights pitched the King Arthur myth into a zany universe of Knights of the Round Space Station, Vader-esque villains, rainbow rocket exhaust, and laser lance jousting. The distinctive look of this early South Pacific Pictures series — like a picture book come to life — was led by cartoonist Chris Slane who achieved it by using actors in life-size puppet suits and blue screen effects. In this excerpt, the evil Mordread creates an android Trojan horse to infiltrate Castle Spacelot. The 'Space Junk' theme song is by Dave Dobbyn.
This 1962 National Film Unit production is a comprehensive survey of the history and (then) state of Māori carving. Many taonga are filmed on display at Wellington’s Dominion Museum, and the design aspects of ‘whakairo’ are examined, from the spiral motif to the origin of iconic black, red and white colouring. Finding reviving tradition in new “community halls”, the film shows the building of Waiwhetu Marae in Lower Hutt in 1960, recording the processes behind woven tukutuku panels and kowhaiwhai patterns, as the tapping of mallets provides a percussive presence.
Lovers move towards each other through space and time in this episode of te reo series Aroha. Tapu (Cliff Curtis) plays a doctor who is unnerved by the strange behaviour of elderly patient Kahu. Kahu's death affects his niece Irikura (Ngarimu Daniels) deeply, and at the tangi secrets are revealed. Tapu and Irikura are haunted by visions of a shared past; Kahu's ghost has plans for them. This episode played in black and white. Celebrated Māori actor and mentor Don Selwyn plays Kahu. Director Guy Moana created tā moko and carvings for classic 1994 film Once Were Warriors.
Flightless and nocturnal, the kākāpō is the world's heaviest parrot. By the 1970s the mysterious, moss-coloured bird was facing extinction, "evicted" to Fiordland mountains and Stewart Island by stoats and cats. Thanks to innovative night vision equipment, this film captured for the first time the bird's idiosyncratic courtship rituals, and the first chick found in a century. Marking the directing debut of NHNZ veteran Rod Morris, it screened in the Feltex Award-winning second season of Wild South, and won acclaim at the 1984 International Wildlife Film Festival.
In June 1886 Mt Tarawera spectacularly erupted, and this documentary tells the story of the people who were caught in the catastrophic events. Around 120 people lost their lives, and the internationally famous Pink and White Terraces were destroyed. The documentary features an animated re-creation of the eruption, archival images, interviews with descendants of those involved, and readings from written eyewitness accounts. The author of the book Tarawera, Ron Keam, is also interviewed.
In this episode of anthology series A Twist in the Tale, two children visit a Devon estate and discover a barrel load of mysteries involving the story of King Arthur — including a hidden shrine, a soothsayer, and an excavation reaching its climactic stages. After being beckoned into the woods one day by a woman in white, young Aidan (Nicko Vella) finds himself being pulled towards the excavation site. But just what part is he meant to play? A Twist in the Tale was filmed in New Zealand, with William Shatner (Star Trek 's original Captain Kirk) introducing each story.
In the first 10 minutes of this TV3 comedy, Axl (Emmett Skilton) has a close shave outside the bottle store on the eve of his 21st birthday, but that’s nothing compared to the meteors, earthquake and a blood red Mission Bay that follow. By episode end Axl learns that he and his Kiwi bloke older brothers are also … Norse gods. From Outrageous Fortune creators James Griffin and Rachel Lang, the light-hearted lad fantasy saga gained a loyal following and — in a rare example of an NZ TV export to the US — the three series screened on the SyFy channel from July 2014.