This two-part mini-series is set in an 80s 'New Auckland' world of mirror glass and murderous corporate conspiracy. British actor James Faulkner (latterly Bridget Jones' Uncle Geoffrey) plays a shady developer with a smash and burn approach to urban planning. Blocking his utopian waterfront scheme is a cafe. The inheritors of the greasy spoon — and a racehorse — are a duo of feisty femmes: working class Tammy (Annie Whittle), and art consultant Joanna (Miranda Harcourt). The Shadow Trader marked an early producing credit for Finola Dwyer (An Education).
In this episode of the real estate reality series, super salesman Michael Boulgaris has talked a restaurateur into selling his penthouse apartment — but the price has to be right and Boulgaris needs to find active buyers for the auction. Meanwhile, an Auckland woman is on a challenging quest to find an apartment big enough to house her super-sized 6'8" New York fiancée; and there are sellers, not buyers, getting cold feet in another Boulgaris transaction (while he waits on the national listings see if he’s still number one, and refurbishes his office).
Variously praised as a major step forward in indigenous cinema, attacked for overambition, and little screened, Te Rua marked Barry Barclay’s impassioned follow-up to Ngati. This story of stolen Māori carvings in a Berlin museum sees Barclay plunging into issues of control of indigenous culture he would return to in book Mana Tuturu. Feisty activist (Peter Kaa) and elder lawyer (screen taonga Wi Kuki Kaa) favour different approaches to getting the carvings back home. Barclay and his longtime producer John O’Shea had their own differences over Te Rua’s final cut.
This episode of the Loose Enz series features small town intrigue in Hawkes Bay. Prickly, violin playing, ex-POW Austin (Derek Hardwick) refuses to retire despite handing over the farm to son Wesley (Goodbye Pork Pie director Geoff Murphy) — and the impending sale of the neighbouring property (to Japanese buyers) puts him on the warpath one boozy night at the local. Rural land politics and identities are nicely observed, the farmers’ band is delightfully chaotic (with Paul Holmes as a sax-playing fencer), and the Land Rover stuck in reverse is worthy of Fred Dagg.
There are trials and tribulations at both ends of the spectrum in these excerpts from the debut episode of this long-running real estate reality series. It features house prices that now seem almost quaint. A young couple, trading down to a cheaper property, are looking at a house long on what is euphemistically described as "potential". But can they get it at the right price? Meanwhile, Michael Boulgaris, the crown prince of NZ real estate, works an auction floor attempting to get top dollar for a client, selling what she hopes is a million dollar arts and crafts house.
Heartland host Gary McCormick discovers the scenic and rustic charms of Glenorchy, near Queenstown. McCormick meets Rosie Grant, who has lived in the same cottage since 1916, and shares her home with 17 cats; checks out Paradise House, the first guest accommodation in the area, now owned by Dave Miller; and plans to have a day at the races. But the film crew's plans go awry when the settlement suffers serious flooding, and stories of sand-bagging, stock rescue and property recovery replace the more typical Heartland fare.
In this series about living sustainably, comedian Te Radar swaps the farm for town to transform a quarter acre overgrown lawn into a lush garden. Using recycled materials and organic methods, Te Radar faces a mission to clear the jungle that is his property and make a profit selling his produce. Throughout the series he visits eco-friendly businesses, including a firm that converts waste cooking oil into biodiesel, and turns to locals to help with his challenge. The series followed on from Off the Radar, in which Te Radar aimed to live solely off produce from his farm.
Created for television by author Maurice Gee, The Fire-Raiser pits a quartet of smalltown school kids against a balaclava-clad figure with fire on the brain. In this episode, the children sneak onto the property of the man they suspect of terrorising their town. The police arrive after Kitty is trapped inside a room that has tragic memories for the suspect’s mother, the memorably moody Mrs Marwick. This WWI-era gothic adventure went on to score four Listener TV awards, including best drama; and Gee’s accompanying novel was published both here and overseas.
In 2002 American reality show The Osbournes became a global hit. The following year The Family provided Aotearoa with its own reality TV whānau: The Rippins. The show chronicled the lives of matriarch Denise, her second husband (property developer Pat) and her adult children Scott, Maria, Matthew and Victoria. Made by Visionary Productions, the TV3 show won headlines for the family’s cashed-up lifestyle. It made a Stuff 2016 list of New Zealand's worst reality shows. Pat Rippin was declared bankrupt in 2008; he was later convicted of hiding assets during the process.
This 1988 TVNZ documentary looks at Ponsonby through the eyes of some of its oldest identities. It's a pivotal time in the Auckland suburb's evolution from working class preserve to upmarket retail destination and residential area. Gentrification is taking hold, as older residents move on or are forced out by rising property prices. But there are still traces of the old Ponsonby to be seen in the fabled Gluepot tavern, op shops, drop-in centres and a dizzying array of eateries — and there are memories of when Michael Joseph Savage was the local MP.