The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
This collection looks at some of New Zealand's most significant national tragedies. Spanning 150+ years, it tells stories of drama, caution, hope and recovery — from the 1863 wreck of the Orpheus at Manukau Heads, to Tarawera, the Wahine, Erebus, Pike River and Christchurch. In the backgrounder, Jock Phillips writes about the collection, and the "common sequence" to disaster.
As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise.
Beatlemania hit New Zealand in June 1964, as this footage makes clear. Welcoming 'the Fab Four' to Auckland after they arrive from Wellington, Mayor Sir Dove-Myer Robinson repeatedly asks the noisily enthusiastic crowd to "hold it please". He shakes John Lennon's finger, and the Beatles lark around with poi and attempt to hongi members of a Māori culture group. George Harrison also features in a short opening interview. Lennon threatened not to perform unless police protection was upgraded, after the Beatles encountered large crowds while arriving at their hotel.
Section 7 was New Zealand’s first urban TV drama series and followed soon after Pukemanu (which was set in a logging town). Taking its name from the Criminal Justice Act section which placed offenders on probation, it focussed on a Probation Service office and addressed issues of the day including new migrants, ship girls and domestic violence. Expatriate Ewen Solon returned from England to take the lead role in a series very much based on British dramas of the time. More popular with critics than the public, Section 7 was limited to 11 half-hour episodes.
This NZBC religious programme goes where TV cameras had never gone before: behind the walls of the Carmelite monastery in Christchurch. There, it finds a community of 16 Catholic nuns, members of a 400-year-old order, who have shut themselves off from the outside world to lead lives devoted to prayer, contemplation and simple manual work. Despite their seclusion, the sisters are unphased by the intrusion and happy to discuss their lives and their beliefs; while the simplicity and ceremony of their world provides fertile ground for the monochrome camerawork.
Made six years after local TV broadcasting began, this wide-ranging 1966 documentary looks at the past and future of television in NZ. Political science lecturer Reg Harrison examines local content, a second channel, private enterprise, transmission challenges, editorial independence, sports coverage, and how TV’s expansion has affected other pursuits, and children. The doco includes interviews with privacy-keen Gordon Dryden and film legend Rudall Hayward, and MPs. Director Gordon Bick later argued that the NZBC had allowed "a good deal of criticism against itself" on screen.
These behind the scenes shots of the NZBC's mid-60s flagship pop show offer a fascinating glimpse of TV studio production at the time (complete with fixed lens cameras). No broadcast footage from Let's Go survives, so this colour Standard 8 film — shot during a rehearsal by technician Clyde Cunningham — is also the only record of a series only ever seen in black and white. Peter Sinclair is the presenter (in his first TV job), the technicians are resplendent in white coats and the musicians are still in the thrall of Beatlemania with their suits and boots.
This excerpt from the On Camera series sees Australian entertainer Rolf Harris recording in NZBC’s Christchurch studios for an episode of children’s TV show Kidset. In an ensuing interview — popping with sound effects made using only his voice — he talks about cracking his wobble board, his advocacy for aboriginal music, hit song ‘Two Little Boys’, and differences between children’s and adult audiences. Daughter Bindi drops in before Harris muses on being air-sick, and pounamu hunting in Hokitika. In 2014 Harris was convicted of numerous sex offences.