Gary Cradle (Gareth Reeves) wants to go straight, but has to face up to a drug habit, family dysfunction, and the burden of guilt over a past sin. Gregory King's redemptive recovery yarn debuted at the Rotterdam Film Festival. King's second feature won Qantas Film and TV Awards for the best film made for under $1 million, and Ginny Loane's camerawork. Actors Reeves and Ian Mune (playing his far from supportive father) were also nominated. In February 2009 the film gained media attention after being made available to watch free online, for 24 hours.
This Wild South documentary opens with the haunting call of the kōkako ringing out over the forest canopy at dawn. The film tells the story of Aotearoa’s "avian squirrel" and its struggle for survival — living with introduced cats and rats, while the remnants of its North Island rainforest home face logging. The songbird is framed as an icon of both conservation loss and hope. The script is by poet Brian Turner. The use of composer Hirini Melbourne’s score (with lyrics in te reo) was praised by award judges at British nature film festival Wildscreen.
This 2002 documentary explores the stories behind one of Aotearoa’s most beloved songs: ‘Pokarekare Ana’. Claims for the authorship of the waiata aroha are examined, and Kiwis famous and lesser known reflect on the song’s place in the culture. Directed by Chas Toogood, the doco features classic performances: from St Joseph’s Girls’ Choir singing in the Waitomo Caves in 1960, to Inia Te Wiata going low in English, Kiri Te Kanawa soaring in concert, Hinewehi Mohi enlisting a 30,000 strong league crowd as backing singers, and sailing away in a 1987 America’s Cup campaign song.
Inspired by the work of Spring Hill Prison music therapist Evan Rhys Davies, Julian Arahanga convinced the Department of Corrections to allow him to film inmates making songs at Rimutaka and Arohata prisons — with mentoring from musicians Anika Moa, Warren Maxwell, Maisey Rika, and Ruia Aperahama. In later seasons Moa was joined by Don McGlashan, Annie Crummer, Laughton Kora, Ladi6, Scribe and Troy Kingi at other prisons. The Māori TV show won Best Reality Series at the 2017 NZ Television Awards, and international interest. It also spawned two albums.
This 2012 documentary explores the economic and creative potential of one of the icons of New Zealand’s forest: the kauri. Logging and fire have destroyed 95% of Aotearoa’s great kauri forests (this film was made before kauri dieback disease became a major threat). Director Mathurin Molgat poses a solution to the tree’s survival: commercial harvest. He frames the film around Laurie Williams, who makes guitars from the wood. In this excerpt, musician Tiki Taane talks about Tāne Mahuta, and a tree is prepared for felling. The film screened at a number of festivals in the United States.
Reggae band Herbs hold a special place in the history of New Zealand pop music, mixing feel-good rhythms with burning social and environmental issues. The original line-up consisted of five musicians from across the Pacific. Their string of hits in the 80s and 90s helped Aotearoa forge a new Pacific identity. For this documentary director Tearepa Kahi (Poi E: The Story of Our Song, Mt Zion) captures the band's reunion, and interviews key members about the protest movement that lit a fire under the group, their chart topping success, and famous collaborations.
Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.
With its mysteriously instructive "do the alligator" lyric, 'Alligator Song' is still a crowd-requested favourite at Bill Direen's live shows. The song is taken from the Flying Nun LP CoNCH3 that featured a new line-up of the Bilders, including bassist Greg Bainbridge and drummer Stuart Page. The video's moody feel and emphasis on the physical movement of an exotic dancer in the back alleys of Christchurch reflect Direen's previous projects with Blue Ladder Theatre. The location was badly damaged in the February 2011 earthquake and is now in the red zone.
A compilation of four short ditties from the Tall Dwarfs’ Fork Songs album - ‘Wings’, ‘Lowlands’, ‘Oatmeal’, and ‘Two Humans’. The linked clips all feature assorted forms of stop frame animation and film scratching - Wings has a hand-drawn animated border; Lowlands uses the phone book as a background for a range of animated doodles; Oatmeal does unspeakable things with two raw chickens and other meat products; and Two Humans flickers through what seems like hundreds of different human faces. Simple but clever, as is the Chris Knox way.
The shoot required a diverse crowd of coasters (Hibiscus Coast) in order to portray the feeling of unity and multicultural inclusiveness the band were after. "The idea of us playing in a community hall was to give it that inclusive feel, rather than a clichêd scrappy street punk vibe. We wanted our audience to know that we're more than that. At one stage I had to hold up a big sheet with lyrics on it, pointing out the words for the crowd as we went along."Chaz from The Rabble - Feb 09