The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
Beatlemania hit New Zealand in June 1964, as this footage makes clear. Welcoming 'the Fab Four' to Auckland after they arrive from Wellington, Mayor Sir Dove-Myer Robinson repeatedly asks the noisily enthusiastic crowd to "hold it please". He shakes John Lennon's finger, and the Beatles lark around with poi and attempt to hongi members of a Māori culture group. George Harrison also features in a short opening interview. Lennon threatened not to perform unless police protection was upgraded, after the Beatles encountered large crowds while arriving at their hotel.
Section 7 was New Zealand’s first urban TV drama series and followed soon after Pukemanu (which was set in a logging town). Taking its name from the Criminal Justice Act section which placed offenders on probation, it focussed on a Probation Service office and addressed issues of the day including new migrants, ship girls and domestic violence. Expatriate Ewen Solon returned from England to take the lead role in a series very much based on British dramas of the time. More popular with critics than the public, Section 7 was limited to 11 half-hour episodes.
This excerpt from the On Camera series sees Australian entertainer Rolf Harris recording in NZBC’s Christchurch studios for an episode of children’s TV show Kidset. In an ensuing interview — popping with sound effects made using only his voice — he talks about cracking his wobble board, his advocacy for aboriginal music, hit song ‘Two Little Boys’, and differences between children’s and adult audiences. Daughter Bindi drops in before Harris muses on being air-sick, and pounamu hunting in Hokitika. In 2014 Harris was convicted of numerous sex offences.
'Ship girls' are the subject of this episode of the NZBC’s Probation Service drama. Hapless Janice (Freda Costley), a 19-year-old with a father who moved to Whakatane and a mother she doesn’t see if she can help it, is looking for love in the wrong places: sneaking onto the wharves to party with sailors in the hope she’ll find a boyfriend. Now the police have arrested her and, if she’s not careful, she’ll end up in borstal. Will the Probation Officers (Ewen Solon and Glynis McNicholl) be able to "stop her gangway habit becoming an addiction"?
This NZBC religious programme goes where TV cameras had never gone before: behind the walls of the Carmelite monastery in Christchurch. There, it finds a community of 16 Catholic nuns, members of a 400-year-old order, who have shut themselves off from the outside world to lead lives devoted to prayer, contemplation and simple manual work. Despite their seclusion, the sisters are unphased by the intrusion and happy to discuss their lives and their beliefs; while the simplicity and ceremony of their world provides fertile ground for the monochrome camerawork.
Made six years after local TV broadcasting began, this wide-ranging 1966 documentary looks at the past and future of television in NZ. Political science lecturer Reg Harrison examines local content, a second channel, private enterprise, transmission challenges, editorial independence, sports coverage, and how TV’s expansion has affected other pursuits, and children. The doco includes interviews with privacy-keen Gordon Dryden and film legend Rudall Hayward, and MPs. Director Gordon Bick later argued that the NZBC had allowed "a good deal of criticism against itself" on screen.