Nearly mammal free, pre-human New Zealand was a land of birds, many of them found nowhere else. In Birdland, Jeremy Wells (Eating Media Lunch) explores all things avian in Aotearoa. In this opening episode he visits Hauraki Gulf island sanctuary Tiritiri Matangi and Christchurch’s Peacock Springs. Putting the wry into wrybill, Wells muses on manu matters from twitching to tākahe poop. Dominion Post’s Linda Burgess praised Mike Single's "marvellous camera work", and Wells’ celebration of ordinary people "who work to protect and enhance what we still have".
Now known as the Commonwealth Games, the 1950 British Empire Games were held in Auckland, at Eden Park, Auckland Town Hall, Newmarket Olympic Pool and Western Springs, with rowing at Lake Karapiro. This 75 minute NFU film starts with the arrival of the teams on silver-hulled flying boats, DC-3s and cruise ships. It features the opening at Eden Park along with athletics, boxing, swimming, rowing, fencing, the marathon and more. Future Olympic champ Yvette Williams wins the ‘broad jump’ (clip four). New Zealand finished third on the medal table, out of 11 nations.
Champion speedway driver Ivan Mauger powered and slid his motorbike around oval tracks to a record six world speedway titles from 1968 to 1979. In this documentary Mauger and his family recall his long career, from his boy racer beginnings — he argues that in Spain the heroes are bullfighters, but in Christchurch they were speedway riders — to his Western Springs farewell. David Lange also pays tribute. Mauger's focus on winning shines through: "if you show me a good loser, you show me someone who consistently loses". Mauger passed away in Australia on 16 April 2018.
Winter is going. This impressionistic take on spring in Aotearoa focuses on details of regeneration, from the mountains to the sea. Director Ron Bowie and cameraman Grant Foster capture signs of the season: ice melt like tadpoles under snow grass, gannets nesting on their Cape Kidnappers tenement, fern koru unfurling, kōtuku and royal spoonbills perched in Ōkārito trees like Dr Suess characters, willow buds and kōwhai flowers. And of course, lambs and daffodils. The camera aptly obeys the title to end. Patrick Flynn (Don’t Let it Get You) composed the score.
Australian Idol winner Stan Walker made his acting debut in this hit feature, as aspiring singer Turei. Part of a whānau of Māori potato pickers from Pukekohe, he has to choose between duty to job and family (Temuera Morrison plays his hard-working Dad) and letting the music play. His dilemma takes place as reggae star Bob Marley performs in Aotearoa in 1979, offering the chance for Turei's band Small Axe to win a supporting slot at Marley's Western Springs concert. Released on Waitangi Day 2013, Tearepa Kahi's debut feature became the most successful local release of the year.
Peta Mathias gets off the plane at La Paz, Bolivia — and the world's — highest airport. She steps straight into poverty, altitude sickness, stunning scenery and likable people. Her Bolivian experience includes sub-zero temperatures, uninspiring food and the infamous mining town of Potosi. But as she writes in her diary, adventure travel means, "no skidding over the surfaces, no observing through Prada sunglasses, no shirking from the reality of the culture. In that sense the journey is unforgettable because it's so intense and puts you right up against the wall."
This 1952 tourism film promoted New Zealand as a destination to Australians. In the 1950s the Kiwi tourist industry lacked accommodation and investment. But new opportunities were offered by international air travel — like the Melbourne to Christchurch route shown here, flown by TEAL (which later became Air New Zealand). Produced by the National Film Unit, this promo touts the South Island as an antidote to crowded city life in Melbourne and Sydney. Road trips offer glaciers, lakes, snow sports, motoring, angling, racing, and scenic delight aplenty.
In the late 90s Kiwi treasures The Topp Twins (aka Lynda and Jools Topp) created their own TV series. Over three seasons it showcased their iconic cast of Kiwi characters and singing and yodelling talents. These excerpts from the second season feature a country and western saloon musical dream sequence (with fluffy pink slippers, feather boas and sharpshooters and car sharks in drag). Meanwhile Camp Mother and Ken Moller compete at the speedway in a bambina and a Hillman Hunter respectively.
In this award-winning tourism promo, an easy-going narrator guides us through a land of contrasts — “where else would you find golf and geysers?”. The sights range from frozen to boiling lakes, characterful cities to odd natives (kiwi, takahē, carnivorous snails). Visual highlights include quirky road-signs (“beware of wind”, “slow workmen ahead”), toheroa digging and a flotilla of capsizing optimists. Directed by NFU veteran Ron Bowie, the film won an award at the 1963 Venice Film Festival, before headlining a special Amazing New Zealand season of shorts in NZ cinemas.
Made for the 75th anniversary of the Tourist and Publicity Department, this National Film Unit short film surveys New Zealand tourism: from shifts in transport and accommodation, to how Aotearoa is marketed. The "romantic outpost of Empire" seen in 1930s promotional films gives way to a more relaxed, even saucy pitch, emphasising an uncrowded, fun destination. Middle-earth is not yet on the horizon; instead Wind in the Willows provides literary inspiration. Directed by Hugh Macdonald (This is New Zealand), it screened alongside Bugsy Malone and won a Belgian tourist festival award.