Nearly mammal free, pre-human New Zealand was a land of birds, many of them found nowhere else. In Birdland, Jeremy Wells (Eating Media Lunch) explores all things avian in Aotearoa. In this opening episode he visits Hauraki Gulf island sanctuary Tiritiri Matangi and Christchurch’s Peacock Springs. Putting the wry into wrybill, Wells muses on manu matters from twitching to tākahe poop. Dominion Post’s Linda Burgess praised Mike Single's "marvellous camera work", and Wells’ celebration of ordinary people "who work to protect and enhance what we still have".
This 2013 TVNZ Heartland series saw veteran newsreaders present major moments in New Zealand history. In this episode Dougal Stevenson looks back at the Wahine disaster of 10 April 1968, when 51 people perished after the interisland ferry struck Barrett Reef near Wellington, in a southerly storm. Stevenson was a junior newsreader at the time. Along with archive footage, two eyewitnesses are interviewed: passenger William Spring, who recalls leaping from the capsized ship; and Roger Johnstone, who describes filming the disaster as a young NZBC cameraman.
Australian Idol winner Stan Walker made his acting debut in this hit feature, as aspiring singer Turei. Part of a whānau of Māori potato pickers from Pukekohe, he has to choose between duty to job and family (Temuera Morrison plays his hard-working Dad) and letting the music play. His dilemma takes place as reggae star Bob Marley performs in Aotearoa in 1979, offering the chance for Turei's band Small Axe to win a supporting slot at Marley's Western Springs concert. Released on Waitangi Day 2013, Tearepa Kahi's debut feature became the most successful local release of the year.
Bill Dobson was one of around 500 New Zealanders to be taken prisoner by the Germans during World War I. His grandsons, filmmakers Grant and Bryce Campbell, use Dobson’s letters home, his sketch book and contemporary photographs to describe his journey. Bill was one of 210 Kiwis captured at French village Méteren, near the Belgian border, during Germany’s 1918 Spring Offensive. Camp conditions were tough, but Dobson filled his time with prolific sketching and performing in the Camp Concert Party. Post-war, Dobson married vaudeville performer Louise Morris.
Peta Mathias gets off the plane at La Paz, Bolivia — and the world's — highest airport. She steps straight into poverty, altitude sickness, stunning scenery and likable people. Her Bolivian experience includes sub-zero temperatures, uninspiring food and the infamous mining town of Potosi. But as she writes in her diary, adventure travel means, "no skidding over the surfaces, no observing through Prada sunglasses, no shirking from the reality of the culture. In that sense the journey is unforgettable because it's so intense and puts you right up against the wall."
In the late 90s twin national treasures The Topp Twins (aka Lynda and Jools Topp) created their own TV series which ran for three seasons and showcased their iconic cast of Kiwi characters and singing and yodelling talents. These excerpts from the second series of their eponymous show feature a country and western saloon musical dream sequence (with fluffy pink slippers and feather boas and sharpshooters and car sharks in drag, Deadwood this ain't); and Camp Mother and Ken Moller compete at the speedway in a bambina and Hillman Hunter respectively.
In this 2010 series, comedian Te Radar ditches his lawnmower to take on the challenge of transforming an overgrown quarter acre lawn into a lush garden bursting with produce. Using recycled material and organic methods, Te Radar has six months to hit his goals — including making a profit from selling his food. "You can almost smell the fertility in the air," he claims in this first episode, filmed in Riverhead north of Auckland. In true Te Radar style, comedy ensues. He forgets to build a gate for a fence, and heads to a neighbour's shed for help turning an old reel mower into a mulcher.
After a long flight in a C-130 Hercules, Dez Harrison arrived in Vietnam on the fifth of May 1967. As he puts it, when you’re young and green it’s all an adventure. Serving in 161 Field battery, Harrison says he was blessed with good leadership from non-commissioned officers who were mainly veterans of Korea and Malaya. As the memories rattle off, he has plenty of praise for the Americans in Vietnam, but less so for his Australian comrades. Stories of leave in Saigon and Singapore provide fond memories, but the reception back in New Zealand at the end of his service is less happy.
Made for the 75th anniversary of the Tourist and Publicity Department, this National Film Unit short film surveys New Zealand tourism: from shifts in transport and accommodation, to how Aotearoa is marketed. The "romantic outpost of Empire" seen in 1930s promotional films gives way to a more relaxed, even saucy pitch, emphasising an uncrowded, fun destination. Middle-earth is not yet on the horizon; instead Wind in the Willows provides literary inspiration. Directed by Hugh Macdonald (This is New Zealand), it screened alongside Bugsy Malone and won a Belgian tourist festival award.
This 1952 tourism film promoted New Zealand as a destination to Australians. In the 1950s the Kiwi tourist industry lacked accommodation and investment. But new opportunities were offered by international air travel — like the Melbourne to Christchurch route shown here, flown by TEAL (which later became Air New Zealand). Produced by the National Film Unit, this promo touts the South Island as an antidote to crowded city life in Melbourne and Sydney. Road trips offer glaciers, lakes, snow sports, motoring, angling, racing, and scenic delight aplenty.