In this special Easter episode of TVNZ’s Sunday morning mainstay, original Praise Be host Graeme Thomson introduces hymns from some of the country’s oldest churches. Throughout the country church choirs deliver praise, while Thomson offers intermittent quotes from the bible to remind viewers of the true meaning of Easter. The special includes a hymn performed inside Christchurch’s iconic cathedral, before it was destroyed in the 2011 quakes. Praise Be first debuted in 1986, and has been on air ever since, apart from two years off the air in the mid 2000s.
This post war newsreel features footage of Māori Battalion solders returning from WWII onboard the ship Dominion Monarch, into Wellington Harbour. The soldiers are greeted with a huge pōwhiri and ensuing hākari at Aotea Quay where the kaimoana and pia flow freely. The reel then follows the regional celebrations of men returning home in Kuku and Ngaruawahia. The narrator soberly recalls the casualty rate of the Māori Battalion (five men in seven). This footage features in the documentary, Maori Battalion - March to Victory.
This early episode from the award-winning arts series drops in on the Urale sisters — directors Sima and Makerita and publicist Maila — in the living room of their Lyall Bay fale. The prolific Samoan-Kiwi siblings visit local haunts, discuss work, and brother Bill (aka King Kapisi) is mentioned in dispatches. Other Kiwi creatives featured include 'nu jazz' practitioner Mark de Clive-Lowe playing at Cargo in London; designer Ross Stevens building his challenging Happy Valley shipping container conversion; and Cannons Creek beatbox king Dougie B breaking it down.
Ngaire Fuata’s cover of classic song ‘To Sir with Love’ went to number one in Aotearoa in 1990. It was followed by album Ngaire. Fuata also has a long history of working for TVNZ’s Māori and Pacific programming unit, including on flagship Pacific show Tagata Pasifika. In 2011 she visited her father's homeland of Rotuma in documentary Salat se Rotuma.
Nightmare and reality collide in this seventh episode of David Stubbs and Thomas Robins' interactive web drama Reservoir Hill, which picked up an International Digital Emmy in 2010. Beth (Beth Chote) reveals Lilli's secret to Sammy — only to find Sammy has known it all along. Sammy hints at her beef with Matt, but Beth is still drawn to him. James loses his cool and blurts out another accusation at Matt. It's the girls — Beth, Sammy and Monika — who venture up to the reservoir above suburban Porirua, to confront their worst fears.
"As dark as Twilight, as twisted as Twin Peaks, and as bitchy as Gossip Girl" is David Stubbs' summary of the series he co-created, produced and directed with Tom Robins for Krafthaus Films. Beautiful but doomed Beth Connolly (played by the coincidentally named Beth Chote) washes up in Kafkaesque suburban Porirua, where folks are understandably freaked out by her dead-on resemblance to missing schoolgirl Tara. The winner of an International Digital Emmy in 2010, the series originally screened in 2009 and has since been sold to Swedish channel SVT.
In the final episode of this International Emmy Award-winning web series, Beth (Beth Chote) is on the run from the hooded, masked bike gang, and heads into the perennially grey and misty streets of Porirua. Although Matt (Tim Kano) promises to rescue her, Beth finds herself trapped on a dam surrounded by the hoodies — where at last she discovers the secret of the town's bizarre and spooky behaviour towards her. What she does next is even more surprising...
Created by Dave Armstrong and Kerry Jimson, The Semisis was a satirical take on a contemporary Samoan-Kiwi family. In this opening episode, the Semisis handle eviction by heading to a campground with all their belongings. There romance buds, the palagi next door neighbour (Brian Sergent) proves unwelcoming, and the South African camp commander is even worse. The over the top Semisis family began as part of 90s TV sketch show Skitz; Armstrong consulted with cast members and a group of young Samoans from Porirua, while writing the scripts.
In this fifth episode from his personal examination of New Zealand at the end of the 70s, Ian Johnstone explores the then new suburb of Massey in West Auckland — the latest instalment in what seemed, at the time, like an unending march of urban sprawl (which had already produced seemingly far-flung suburbs like Otara and Porirua). For Johnstone, Massey is an "infestation of houses", bafflingly lacking in community amenities. By turns wry, considered and accusatory, this masterful performance would have made him few friends in town planning circles.
This series of five stand-alone, observational documentaries was made by TVNZ and screened in late 1988. According to producer Alan Thurston, the aim of its fly on the wall approach was to let the story unfold without reporter presence so the audience could “share the experience rather than be told about it”. The subjects were adoption and a birth mother’s search for her daughter, the changing face of Auckland’s Ponsonby Road, life on Pitt Island, a Graham Dingle trek for young offenders and a community centre in the Wellington suburb of Porirua.