Cannes is the town in France where Bergman meets bikinis, and the art of filmmaking meets the art of the deal. In 1975, a group of expat Kiwis managed to score interviews with some of the festival's emerging talents, indulging their own cinematic dreams in the process. Werner Herzog waxes lyrical on the trials and scars of directing; a boyish Steven Spielberg recalls the challenges of framing shots during Jaws; Martin Scorsese and Dustin Hoffman talk a gallon. Six years later interviewer Michael Heath's debut script The Scarecrow would be invited to Cannes.
A girl is murdered and her body dumped in the forest. Nature's Way is a short film that explores the mind of a murderer who thinks he's gotten away with it. In Jane Shearer's haunting Cannes-nominated film, the dense native bush acts as witness to what the killer has done. In the absence of dialogue, Matthew (Out of the Blue) Sunderland's paranoid protagonist, sublime cinematography by award-winner Andrew Commis (The Rehearsal, Beautiful Kate) and an eerie, spare soundtrack by Rachel Shearer evoke the themes of utu at the suburban fringe.
In this 'peeping tom rom-com' Toby (Richard Falkner) gets a little carried away un-obscuring the object of his desire — SPCA worker Phoebe (Scarlet Hemmingway). His dating guru Carl (comedian Jonathan Brugh) doesn't help. The inaugural winner of the Make My Movie Feature Film Competition was made in six months for $100,000. The Wellington team behind Distance proved that you don't need a big budget and years of development to make a crowd-pleasing feature. Following successful screenings at the 2012 NZ Film Festival, it was picked up for theatrical release.
The search for a New Zealand Spice Girls is underway in the first episode of this pioneering reality series. Manager Peter Urlich (formerly of Th' Dudes) and record company executive Mark Tierney (ex-Strawpeople) hold public auditions to find an all-female pop group for their record deal and TV series. The good, the bad and the unfortunate are out in full force. After an exhaustive selection process, Urlich and Tierney whittle down the talent to 15 hopefuls. The format for the show sold to multiple countries.
For this stylishly shot video, the ghosts of Goodnight Nurse rise from their coffins to perform a song about obsession, and dancing with the Devil. Reflecting the band's own obsession with horror imagery, the setting is a moon-lit hillside, surrounded by gravestones. The video won Best Rock Video at the 2005 Juice TV Awards, and was a finalist for Video of the Year. After the group's passing, each player stayed involved in music; lead vocalist Joel Little would rise up again to co-write Lorde's Grammy award-winning hit Royals. Director Jonathan Gerrard remembers making the video here.
“When I kiss your lips I don’t feel alone no more…”. Vince Harder’s tribute to that very special person marked the second single on the X Factor finalist's 2011 album The Space Between. The R&B ballad features Harder's Illegal Musik labelmate, rapper K. One. Prolific promo director Ivan Slavov (Katchafire, P Money, Deep Obsession) directs the romance (loving looks, fireside kissess). The object of Vince’s affection is played by Shushila Takao (Filthy Rich, Rarotongan-set BBC series Tatau).
It’s possible that Auckland’s early 60s urban growth has never seemed bigger, brighter or bolder than it does in this breathless NFU newsreel. As the city encroaches ever further into the countryside, suburbs blossom and improved roads, motorways and the new harbour bridge keep the citizenry moving. In the CBD, construction is booming with a 23 storey civic centre on the way up and an obsession with bigger and better parking buildings. Improved infrastructure is also demanded — with upgrades to ports, railways, telephone exchanges and sewage facilities.
The 2013 winner of short film contest Tropfest is a caffeinated musical that gently pokes fun at the Kiwi obsession with the black stuff. The customers at the Ozone Bean Store sing the names of their favourite brews in a growing chorus, which is broken by the scandalous arrival of a decaf drinker who does a tango, then by a pair of beverage infidels. New Plymouth-based production company Touching Cloth had previously made a series of 48 Hour film contenst entries as well as performed local theatre. Writer Andy Bassett also composed and performed the tango-tastic score.
Vocalist Victoria Kelly is very much the focus of this moody Strawpeople video. Singing enigmatically of dreams, knives and possible obsession— and magically changing outfits off camera, in patented music vid style — she performs in a shadowy, red-lit dive for an audience that consists of Strawpeople founders Paul Casserly and Mark Tierney. Tierney left the group in 1996. Plans for Victoria Kelly to take on a bigger role in Strawpeople would be derailed by her increasingly busy career as a film composer. ‘Beautiful Skin’ was composed by Strawpeople collaborator Greg Johnson.
Tony Williams recognised that passion makes for compelling human interest whatever the subject and came up with the idea of a “pub battle” where three people from very different fields, but united by a common dedication to their respective callings, would be brought together to debate their obsessions. The subjects — choirmaster Maxwell Fernie, astronomer Peter (Night Sky) Read, and sports journalist Terry ‘TP’ McLean — are also filmed separately at work; shots of Fernie working with his choir are particularly notable in the scrum of sport, art and science.