Thru the Southern Moonlight

Rockinghorse, Music Video, 1974

In 1973 EMI NZ producer Alan Galbraith saddled up Rockinghorse: a supergroup of Kiwi musicians (including ‘Nature’ composer Wayne Mason) to provide session music for the label’s artists. Rockinghorse found success of their own with the third single from the Throughbred album — ‘Thru the Southern Moonlight’. It won Best Single at the 1975 RATA Awards. The band also won Best Group and their celebrations led to a year-long ban from the Lion Breweries pub circuit. Here they funk up the cowbells in a 1974 end-of-year special, for Christchurch-based music show Pop Co.

Juice

Headless Chickens, Music Video, 1994

Co-written by lead singer Fiona McDonald, 'Juice' celebrates the days when she watched morning music shows as a child. Alongside scenes of children playing outside, things take a more sinister turn indoors, with one particularly nightmarish sequence showing her younger self restrained in a dentist’s chair. 'Juice' was released paired with Chickens song 'Choppers', and won Single of the Year at the 1994 NZ Music Awards. It was originally recorded by McDonald’s other band, Strawpeople, under the title 'Dreamchild'. It featured on 1994 Strawpeople album Broadcast.

Artist

Goodnight Nurse

With more than three million song plays on their MySpace page, pop-punk rockers Goodnight Nurse led the way in Kiwi cyberspace popularity; the Auckland quartet also produced a string of Top 40 singles. The band's first album Always and Never was released in 2006 and Keep Me On Your Side followed it in 2008, which peaked at number five in the charts. Frontman Joel Little went on to produce Lorde’s smash hit album Pure Heroine, winner of a pile of Tui, Grammy and Brit awards; while guitarist Sam McCarthy went on to co-found synth pop duo Kids of 88.

The Otherside

Breaks Co-Op, Music Video, 2005

The electronica of Breaks Co-op’s 1995 debut Roofers offered few hints to the more organic sounds of their second album The Sound Inside. Its hit single ‘The Otherside’ is a sun-kissed anthem (and a NZ Music Awards Single of the Year) featuring lush acoustic guitar and a soulful vocal from Andy Lovegrove. Director Tim Groenendaal’s video is an idyllic summer road trip by Holden Kingswood through the Far North and down Ninety Mile Beach (with Zane Lowe’s backseat role prefiguring the step back he would take from the band as his UK radio career blossomed).

Wake Up

Aaradhna, Music Video, 2012

Aaradhna’s third album Treble and Reverb was released on hip hop label Dawn Raid and co-written and produced by P Money and Evan Short (Concord Dawn) — but its “retro/metro” sound channels the glory days of the classic early 60s girl groups rather than more contemporary styles. ‘Wake Up’, the lead-off single, is a bright, sunny song about trying to fix a broken soul. The video — directed by the award-winning Special Problems — nods to the era with an animated symphony of pop-coloured modern household objects happily distracting from the lyric’s call to action.

Capital in the 21st Century

Film, 2019 (Trailer)

After tackling documentaries about sporting legends and surveillance, Kiwi director Justin Pemberton (Chasing Great) began his most ambitious project yet. Inspired by the brick-sized bestseller by French economist Thomas Piketty, Capital in the 21st Century examines the disproportionate amount of cash and power wielded by a small global minority. The French-Kiwi co-production blends talking heads (including Piketty and Nobel Laureate Joseph Stiglitz) and pop culture imagery of the rich and famous. Jean-Benoît Dunckel (from French duo Air) supplies the music. 

Touchdown

The Stereo Bus, Music Video, 1999

'Touchdown' was drawn from the second (and final) Stereo Bus album Brand New (1999). The stylishly minimalist video, directed by Alex Sutherland and Michael Lonsdale, appears to be a continuous shot, circling around band members and objects in a white studio set. Biffed chairs and bottles, and singer David Yetton, get up close to the lens while guitarist Jason Fa'afoi (who was co-hosting What Now? at the time) also makes multiple appearances. The slow pan matches the tempo of the band’s textured guitar pop; the promo won Best Music Video at the 2001 NZ Music Awards.

Let the Children Know

Spot On Team, Music Video, 1985

This charity single, sung by Spot On presenter Ole Maiava, was made for Telethon in 1985. In the studio-shot video Maiava is supported by co-presenters Sandy Beverley on drums and Helen McGowan on maracas, backed by Eastbourne's Muritai School Choir. The song was produced by late screen composers Terry Gray (Sea Urchins and the classic 'We are the Boys' Chesdale commercial) and Rob Winch (Mark II, ‘Cruisin' on the Interislander’). The song made it to number eight in the charts. That year Telethon raised $1.5 million for the Child and Youth Development Trust.

One Black Friday

The Mockers, Music Video, 1985

The Mockers were at the peak of their mid-80s pop prowess when they released this single. It originated with Andrew Fagan’s Wellington based co-writer Gary Curtis hearing reports of the 1984 Queen Street riot in Auckland (after an outdoor concert which had featured The Mockers). The music video places the band amongst the lions, acrobats, rides and sideshows of the now defunct Whirling Brothers Circus (set up in Victoria Park in inner city Auckland). Fagan is resplendent in a velvet frock coat with lace cuffs, black choker and matching nail polish.

Telephone Lover

The Crocodiles, Music Video, 1980

The Crocodiles were on tour supporting their second album, Looking at Ourselves, when this video was shot in Dunedin. Though he’d left the touring unit, Fane Flaws still provided material and was co-writer of ‘Telephone Lover’. Dunedin’s old Bing Harris Sargood building provides the backdrop for most of the video, while the ‘live’ sections were shot at the now-defunct Shoreline Tavern. Dunedin cameraman Peter Janes directed and filmed the segment for regional news programme The South Tonight.