The South Tonight was a Dunedin-filmed regional news show. In these excerpts, Martin Phillipps and The Chills return home from London, and find album Submarine Bells is number one; legendary local band Sneaky Feelings play a last gig; Velvet Underground muse Nico plays Orientation Week; a ball is filmed at Larnach Castle for TV series Hanlon; rhododendron nuts ramble at the Dunedin Botanic Gardens, and Jim Mora visits the Danseys Pass Hotel. Finally there’s a survey of dingy student digs circa 1985 (when rents went as low as $14 a week).
Richard Driver files this 1988 Radio with Pictures report from a Waitemata Stadium concert cobbled together after the failure of music festival Neon Picnic. He interviews The Chills, Graham Brazier and Live Aid legend Bob Geldof. Geldof, along with Tim Shadbolt and Phil Warren, had come to the aid of music fans by organising the consolation gig at the last minute. Geldof rates Neon Picnic’s demise as an international embarrassment. But he praises the local music community for rallying behind the replacement gig, and admits he enjoyed the rush of helping organise it.
Born of a dispute between TVNZ and record companies over video payments, True Colours tended to feature New Zealand bands in a studio setting, plus the occasional video. This first episode sets the template. Former Radio with Pictures host Dick Driver and Phillipa Dann (from pop show Shazam!) introduce a magazine-style show of live music, news and interviews. Ardijah open proceedings here, with their mix of polynesian R&B and funk. Later Tim Finn gets the interview treatment. The dispute was eventually settled and True Colours ended after seven episodes.
This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.
This Richard Riddiford-directed relationship drama explores the restless homecoming of a Kiwi from her OE. Monica (Judy McIntosh) returns from Europe to sculptor Nick (Peter Hayden), who has stayed behind in Waiuku. She goads him into a road trip north, searching for connection to him and home. At a Dargaville pub they meet Riki (Rawiri Paratene), a charismatic poet who has left the city to find his Ngapuhi roots. Monica is intrigued by Riki's bond to his people and the land, which widens a rift between her and Nick. Caution: this excerpt contains bath tub sax.
This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'.
A documentary about the fashion industry in Dunedin - a city that seems to turn out more than its fair share of fashion designers. Made for TVNZ’s Artsville strand, the doco features designers Margi Robertson (NOM*d), Tanya Carlson (Carlson), Veronica Keucke (Keucke) and Juliet Fay (Aduki). Prominent fashion journalist (turned author) Stacy Gregg talks about how Dunedin is the source of the "dark intellectualism of New Zealand fashion". The southern styles are set to a soundtrack of Flying Nun bands, and there are excerpts from some classic Nun clips.
David Kilgour, looking particularly dapper in a blue and white polka dot shirt, plays the high living rock star in this Stuart Page directed video. The backstage party and driving sequences were filmed in Dunedin and feature David's brother (and fellow Clean member) Hamish and local identities including Martin Phillipps (from The Chills) as the chauffeur. The live performance was shot at the Powerstation in Auckland and the paparazzi sequence takes place at Auckland International Airport. Special mention should be made of the "brick" mobile phone.
Snapper is the Flying Nun combo with the big fat sound formed by one-time member of The Clean, Peter Gutteridge (also formerly of The Chills and The Great Unwashed). The driving and hypnotic ‘Buddy’, from the band’s eponymous debut EP, became an indie classic both in New Zealand and abroad, with fans including Stereolab and the Jesus and Mary Chain. Since the self-titled EP in 1989, they have released the album Shotgun Blossom (1992), a seven inch single ‘Gentle Hour’ (1993), and, more recently, the internationally-acclaimed A.D.M. album.
Dunedin band Mother Goose scored their biggest hit with this novelty song extolling the previously overlooked romance-promoting qualities of sauced legumes (and won extra marks for avoiding flatulence jokes). The Australian-made video references Queen's pioneering Bohemian Rhapsody clip and features Melbourne trans-sexual drag show performer Renee Scott as the recipient of one of the more bizarre pick-up lines. In his post Mother Goose career, keyboard player Steve Young (the bearded ballerina) directed The Chills' classic Pink Frost music video.