This episode from a series for high school music students features Auckland hip-hop act Nesian Mystik who can speak from personal experience about music education after forming at Western Springs College and first making an impression in Rockquest's Pacifica Beats. They perform stripped down versions of their APRA Silver Scroll winner 'For the People', and 'Better than Change' (written by Dallas Tamaira of Fat Freddy's Drop) and emphasise how simple music making can be — they started out with just their voices and a Playstation One programme.
Indie legend Chris Knox is featured in this episode from a series made for secondary school music students. He performs 'One Fell Swoop' — a love song he describes as an aberration amongst his more "nasty" numbers — and explains its composition while denying Whitney Houston comparisons. Knox is typically forthright in discussing his varied career as musician, cartoonist, TV presenter and "renaissance bloke". He outlines his philosophy of DIY self-sufficiency and extols the virtues of never compromising (so that even failure is "much more meaningful").
Wellington funk, soul, reggae act The Black Seeds manage to cram themselves into a single shot for this episode from a series made for secondary school music students. Bookended by stripped back performances of 'Keep on Pushing' and 'Going Back Home', they explain the development of these songs from their origins as bass grooves. Mike Fabulous has cautionary words for aspiring songwriters about the dangers of overcomplicated song structures while Barnaby Weir reassuringly suggests that virtuosity is not an absolute prerequisite for being in the band.
Winner of Best Actor and Best Director at short film festival Tropfest in 2013, this mockumentary follows the travails of Dave Dobson, "audio enhancement engineer for adult films". Dave’s passion for his job results in some sloppy aural props, in the hope that his soundtrack for Blizzard of Jizz will score a win at the Golden Clams. Not that his efforts are appreciated by his sleazy boss Gary, and hapless colleague Jake. Written and starring Greg Stubbings (Seven Sharp, The Crowd Goes Wild guest presenter), the comedy was selected for the ImagineNATIVE and Austin film festivals.
Taste New Zealand presenter Peta Mathias hosts this 2003 Christmas special, featuring festive food and music. Musical guests Hinewehi Mohi, bass-baritone Conal Coad, Brooke Fraser (who sings 'Joy to the World') and King Kapisi perform, share Christmas memories, and cook their favourite seasonal dishes. Mathias herself sings 'O Come All Ye Faithful', backed by students of her old school, St Mary's College in Ponsonby. Other highlights include Mathias making music with King Kapisi, and Mohi's bilingual version of 'Silent Night' with choir Musica Sacra.
One of a select few Kiwi dramas about filmmaking, The Footstep Man centres on a man whose job is creating footsteps and sound effects for movies. Lonely, toiling under a demanding director, Sam (Brit Steven Grimes) gets trapped between real life and reel life. Cinematographer Leon Narbey’s second movie is a portrait of the strange pressure cooker of creating films, a luminous film within a film — with Jennifer Ward-Lealand as muse to painter Henri de Toulouse-Lautrec — and a reminder that for all the technology involved, moviemaking is about the human touch.
“There are six of them: three school teachers, an architectural draughtsman, a student of anthropology and a bus mechanic.” This lively and light-hearted 1968 National Film Unit production profiles The Hamilton County Bluegrass Band, who come together in Auckland to play in a villa, a recording studio, and at the Poles Apart Folk Club (where they would record a live album the same year). The band brought the sounds of Kentucky to New Zealand via a prolific run of albums, and regular appearances on 60s TV show The Country Touch. They turned professional in 1969.
Open Home was a 90s series looking at New Zealand homes and the people making, designing and living in them. This episode from the third season ranges from deconstructionism to DIY. Builder (and future Dunedin mayor) David Cull checks out a Northland glasshouse designed by Nigel Cook, before visiting the renovated Australian farmhouse and digital recording studio of Dragon band member Todd Hunter. Susan Wood tries translating the architectural theory of deconstructionism with the help of Auckland architects, including Mark Wigley.
NZ's first major female pop star, "Queen of the Mods", Dinah Lee is profiled in this NZBC special (one of the earliest surviving interviews with a Kiwi rock'n'roller). Her trademark pageboy-with-kiss-curls hairstyle is almost a character in its own right as she talks about the pressures of celebrity — while footage of her recording 'He Can't do the Bluebeat' reveals a singing voice that is almost a shock after the softly spoken interview. The last word goes to Lee's manager who recounts the "nightmare" repercussions of her TV appearance in Bermuda shorts.
Sailor's Voyage charts the journey of Hello Sailor, the band that ripped up a storm live, made landings in the USA, ran aground and fell apart, then drifted back together again. Interviews with Graham Brazier, Dave McArtney, Harry Lyon and co reveal how the group opened doors for local music, and helped establish a New Zealand touring circuit. Manager David Gapes recalls attempts to get a US record deal, before the cash ran out; the legend of Brazier being asked to join The Doors is explained. The archive footage includes a performance with Doors member Ray Manzarek.