The Mainland Touch was a popular regional news magazine programme broadcast from Christchurch between 1980 until 1990. In excerpts here, Christchurch Botanic Gardens welcomes the arrival of spring with a daffodil festival while local gardening groups prepare a floral carpet. The Wizard of Christchurch battles Telecom over the colour of phone boxes and joins opponents of a proposed restaurant tower in Victoria Square. Punting on the Avon is extended, and a cockatoo hitches a ride in the garden city.
Alternative rockers Elemeno P seemingly came out of nowhere in 2003, when their debut album Love and Disrespect sold 45,000 copies led by singles originally recorded in the founding members’ living room. The same year they played support for US acts Sum 41 and Good Charlotte. Three years later, and with a second album, 2005's Trouble In Paradise, under their belts, the band was named Best Group at the NZ Music Awards. Infectious single 'Baby Come On' from their third album featured on a high profile TV ad (a rock-your-cubicle concept for Telecom) and its anthemic chorus had Kiwis dancing in their living rooms.
Tony Williams is one of New Zealand’s most distinguished directors; his career has spanned five decades. Williams began working with noted film producer John O’Shea at Pacific Films in the 1960s and shot two features, and directed nine documentary films. In the 1970s he directed his first feature film Solo, and a series of documentaries including Getting Together, The Day We Landed on the Most Perfect Planet in the Universe, Take Three Passions, Rally, and Lost in the Garden of the World. Though not a household name himself, Williams has directed some of the most iconic TV commercials in New Zealand. These include: Great Crunchie Train Robbery, Dear John, SPOT and the infamous Bugger commercials.
MyStory was the first “mobisode” funded by NZ On Air. It tracks a group of young people in their ‘gap year’ between high school and university as they discover one of their friends has gone missing. The 40 x two-minute episodes screened on C4, and was able to be downloaded daily to 3G phones on the Vodafone network, or watched (as a weekly collection) on the C4 website on Sundays. Created by Gibson Group producer Bevin Linkhorn, the series was directed by Peter Salmon.
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
A Moment in Time is an armchair interview with historian Michael King OBE filmed in 1991. King discusses his early influences, motivation, and distinctive publications. King died in a car accident with his wife Maria Jungowska in 2004, and his reflections in A Moment in Time are testament to the tragedy of that loss: "We've got to be able to trace our own footsteps and listen to our own voices or we'll cease to be New Zealanders, or being New Zealanders will cease to have any meaning."
After starting his filmmaking career at the National Film Unit, cinematographer John Blick has shot many iconic Kiwi commercials, done extended time in Asia and the United States — and worked alongside everyone from Brian Brake and Peter Jackson (The Frighteners), to Skippy the Bush Kangaroo.
Tony Williams' contribution to the development of NZ film and television has been huge: his camerawork for John O'Shea's 60s feature-films, the nine ground-breaking documentaries he directed for Pacific Films, and his feature Solo, which helped launch the 70s new wave. After moving to Australia in 1980, Williams continued to wield a lively influence on our culture by directing many legendary commercials.
Andrew Adamson, NZOM, began his career at Auckland computer animation company The Mouse that Roared. After moving to the States and working in visual effects, he won fame in 2001 after co-directing Shrek, the first film to win an Academy Award for best animated feature. Adamson has returned home to shoot the first two installments of the Chronicles of Narnia, followed by Lloyd Jones novel Mister Pip.
Jonno Woodford-Robinson has edited everything from features (Taika Waititi's debut Eagle vs Shark) to commercials (such as Telecom's Meerkats campaign). Woodford-Robinson's other features include Alison Maclean's The Rehearsal, Mahana and pioneering Fijian film The Land Has Eyes. A frequent collaborator with director Jason Stutter, Woodford-Robinson's projects include Stutter's adaptation of novel Predicament. After several nominations, he picked up his first New Zealand Film Award in 2017 for his work as co-editor (with Mike Horton) of Lee Tamahori's rural drama Mahana.