Dunedin music historian Roy Colbert once described Toy Love as "The Stooges with better melodies'" The nervy brilliance of Chris Knox, Paul Kean, Jane Walker, Alec Bathgate and Mike Dooley made it onto the Kiwi singles charts three times between 1978 and 1980. Here they are in 1980 — probably at Wellington's Rock Theatre — charging through Green Walls and three chord stomper Pull Down the Shades back to back. Green Walls was first composed by The Enemy, the band from whose ashes Toy Love rose.
Peter Jackson has gone from shy fanboy to master of his craft; from Pukerua Bay to Wellywood. With six journeys into Middle-earth now behind him, he has few peers in the realm of large scale filmmaking. Led by early 'behind the scenes' docos this collection pays tribute to PJ's journey, from re-making King Kong in his backyard to err ... re-making King Kong in his backyard.
This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
The legendary Dylan Taite hosts this RWP special on the first Sweetwaters music festival. The event took 12 months and half a million dollars to set up. Headliner Elvis Costello proved media-shy; some heavy-handed attempts to keep the cameras away are seen. Meanwhile, Taite muses on the impact of late 70s bands on the future of festivals. Sweetwaters would go on, although financial problems in 1999 led to the jailing of organiser Daniel Keighley. As this documentary shows, the Ngaruawahia edition attracted an audience of 45,000 concertgoers.
It's the holidays: time to let your hair down, have a swim, give in to your appetite...and have a boogie. From Kings to The Clean, from 'Ten Guitars' to 'Trippin', let NZ On Screen supply the music, with this epic playlist of classic Kiwi party songs. In the backgrounder, music fan and publicity maestro Nicky Harrop takes us through the tracks, before bidding adieu to NZ On Screen.
Karen and Mark, who are both intellectually disabled, are expecting a child. In this episode from stripped back documentary series First Hand, the couple become a family when baby Terry arrives. Terry's birth means the usual support they receive from IHC must be ramped up, and a new caregiver steps in to help Karen and Mark cope with the 24/7 responsibilities of parenthood. It's a story full of hope and love, but no one close to the couple is under any illusions about the amount of support needed to successfully parent Terry.
Kate Elliott began her life on screen after attending an audition at school. Since winning that role - as a bulimic, sexually abused, self-mutilating teenager in House of Sticks - Elliott has starred in many of New Zealand’s major television productions including Street Legal, The Insiders Guide to Love, The Cult, Shortland Street, and played Katherine Mansfield in tele-feature Bliss. Her film credits include Toy Love, The Locals, and Fracture.
Chris Knox's music career began with legendary Dunedin punk band The Enemy, followed by post-punk heroes Toy Love, then the Tall Dwarfs and his own solo work. Knox has been a film reviewer on arts shows The Edge and Backch@t, and hosted the series The New Artland. As a singer-songwriter and music video director, he is known as a pioneer of lo-tech, DIY classics. For this special two-part ScreenTalk interview, Flying Nun founder Roger Shepherd chatted with Knox about his life and career. In part one, Knox talks about: His early love of film and how he first got into filmmaking The first footage of The Enemy, shot by cameraman Peter Janes Making the Toy Love video Squeeze Making the later Toy Love videos Rebel and Don't Ask Me Part two of this interview can be found here, where Knox talks about moving into making his own videos, being a film reviewer and TV presenter, and his comic strip Max Media.
Chris Knox's music career began with legendary punk band The Enemy, followed by Toy Love, then the Tall Dwarfs and his own solo work. He has appeared as a film reviewer on arts shows The Edge and Backch@t, and hosted series The New Artland. As a musician and music video director, Knox is known as a pioneer of lo-tech, DIY classics. For this special two part ScreenTalk interview, Flying Nun founder Roger Shepherd chatted with Knox about his life and career. In part one, Knox talked about his love of filmmaking, and early Enemy and Toy Love music videos. In the second part of the ScreenTalk interview, Knox talks about: Knox moving from appearing in music videos to directing his own with the Tall Dwarfs' Nothing's Gonna Happen Making the video for the Tall Dwarfs' Turning Brown and Torn in Two Making the video for his solo classic Not Given Lightly Becoming a film reviewer on TV arts shows The Edge and Backch@t Moving into television presenting, with an episode of Intrepid Journeys, and the series The New Artland Knox's long-running cartoon strip Max Media