It's not too big a stretch to say songwriter Martin Phillipps 'is' The Chills, one of the most distinctive pop bands to have come out of New Zealand. This documentary examines the complicated talent behind some iconic pop songs and finds him at a crossroads in his life, facing very real consequences after years of alcohol and drug dependency. Phillipps opens up about his desire to leave a proper legacy, while a selection of ex-band mates lay bare their experience of being a Chill. The film debuted at US festival South by Southwest, where it won the first of many enthusiastic reviews.
These two clips provide a handy introduction to a Kiwi musical classic. The first clip sees John Rowles showing how he can hold the long notes, as he performs 'Cheryl Moana Marie' on a self-titled live special from 1976, made for state television. In the second clip — an excerpt from 2008 Buto Productions documentary The Secret Life of John Rowles — the singer recalls coming up with the chart-topping 1969 ballad, an array of Kiwi musicians provide their own take on it, and Rowles' sister talks about the ups and the downs of finding fame as a child, through someone else's song.
This full-length documentary gives warm-spirited context to the song that has been the soundtrack to countless back lawn crate parties and freezing works chains (watch the credits). It was released as the B-side of singer Engelbert Humperdinck's Please Release Me, and became an unlikely hit in Aotearoa with fans who have done the "dance, dance, dance ...": including Dalvanius (who discusses its "pop-schlock" charms), Bunny Walters, The Topp Twins, and a special group of ten guitarists. The documentary also explores why "the national anthem of Patea" is so appealing to Māori.
This 1993 award-winner was the first Crowded House video made in New Zealand. Director Kerry Brown and producer Bruce Sheridan wanted to emphasise the surreal, fantasy elements of the song, using distinctly Kiwi imagery. Locations included beaches and dense bush on the West Coast, the plains of Central Otago and the Victorian architecture of Oamaru. Scenes of an Anzac Day ceremony and marching girls also highlight the homeland setting. Brown took inspiration from Salvador Dali paintings for the psychedelic effects that were added in post-production.
The meteoric career of one of NZ’s greatest entertainers is examined in this documentary. John Rowles went from a Kawerau childhood to stardom in London at 21; but, after headlining in Hawaii and Las Vegas, he saw it all slip away. Those roofing ads and near bankruptcy followed, but Rowles has retained his self belief and that voice. A stellar cast of interviewees analyse his strengths and weaknesses, including Sir Cliff Richard, Tom Jones, Neil Finn and late promoter Phil Warren. Amongst the star cameos, John’s sister Cheryl Moana explains the downside of his best-known local hit.
The third of Pasta Productions’ popular All Blacks documentaries sees winger John Kirwan provide running commentary on the team’s path to the 1991 World Cup in England: from Argentina to Sydney and Auckland to contest the Bledisloe; from facing bottle and orange missiles in Tucumán to touch on Bondi Beach. JK muses on why coach Alex Wyllie is nicknamed ‘Grizz’, Neil and Tim Finn provide musical accompaniment (“I see black”), and Canterbury Uglies are the training uniform du jour. Meanwhile on-field signs are ominous for the reigning world champs.
This animated TV comedy series is a modern day fairytale following the adventures of five kids growing up in one of Auckland's grungier suburbs. With a fearless, un-PC wit and Simpsons-esque celebrity cameos, it managed to be primetime and family-friendly. The popular show was made by Firehorse Films, and developed from the brazen and poly-saturated comedy of theatre group Naked Samoans. Screening on TV3 for five series it won Best Comedy at the NZ Screen Awards three years running and a Qantas Award for Ant Sang's production design. "Morningside for life!"
In 1983, Split Enz, NZ's most successful rock group to date, celebrated 10 years together. TVNZ's flagship arts show Kaleidoscope marked the occasion by following the band on their 'Enz of an Era' tour as they reunited with former members (including Mike Chunn) for a concert at Auckland's His Majesty's Theatre (where they first made a major impact) and played the Sweetwaters Festival. Members talk frankly to reporter Ian Fraser about a decade of highs and lows, and there's priceless Dylan Taite-filmed tomfoolery from the band's early days in England.
Rain evokes an idyllic 1970s beach holiday. But as the title hints, all is not sunny at the bach. Mum (Sarah Peirse) is drowning in drink, Dad is defeated, and 13-year-old Janey is awakening to a new kind of power. Adapted from Kirsty Gunn's novel, Rain marked the acclaimed first feature for director Christine Jeffs. Invited to screen at the Cannes Film Festival, it won awards back home for actors Peirse, Alistair Browning and teenager Alicia Fulford-Wierzbicki. Neil Finn and Edmund Cake composed the soundtrack. LA Times critic Kevin Thomas called it "an important feature debut".
After Neil Finn-penned single ‘I Got You’ took Split Enz to number one, another Neil Finn song was chosen to announce follow-up album Waiata (aka Corroboree). The video — which screened in the early days of music channel MTV — is surprisingly understated, while retaining touches of familiar Enz weirdness. After walking past coloured silhouettes of the rest of the band, Neil arrives on a set designed on a theme of black, etched with lines of colour. Tim mimes enthusiasm while sitting on the floor, keyboardist Eddie Rayner moonwalks, and the Enz step on out of there.