This report from 80s current affairs show Close Up introduces the New Zealand public to future Prime Minister Jim Bolger — shortly after the “lightning coup” that saw him unseating urban lawyer Jim McLay, to become leader of the National Party. The focus is on Bolger’s rural roots as a father and farmer. There is also praise from political historian Barry Gustafson, and a mini journalistic joust with ex PM Robert Muldoon, over whether he supports the new party leader. In 1987 Labour was re-elected for another term; Bolger’s party swept to victory in 1990.
In 1996 Tony Sutorius got his hands on a new digital video camera, days before the start of an election campaign in Wellington Central. Made on the proverbial shoestring, this feature-length documentary chronicles five of those battling for the crown as a new political age — MMP — dawns. Richard Prebble joins a new party called Act, the National candidate joins United New Zealand… and one of the five will be sacrificed by their own party. Sutorius sat through 55 hours of footage to forge the result, which won enthused, sellout audiences at the 1999 NZ Film Festival.
With her election in 1975 at age 23, Marilyn Waring became NZ’s youngest MP. This TV doco, directed by George Andrews, follows her as she settles into parliamentary life and prepares her maiden speech. Waring happily takes guidance on House decorum from a venerable Keith Holyoake, but is unwilling to let her age or inexperience deflect her advocacy for youth and women’s issues. Her relationship with PM Rob Muldoon is already cautious. It will be more confrontational eight years later when she provokes his ill-fated calling of an early election in 1984.
In 1951, New Zealand temporarily became a police state. Civil liberties were curtailed, freedom of speech denied, and people could be imprisoned for providing food to those involved. This award-winning documentary tells the story of the 1951 lockout of waterside workers, and what followed: an extended nationwide strike, confrontation and censorship. There are interviews with many involved, from workers to journalists and police. At the 2002 NZ Television Awards, 1951 won awards for Best Documentary and Documentary Director (John Bates). Costa Botes backgrounds 1951 here.
In this 2001 documentary, popular columnist Joe Bennett goes behind the scenes of the “sausage factory” of Kiwi politics in Wellington – from The Beehive to The Green Parrot Cafe. Exploring the machinations of power in New Zealand, Bennett meets press secretaries, lobbyists, and spin doctors, from Helen Clark’s Chief of Staff Heather Simpson to press gallery reporter Barry Soper. The documentary marked a further collaboration between director Richard Riddiford and Bennett, after Jafas, where Bennett compared Auckland and Aotearoa's views of each other.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
Buckle up as we blast from the past Russ le Roq, gameshow host Paul Henry, tweenaged Kimbra and catwalk model Rach. Paul Casserly primes the collection: "pig out on these pre-fame Kiwis, gaze upon their fresh faces and remember the good times, before they were famous, before they became household names, movie stars, action figures and flavours of ice-cream."
The war is Europe is over and New Zealanders take to the streets to celebrate in this NFU newsreel. The relief and excitement at the end of hostilities against Germany is clearly visible on the faces of the thousands who flood into New Zealand's towns and cities. But Deputy Prime Minister Walter Nash reminds the crowd the war is not over: Japan has yet to surrender. That doesn't stop wild celebrations following the National Declaration of Peace. Civilians and servicemen alike enjoy the party, many looking the worse for wear "in advanced stages of celebration".
An elegiac profile of artist Eric Lee-Johnson, by Maurice Shadbolt, is the high point of this NFU magazine film. Johnson gave up a lucrative commercial career to pursue his vision of a New Zealand art moving beyond European tradition; and he is observed chronicling abandoned homesteads and churches, built in remote reaches of Northland's Hokianga harbour by early Pākehā settlers. There's light relief in coverage of a chimpanzees' tea party at Wellington Zoo, while a suitably breathless piece looks at a new industry manufacturing fibreglass boats.
At 11am on 15 August 1945 news of Japanese surrender reached New Zealand, marking the end of the nation's six years in World War II. This newsreel records the public celebrations in windy downtown Wellington and on Auckland’s Queen St, where there are street parties, bagpipes and beer as tensions are released. At Wellington Town Hall on the second day of the public holiday, tributes are paid to “team spirit”; and Prime Minister Fraser hopes for social justice and that the dead have not died in vain. Then there is a mass rendition of ‘Land of Hope of Glory’.