Robyn Malcolm is the well-known Kiwi, and Vietnam is the far-flung place in this full-length Intrepid Journey. Writes Malcolm in her diary: "I expect to be enchanted, challenged and scared several times a day." If drinking snake wine, taking a pee in a corn field and witnessing the ceremonial sacrifice of a pig fits the bill, her expectations are fulfilled. Although some of the homestays are lacking in mod cons, Malcolm is glad for the experience. She also talks to Jimmy Pham, who runs the Koto cafe which trains street kids, visits the DMZ, and falls in love with the ex port town of Hoi An.
In this series celebrating diversity in Kiwi neighbourhoods, former Highlanders prop Kees Meeuws introduces an eclectic mix of migrants who call North Dunedin home. Meeuws muses that the student-filled suburb "on a clear day, sparkles like the jewel in the crown of Dunedin". A Japanese student enriches his life by volunteering to help an elderly woman, a German jewellery designer explores identity in her creations, an Afghani family celebrate New Year's Day with a feast, and an eighth generation Indonesian puppet master shows off his snake-shaped dagger.
In this full-length episode, Lisa Chappell travels to Malaysia at the edge of South East Asia, and starts to wonder if she might be an inside-at-home, rather than intrepid, traveller. The geographically-impaired, self-confessed snake-phobic actor journeys into one of the world's oldest rain-forests, meets the nomadic Orang Asli people and enjoys a walk, 45 metres above the forest-floor. Things go downhill when she injures her back on a boat trip and tries to finish the trip early, before rediscovering the travel bug, shortly before flying out of Kuala Lumpur.
This film tells the story of the world’s rarest wading bird, the black stilt (kakī). With its precise beak and long pink legs the stilt is superbly adapted to the stony braided riverbeads of the McKenzie Country, but it is tragically unable to deal with new threats (rats, ferrets, habitat loss). An early doco for TVNZ’s Natural History Unit, the magnificently filmed drama of the stilt’s struggle for survival makes it “stand out as a classic of its genre” (Russell Campbell). It won the Gold Award at New York’s International Film & TV Festival (1984).
Flip & Two Twisters is Shirley Horrocks' documentary about New Zealand-born artist Len Lye. Motion maestro Lye's international reputation rests on his work as a filmmaker and kinetic sculptor, and his lively contributions to the London and New York avant-garde. The documentary explores Lye's career and ideas, with the help of historical footage and excerpts from his films. It includes footage of Lye in typically exuberant form outlining his process, introduces many of his kinetic works, and documents how some of his most ambitious plans are being realised in New Zealand.
By 1976 there were only seven Chatham Islands black robins left. It was the world's rarest bird. In a bid to save the species, the surviving birds were taken from one island to another more hospitable island in a desperate rescue mission. This was part of an incredible conservation success story led by Don Merton and his NZ Wildlife Service team. Seven Black Robins and Project Takahē captured viewers' imaginations as part of an acclaimed series of 'rare bird' films that screened on TV series Wild South. They helped forge the reputation of TVNZ’s Natural History Unit (later NHNZ).
“These three birds are over half the world population of their species.” Peter Hayden’s narration lays bare the stakes for the Chatham Island black robin, and the Wildlife Service team (led by Don Merton) trying to save them. Merton’s innovative methods include removing eggs from nests – to encourage the last two females to lay again – and placing them in riroriro (grey warbler) foster homes. The black robin documentaries helped forge the reputation of TVNZ's Natural History Unit. Paul Stanley Ward writes about the documentaries here, and the mission to save the black robin.
In the mid 1970s the Chatham Island black robin was the world's rarest bird. With only two females left, the conservation ante was extreme. Enter saviour Don Merton and his Wildlife Service team. Their pioneering efforts ranged from abseiling the birds (including the 'Eve' of her species, 'Old Blue') down cliff faces, to left-field libido spurs. This 1988 Listener Film and TV award-winner united two earlier Wild South documentaries, and updated the robin’s rescue story to 1987. It originally screened on Christmas Day 1987, before being modified for this 1989 edition.
Peter Janes has been capturing images of NZ — and its musicians — for longer than some of his camera assistants have been on the planet. Through Janes' diverse screen career, music forms a major thread. After directing his first music videos as a teen, he went on to helm iconic clips for many Flying Nun bands. Janes has also been director of photography on TV's Jackson’s Wharf and The Topp Twins.
Finola Dwyer, ONZM, began as an editor. After cutting Country Calendar and movie Trial Run, she was encouraged by Larry Parr to become a producer. Three films and a number of TV programmes later, Dwyer began her producing career anew in London in the early 90s. Her work in England stretches from acclaimed Beatles feature Backbeat to Oscar-nominated dramas An Education and Brooklyn.