Fresh off roughly a decade of performing overseas, legendary Kiwi rock'n'roller Johnny Devlin sits down with The South Tonight's Spencer Jolly to talk about his Rock Revival tour of NZ. He recounts stories of past tours, where fans ripped shirts off his back, and notes his 1972 tour has also had its moments — some of the entourage were injured on last night's concert. Devlin seems in two minds about continuing touring: he talks about retiring from it if promoters won't pay for his family to join him. Devlin would still be performing when he toured with Ray Columbus in 2006, 34 years later.
The first leg of Peter Hayden’s journey across latitude 45 south takes him across the Waitaki Plains and up to Danseys Pass. He visits the site of a moa butchery and the sunken circular umuti (cabbage tree ovens) of early Māori. Guided by colonial literature, he visits New Zealand’s tallest tree (a eucalypt, which he finds horizontal). Drought busting desperation of 1889 and the provenance of Corriedale sheep is also covered. In a riparian side trip, Hayden heads up the Maerewhenua River where gold miners succeeded only in ravaging the landscape.
In 1969, the arrival of network television ushered in a new era of regional news to replace Town and Around, whose four editions had served local audiences in the 1960s. Christchurch and Dunedin now got different shows, both called The South Tonight. The DNTV-2 edition covered Otago/Southland; it was presented by Derek Payne and produced by Bruce Morrison. The show disappeared in 1975 but, following the amalgamation of TV1 and South Pacific Television, re-emerged in the early 1980s (initially as 7.30 South), this time with Jim Mora in the front seat.
In 1976 Ian Johnstone became the first NZ TV journalist to visit apartheid South Africa. For this Feltex Award-winning report (one of three for Seven Days) he and a small crew strove — under the regime's close eye — to show apartheid's impact on blacks. Shots of Soweto, human rights meetings, and interviews (Bishop Tutu, students, campaigner Hector Ncokazi), undercut PM Johannes Vorster's case for separatism. Seeing Johnstone being denied service at a burger bar (he was with a black) unsettled Kiwi viewers, weeks before the All Blacks left for South Africa in mid-1976.
In TVNZ’s Journeys Across Latitude 45 South, writer and presenter Peter Hayden traverses east to west from Otago’s Waitaki Plains to George Sound in Fiordland. Hayden walks, hitches, cycles, paddles a mōkihi (a traditional Māori canoe made of reeds) and white water rafts along the 45 south line. Along the way he builds a social, industrial and natural history of latitude 45 south. From the lonely wilds of Fiordland to the tourist Mecca Queenstown, Hayden encounters the quixotic and gruff, and pioneer species of the past, present in a changing world.
RWP reporter/director Brent Hansen (later head of MTV Europe) visits the South Island: checking venues, talking to local luminaries, catching live bands and generally taking the pulse of the local music scene. Flying Nun is on the rise (and just starting to attract international attention) although none of the label's major acts are playing near the RWP cameras. Christchurch is in flux waiting on the next big pop act to emerge, while Dunedin is a hive of activity with a new generation of Flying Nun acts starting to come through. Then there's Crystal Zoom...
Reporter Neil Roberts ventures into South Auckland in this TVNZ documentary, and finds two rapidly growing but very different communities. Otara and Mangere are becoming New Zealand’s industrial powerhouse, but a huge influx of Māori and Pacific Island workers and their families are struggling to adapt in a brand new city that was farmland just decades earlier, and lacks amenities for its new citizens. Meanwhile, to the east, Howick and Pakuranga are also booming but their more upwardly mobile, prosperous and very Pākehā citizens seem to be living in a world of their own.
TVNZ’s Natural History Film Unit was founded in Dunedin around 1977. The first Wild South documentaries began filming a year later. The slot's initial focus was on New Zealand’s perilously endangered birds, eg the Chatham Island black robin (then the world’s rarest bird). The results won local and international notice, and a loyal audience. Wildtrack was a sister series showcasing natural history for young viewers. Wild South ended in 1997 when the Natural History Unit was purchased by Fox Studios; it later became internationally successful production company NHNZ.
For this lauded Seven Days assignment Ian Johnstone was the first NZ television reporter to travel to apartheid-era South Africa. In this episode (one of three) he finds a white minority clinging to power in the face of mounting violence and a sense of looming change. The limbo-like status of the mixed-race Coloureds stresses how untenable the regime’s policies have become; and demand for equality from black students is palpable. Interviewees include a defiant Prime Minister Vorster, author Alan Paton (Cry, the Beloved Country), journalist Donald Woods and activist Helen Suzman.
This 1952 tourism film promoted New Zealand as a destination to Australians. In the 1950s the Kiwi tourist industry lacked accommodation and investment. But new opportunities were offered by international air travel — like the Melbourne to Christchurch route shown here, flown by TEAL (which later became Air New Zealand). Produced by the National Film Unit, this promo touts the South Island as an antidote to crowded city life in Melbourne and Sydney. Road trips offer glaciers, lakes, snow sports, motoring, angling, racing, and scenic delight aplenty.