In this short film, Māori kaumātua Laly Haddon and his Pākehā wife Sharley are interviewed about their relationship to each other and the land. The couple’s kōrero ranges from computers and tapu places, to horse breeding and racism, providing a lens through which to explore love, biculturalism and belonging. Cathy Macdonald’s film was part of international documentary Other Than, made up of 11 short films involving the theme of diversity. A 2013 Washington Post review found Turangawaewae “capable of great feeling”. Ngāti Wai leader Haddon died in Pakiri in July 2013.
Historian Michael King's opus was a bridge between Māori and Pākehā; he turned Aotearoa's history into an unprecedented publishing bestseller. History Man traces King's own past, to understand the man and his passion for his work. This doco was commissioned only weeks before King and his wife were tragically killed in a car accident. Nevertheless it is a detailed portrait of a much loved and missed New Zealander. It is another collaboration from this producer/director team, whose subjects include Michael Houstoun, Ian Mune and Barry Crump.
This TVNZ production screened at the end of 1989, just before the 150th anniversary of the signing of the Treaty of Waitangi. Filmed at Government House, presenter Ian Johnstone oversees passionate kōrero as a panel of youngsters, academics and Māori and Pākehā elders debate the place of New Zealand’s founding document. Don Selwyn and Angela D’Audney explore its history, and Sir Paul Reeves begins by musing on chief Te Kemara’s famous about-turn, when, after first opposing the Treaty, he turned to Hobson and said: “How d’ye do Mr Governor”.
A teenage boy's unorthodox relationship with his father (Wi Kuki Kaa) is explored as he learns about hypocrisy in this E Tipu e Rea edition, written by Bruce Stewart and starring Faifua Amiga as Thunderbox Junior. After establishing a reputation as a highly successful director of commercials, this was Lee (Once Were Warriors) Tamahori's first attempt at the helm of a longer drama. "You tend to get a bit of experience making people laugh when you direct commercials,' he said. "One thing I'm sure of is that people like to laugh at themselves."
In the tradition of Billy T's 'first encounter' skits, this series used satire to examine pre-Treaty of Waitangi relations between tangata whenua and Pākehā settlers. The topic of this fifth episode is health. After Te Tutu (Pio Terei) wakes with a bad back, his daughter Hine Toa (Rachel House) suggests trying out some alternative medicine: Pākehā bedding. Newly arrived Nurse Veruca (a cameo from Susan Brady) clashes with comical tohunga Tu Meke (William Davis) and stirs up symptoms in Henry Vole. Terei has commented that the show's take-no-prisoners humour was ahead of its time.
In this excerpt from Marae, Elle Hughes interviews John O'Shea about producing groundbreaking documentary series Tangata Whenua. Prior to its 1974 screening in primetime — significant, in a time of single channel TV — Māori "lacked a voice" on the Pākehā medium of television. O'Shea says the aim was "a better understanding. We wanted to listen to what the Māori people said". Tangata Whenua captured interviews with kaumatua from different iwi for posterity, and increased Pākehā understanding of land grievances, including the Tainui-led occupation in Raglan in the 1970s.
Kim Hill interviews historian and writer Dr Michael King at the time of the release of his acclaimed book The Penguin History of New Zealand, in 2003 (the year before King's death). King talks about his optimism about Māori and Pākehā relations. He says one of the reasons he writes books is because "information dissolves prejudice". He offers a theory that you can have two indigenous peoples in one country - that Māori are our first people and Pākehā are our second people.
This second episode of the early 80s chat show sees host Ian Johnstone welcome Howard Morrison, Pita Sharples and Rosa Tamepo to talk about ‘breaking in’. Morrison and Sharples discuss being Māori ‘breaking in’ to a Pākehā world. Tamepo reflects on being a Pākehā married to a Māori. Sharples recalls being a Kahungungu boy from the backblocks at Auckland University; Morrison twists the theme to talk about growing up as a Te Arawa tama in Tūhoe country. Made by David Harry Baldock, the show was inspired by the relaxed style of English interviewer Michael Parkinson.
This turn of the century comedy series is a satirical look at colonial life through the eyes of Māori chief Te Tutu (Pio Terei). In this third episode, Te Tutu interrogates efforts by the settlers to mine for gold, and has designs on Vole's stove. Objects of ridicule include Pākehā and Māori cuisine; settler lust for “a useless, worthless, dangerous, coloured stone”; and patronising colonialism: “what’s the story with those beads and blankets? Haven’t they got any cash?” Meanwhile hangi pits are causing a spate of injuries. Michael Saccente has a guest role as an American miner.
This third episode of Mike King’s Treaty series heads north. After the 43 signatures at Waitangi on 6 February 1840, Queen Victoria decreed that more were needed for the Treaty to gain legitimacy, and Governor Hobson took the Waitangi Sheet to the people. King talks to Professor Pat Hohepa about the role of missionaries, and his tīpuna Mohi Tawhai. He visits key Northland locales — where he hears of anti-Treaty Pākehā like ‘Cannibal’ Jack Marmon — and meets a descendant of Nopera Panakareao, who recalls his ancestor’s famous shadowy reading of the Treaty.