This 2006 documentary is a portrait of one of New Zealand politics' most contradictory figures: unionist Ken Douglas. At the time of filming Douglas occupied numerous board positions (eg Air New Zealand, the NZ Rugby Football Union), but early on he was a truckie and Marxist. Rob Muldoon branded him 'Red Ken'. For 15 years until 1999 he led the Council of Trade Unions. Directed by Monique Oomen for Top Shelf Productions, the film is framed around interviews with Douglas and his colleagues, and asks whether he is a turncoat or a strategic realist moving with the times.
In this short film, 14-year-old Jimmy (Waka Rowlands) faces a tough decision: stay in his abusive home to protect his younger siblings, or escape to start a new life of his own. Written and directed by Sam Kelly, Lambs was inspired by true stories. It competed at the 2012 Clermont-Ferrand and Berlin Film Festivals, and won the Jury Prize and Audience Award at the 2012 NZ Film Festival; judge Roger Donaldson raved: “It reminded me of Once Were Warriors in the best possible way.” Lambs was one of the first products of the NZ Film Commission’s ‘Fresh Shorts’ funding scheme.
Hosts Olly Coddington, Gabrielle Paringatai and Candice Davis front this TVNZ youth series from the era of Bebo and Obama. The series flavours youth TV fare (music videos, sport, online competitions) with reo and tikanga. This final episode from the show’s first year is set around a roof party on top of Auckland’s TVNZ HQ. Hip hop dance crews, Shortland Street stars and DJs are mixed with clips of the year’s 'best of' moments: field reports (from robot te reo to toilet advice and office Olympics) and special guests (from rapper Savage to actor Te Kohe Tuhaka playing Scrabble).
This early episode from the award-winning arts series drops in on the Urale sisters — directors Sima and Makerita and publicist Maila — in the living room of their Lyall Bay fale. The prolific Samoan-Kiwi siblings visit local haunts, discuss work, and brother Bill (aka King Kapisi) is mentioned in dispatches. Other Kiwi creatives featured include 'nu jazz' practitioner Mark de Clive-Lowe playing at Cargo in London; designer Ross Stevens building his challenging Happy Valley shipping container conversion; and Cannons Creek beatbox king Dougie B breaking it down.
The second season of comedy web series The Māori Sidesteps sees the now established band (who still work at Pete’s Emporium) facing a plethora of absurd challenges. Hoani questions his heritage and joins another, much whiter, band, Jamie faces marriage trouble, and Lemmi’s Samoan roots leave him in very hot water. Meanwhile Riki faces delusions of living in the Old West, Kelly gets the band an uncomfortable booking at a “birthday”, and Dollar$ faces competition as the band’s manager from the enigmatic Maui (Te Kohe Tuhaka).
In this special Easter episode of TVNZ’s Sunday morning mainstay, original Praise Be host Graeme Thomson introduces hymns from some of the country’s oldest churches. Throughout the country church choirs deliver praise, while Thomson offers intermittent quotes from the bible to remind viewers of the true meaning of Easter. The special includes a hymn performed inside Christchurch’s iconic cathedral, before it was destroyed in the 2011 quakes. Praise Be first debuted in 1986, and has been on air ever since, apart from two years off the air in the mid 2000s.
Ngaire Fuata’s cover of classic song ‘To Sir with Love’ went to number one in Aotearoa in 1990. It was followed by album Ngaire. Fuata also has a long history of working for TVNZ’s Māori and Pacific programming unit, including on flagship Pacific show Tagata Pasifika. In 2011 she visited her father's homeland of Rotuma in documentary Salat se Rotuma.
In this fifth episode from his personal examination of New Zealand at the end of the 70s, Ian Johnstone explores the then new suburb of Massey in West Auckland — the latest instalment in what seemed, at the time, like an unending march of urban sprawl (which had already produced seemingly far-flung suburbs like Otara and Porirua). For Johnstone, Massey is an "infestation of houses", bafflingly lacking in community amenities. By turns wry, considered and accusatory, this masterful performance would have made him few friends in town planning circles.
"As dark as Twilight, as twisted as Twin Peaks, and as bitchy as Gossip Girl" is David Stubbs' summary of the series he co-created, produced and directed with Tom Robins for Krafthaus Films. Beautiful but doomed Beth Connolly (played by the coincidentally named Beth Chote) washes up in Kafkaesque suburban Porirua, where folks are understandably freaked out by her dead-on resemblance to missing schoolgirl Tara. The winner of an International Digital Emmy in 2010, the series originally screened in 2009 and has since been sold to Swedish channel SVT.
In the final episode of this International Emmy Award-winning web series, Beth (Beth Chote) is on the run from the hooded, masked bike gang, and heads into the perennially grey and misty streets of Porirua. Although Matt (Tim Kano) promises to rescue her, Beth finds herself trapped on a dam surrounded by the hoodies — where at last she discovers the secret of the town's bizarre and spooky behaviour towards her. What she does next is even more surprising...