Arm yourself with jaffas and get set for debate: NZ On Screen has gone out on a limb and selected an all-time NZ feature film Top 10. Starring the icons of the Kiwi big screen — Blondini, Ada, Beth, Boy. Whet your appetite for our finest features via choice 10-minute excerpts of the movies. Cook the man some eggs, we're taking this Top 10 to Invercargill!
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
New Zealand is said to have earned its prosperity "off the sheep's back", and our relationship with sheep is a renowned and intimate one (as many a sheep shagger joke attests). The national flock has dropped recently but we still have a hellava lot of them (30 million). This collection features 21 titles celebrating and sometimes making fun of Kiwis and our ovine kin.
As the Operations Manager for Womad (World Of Music, Arts and Dance) in New Plymouth, Chris Herlihy performs the essential but often mundane jobs that make this large-scale outdoor event an annual success story. This half-hour documentary follows Herlihy and his crew as he oversees the pop-up city that is Womad 2011 — from looking after VIPs and fixing ticket problems, to mopping up the loos. New Plymouth has fully embraced Womad. Herlihy's love for the festival and his colleagues shines through as he power walks around the beautiful Brooklands Park site.
An early case of a Kiwi play being adapted for the screen, Middle Age Spread asks whether adultery is inevitable (and whether it can stay secret). Grant Tilly won acclaim as "an antipodian Woody Allen" for his philandering deputy headmaster fearing a future of stress and marital dissatisfaction. Roger Hall's hit comedy was adapted in the first flush of the Kiwi film renaissance. It marks the movie debut of many talents — including Tilly, director John Reid, writer Keith Aberdein, and cinematographer Alun Bollinger. Middle Age Spread was the first Kiwi feature to screen on the BBC.
After a surprising opening, this short film from James Solomon unravels an edgy tale about a couple playing power games in the bedroom — games where the lines between stimulation and insult are not always easy to define. Josh McKenzie (who played Dan Carter in The Kick, and the slimy millionaire in Filthy Rich) is the man tying up his girlfriend (played by Morgan Albrecht, who also takes centre stage in Put Your Hands Together, Please, another of the K' Rd Stories). Then he gets told he is not doing a very good job of it. Warning: contains offensive language.
The third feature from writer/director Harry Sinclair (The Price of Milk, Topless Women ...) is a fleet footed anti-romance about sex and infidelity. Love is a game for Ben (Dean O’Gorman), who cheats on girlfriend Emily with ease — until he falls head over heels with unpredictable vixen Chlo (Kate Elliott). When Emily confesses that she too has cheated, Ben self-righteously dumps her and runs to Chlo. But Chlo has a rule: she won’t date available men. To win her love, Ben must be unavailable. This excerpt features much bed hopping and 20-something mat-ters.
Written by Fiona Samuel (Marching Girls, Bliss, Home Movie) and produced by Ginette McDonald for television’s Montana Sunday Theatre, Face Value is a trilogy of monologues delivered by three separate women. While each woman’s story and background are vastly different, they are all united by their shared quest to find happiness amidst personal trauma. In A Real Dog, Carol Smith’s performance is spot-on as Lynette, a conflicted new-age hippie who struggles to recreate harmony when a new flatmate (and her estranged boyfriend) moves in.
Open Door is a unique form of community-based television that allows groups or individuals to apply to make a documentary programme about an issue that concerns them. This episode focuses on family violence and the work done by Auckland-based organisation Shine to help those affected. Using actors, it explores the personal experiences of women in abusive relationships and the services Shine provides. They include helping women leave such relationships, child advocacy and helping women improve security so they feel safer at home.
This Richard Riddiford-directed relationship drama explores the restless homecoming of a Kiwi from her OE. Monica (Judy McIntosh) returns from Europe to sculptor Nick (Peter Hayden), who has stayed behind in Waiuku. She goads him into a road trip north, searching for connection to him and home. At a Dargaville pub they meet Riki (Rawiri Paratene), a charismatic poet who has left the city to find his Ngapuhi roots. Monica is intrigued by Riki's bond to his people and the land, which widens a rift between her and Nick. Caution: this excerpt contains bath tub sax.