Morgana O’Reilly is an actor and playwright who began her screen career performing in comedy series such as The Jaquie Brown Diaries and Super City, as well as the comedy drama Nothing Trivial. O’Reilly starred in TV movies Safe House and Billy, and in comedy horror hit Housebound. In 2014, she scored a role on long-running Australian soap Neighbours.
Playwright and screenwriter Roger Hall has made a significant contribution to New Zealand’s television landscape. Two of his highly successful stage comedies became TV hits - Gliding On and Neighbourhood Watch. Hall wrote three one-off TV plays for the Spotlight series: The Bach, The Reward, and Some People Get All the Luck. As well as his own creations, Hall has also written for Pukemanu and Spin Doctors.
A dry spell on the acting front saw Albert Belz turn his hand to writing for theatre and television.
Arts magazine series For Arts Sake screened on TV ONE for two hours on Sunday mornings for 22 weeks in 1996. The show featured a range of artists including dancer/choreographers Michael Parmenter and Mary Jane O'Reilly, playwright Hone Kouka, sculptor Michael Parekowhai, painter Graham Sydney, photographer Ans Westra, and animator and sculptor Len Lye. Former TV current affairs journalist Alison Parr was the show's presenter and interviewer. Each week's programme had a theme represented by local stories and interviews, as well as international items.
Kim Hill interviews Australian-born and British-based writer Clive James. They discuss the nature of intelligence and whether you have to be tormented to be really clever. James says he doesn't think so. He names scientist Stephen Hawking as the cleverest person he has ever seen, and playwright Tom Stoppard as the cleverest person he knows. James also tells Hill that he has no plans to ever retire (or "hang up his pen", as he puts it), and discusses his love of tango dancing.
“An ironic comedy about a disconnected New Zealand family” is the tagline to this early Alison Maclean short. Recently widowed Nan (Yvonne Lawley) assesses her life and the roles prescribed by her family as she readies a Sunday roast. Her new plans — “I won’t be able to make the Christmas Cake this year” — rattle the shackles of her Old Testament-bashing husband and her ex-All Black son. Nan was a comeback leading role for Lawley after time away raising a family. Written with playwright Norelle Scott, Maclean’s short screened with the About Face TV series.
This teledrama explores the tensions surrounding an elderly woman's tangi, as whānau members gather in a suburban house. Alienation of urban Māori — particularly son Paul (Jim Moriarty) — from iwi roots, and differing notions of how to honour the dead, are at the heart of the conflict between the mourners. A pioneering exploration of Māori themes, the Rowley Habib teleplay was one of three one-off dramas the playwright wrote (alongside 1978's The Death of the Land, and 1982's The Protesters) encouraged by director Tony Isaac. It screened in April 1980.
This fictionalised account of pioneering 19th century photographers the Burton brothers is set partly in Dunedin during the closing stages of the New Zealand Wars. William and Alfred take contrasting approaches to representing their subjects — and are treated accordingly by the authorities, who are attempting to attract new settlers while brutally suppressing Māori. Produced by veteran John O'Shea (who co-wrote with playwright Robert Lord), the tale of art, commerce and colonisation was largely well received as a thoughtful essay at revisionist history.
Playwright Roger Hall visits Uganda in Africa for this Intrepid Journey. He finds the going tough at times, particularly some rough accommodation and worries about malaria, but delights that he got to see lions and gorillas in their natural habitat, and is moved by the efforts of the Ugandan people to triumph over their "hideous recent history". This excerpt sees Hall white water rafting on the Nile, and getting a memorable warning speech about one of the rapids by a guide. He "loses his Nile virginity" after getting tipped out, and ending up under the raft for a few scary seconds.
Young Geoff Garlick reckons he's developed a game-winning move - the 'Garlick Thrust' - for his schoolboy rugby team, but the Saturday he hopes to show it off to his dysfunctional family they're more interested in the Springbok match. The national loss of innocence the '81 tour represented is captured in an end scene, where Geoff and his weeping Dad (Michael Noonan) are intercut with clips of a notorious stand-off between tour protestors and rugbyheads. Written by playwright Bruce Mason, this was one of a three TV dramas written as he was battling cancer.