Set over a Christmas beach holiday in 1935, The End of the Golden Weather chronicles the friendship between a teenage boy and the wild-limbed Firpo, dreamer and social outcast. Writer/director Ian Mune spent more than 15 years "massaging" Bruce Mason's classic solo play into a movie, before assembling a dream team to bring it to the screen. The finished film captures the world view of a boy for whom fantasy, hope and disappointment intermingle. Among an impressive awards haul, 12-year-old star Stephen Fulford was recognised at America's Youth in Film Awards.   

Classic sci-fi TV series Under the Mountain follows the adventures of redheaded twins with psychic powers — Rachel and Theo — on their Auckland summer holiday. They meet the mysterious Mr Jones, an alien emissary who enlists them in the battle against the evil Wilberforces, who are plotting planetary destruction. Adapted from the Maurice Gee novel, the series' fx left their slimy imprint on a generation of NZ kids, haunted by the transmogrifying Wilberforces, who changed from humans into giant slugs slithering underneath Auckland’s volcanoes.

Starting his World War II military service in the army, Jack Harold was soon transferred to the navy. He saw active service at Guadalcanal in the Solomon Islands, and was aboard minesweeper HMNZS Moa when it and sister ship HMNZS Kiwi engaged a Japanese sub, eventually sinking it after the Kiwi dropped depth charges. The Moa’s luck didn’t hold; it was sunk in a Japanese raid, taking five of its crew with it. Jack survived, and returned to action in the Pacific aboard submarine-hunting ships. Jack Harold was discharged from the Navy in 1945; he passed away on 15 April 2017.

Artist Tanja Thompson, aka Misery, joins her Mum Rochelle to take a magical tour of Tanja's life — from childhood and time as a graffiti artist, to the rise of her art, fashion and toy empire. In the second excerpt, Misery leaves her boutique next to Illicit Clothing in K' Road, and visits the Taipei Toy Festival to unveil her 3D characters. She also shows us animated footage inspired by them. Mark Albiston made the documentary for arts slot Artsville, after featuring Misery on his own arts show The Living Room. It won Best Arts/Festival Documentary award at the 2006 Qantas TV awards.

The Screaming Meemees (named for a 1960s toy machine gun) formed at Rosmini College in Takapuna and were at the forefront of a post-punk wave of new bands from Auckland’s North Shore in the early 80s. The band’s first proper release ‘See Me Go’ became the first NZ single to enter the charts at No.1 (helped by pre-sales and delivery delays) and was immediately deleted. A massively popular live act, they recorded one album If This Is Paradise, I’ll Take the Bag (a nod to TV's It’s In The Bag game show) for the Propeller label but disbanded in 1983.

Late 90s Flying Nun act The D4 are at their rambunctious best with this meditation on indecision in the face of endless possibilities from their second and final album. Director Wade Shotter’s one take video was made after one and a half days of rehearsals, and bravely shot on 35mm film (with the 10th take as the keeper). In a feat of engineering, logistics and timing, all of the action — cheerleaders, carnival strongmen, sets and backdrops — happened on stage (at Takapuna’s Bruce Mason Centre) and was captured in the camera with nothing added in post.

Ella Yelich-O’Connor was born in Takapuna in 1996 and raised on Auckland’s North Shore. Showing a keen interest in performance as a child, she signed with Universal NZ while in her early teens and was paired with producer Joel Little. Her tale of suburban teenhood, 'Royals' (released in mid 2013) became a massive breakout hit, topping the Billboard Hot 100 in the United States. Debut album Pure Heroine showcased her distinctive vocal style and cemented her global superstardom. Sophomore album Melodrama, recorded in NYC, was released in 2017. It topped album charts worldwide, including the US Billboard 200.

Biographer Michael King takes us through the life of pioneering writer Frank Sargeson: from puritanical parents to self-discovery in London, through to decades encouraging an emerging tide of New Zealand writers. The documentary’s most priceless moments are the tales told when four of those writers return to Sargeson’s fabled fibrolite bach, in Takapuna. Kevin Ireland calls it an “oasis, this marvellous place where books ruled supreme”. Sargeson’s purposefuly minimalistic writing style, the doco argues, helped NZ literature find its own voice.

Like kids in a candy store, The Electric Confectionaires know no boundaries when it comes to making music. The Auckland four-piece stamped their mark while students at Takapuna Grammar, winning the 2005 secondary schools Rockquest competition with their eclectic all-sorts mix of rock, garage, blues and jazz. They became known as 'the band to watch' and their 2007 debut album Sweet Tooth, delivered on expectations with winning Beach-Boy-quality harmonies and bubblegum hooks.

'Lyin' in the Sand' closed Hello Sailor's self-titled debut album in 1977, the song's languid South Seas vibe providing respite after 'Gutter Black' and various guitars. Inspired by a spontaneous South Pacific parody from vocalist Graham Brazier one night, it was written by guitarist Harry Lyon after observing how Takapuna's smart set took their beach for granted. TVNZ filmed the band playing live in a Christchurch studio in 1978, just before the band set off to try to make it in LA. Lyon sings, so Brazier is absent; drummer Ricky Ball's hula confirms that the band’s tongue was in its chic.