Murray Grindlay first rose to prominence as the lead singer in the 60s blues band The Underdogs. Since then he has written the music for a number of feature films, such as Sleeping Dogs, Once Were Warriors and Broken English; as well as countless TV commercials, including the classics Dear John and the Great Crunchie Train Robbery. Currently Grindlay is producing a web-based kids music show The One Winged-Bee Called Emily.
Dougal Stevenson started his broadcasting career as a continuity announcer, before moving into newsreading. He quickly became one of our most respected news anchors, initially with DNTV-2 in Dunedin, and then nationally. He left newsreading with the restructure of TVNZ that saw the news moving to Auckland, and has subsequently hosted and narrated a number of TV shows, and dabbled in film and television acting.
Ian Mune is a multi-talented and award-winning veteran of the New Zealand film and TV industry. He has been involved in a huge range of projects as an actor (Pukemanu, Moynihan, Erebus: The Aftermath, Fallout); writer (Sleeping Dogs, Gloss, Goodbye Pork Pie) and director (The End of the Golden Weather, Came a Hot Friday, What Becomes of the Broken Hearted). Three of the five films Mune has directed have won awards for New Zealand film of the year.
Graeme Cowley is a cinematographer with an impressive line-up of features to his credit including Smash Palace, Utu, and Carry Me Back (which he also produced). Cowley also set up pioneering equipment hire company Film Facilities with Nigel Hutchinson, to bolster the range of camera equipment available to independent filmmakers. He was a prime mover behind the restoration of Utu, Utu Redux.
Ian Mune is a Kiwi arts legend.
Producer Larry Parr has had a hand in producing a number of classic New Zealand films, including Sleeping Dogs, Came a Hot Friday and Smash Palace. He has also made forays into directing with Fracture and A Soldier's Tale. After three years as Head of Programming at Māori Television, Parr became Television Manager at Te Māngai Pāho, which funds Māori radio and TV programmes.
This half-hour portrait of actor and director Ian Mune kicks off at a family wedding. In-between clips illustrating his career, Mune reflects on life as a storyteller, "bullshitter" and goat farmer. He reveals his adaptation process, his loss of confidence after directing Bridge to Nowhere, and how had no idea what he was doing on Sleeping Dogs. He also warns of the dangers of being boring, and the challenges of pulling off a decent commercial. Two years after this documentary aired, Mune returned to glory with the release of his passion project The End of the Golden Weather.
One of the earliest films made by Roger Donaldson (Sleeping Dogs), this curio chronicles the dawning of the Age of Aquarius in Aotearoa. The made for TV film features interviews with those who've swapped walk shorts for wigwams to "start again". There's rebellion against all things straight, and rejection of the city in favour of getting back to nature. Folk songs are the soundtrack to hippies, outdoor bathing, "group touching", the Blerta bus, and DIY dome housing. Counterpointing the counterculture are 1984-style scenes of masked marchers representing the silent majority.
This report for TVNZ’s flagship 1980s arts show was made to tie in with Nicholas Reid’s book about the renaissance in NZ cinema that began with Sleeping Dogs in 1977. Reid and a who’s who of filmmakers discuss many of more than 50 films made in the previous decade (with Bruno Lawrence ever present) — and ponder the uniqueness (or otherwise) of NZ film. The industry’s fondness for rural and small town settings, and forceful (often conflicted) male leads is explored; and more neglected areas — Māori film making and more of a voice for women — are traversed.
Many of Aotearoa’s most successful films have been adapted from novels. This 2006 Artsville documentary looks at the process of turning books into movies. Authors Alan Duff (Once Were Warriors), Tessa Duder (Alex) and Jenny Pattrick (The Denniston Rose) reflect on the opportunity and angst of having their words turned into scripts — and maybe films. Duff reflects on DIY adaptation (What Becomes of the Broken Hearted?). Scriptwriters Ian Mune (Sleeping Dogs), Ken Catran (Alex), Riwia Brown (Warriors) and Geoff Husson (Denniston Rose) provide the adapters' perspective.