This feature documentary follows All Black Richie McCaw on his 2015 quest to become the first skipper to defend the Webb Ellis Cup. Directors Justin Pemberton (The Golden Hour) and Michelle Walshe were given unprecedented access to the subject to create a portrait of McCaw the person, and chronicle the psychology of achievement in international sport. McCaw got involved as a chance to “inspire some young kids”, ending his policy of keeping “the private stuff private”. The film's opening day set a Kiwi record for a local documentary; in its first week, it beat all competition.
Daffodils is a feature film version of Rochelle Bright's award-winning Kiwi stage musical. Grammy Award-winning singer Kimbra makes her big screen debut, alongside actors Rose McIver (iZombie, The Lovely Bones) and George Mason (Go Girls). The bittersweet musical is based on the true story of a Waikato couple's romance in the 60s, and the pop-rock soundtrack that shaped their lives. The love story features reimaginings of iconic songs from Crowded House, The Exponents and more. Daffodils is helmed by director David Stubbs (Belief: The Possession of Janet Moses).
Made six years after local TV broadcasting began, this wide-ranging 1966 documentary looks at the past and future of television in NZ. Political science lecturer Reg Harrison examines local content, a second channel, private enterprise, transmission challenges, editorial independence, sports coverage, and how TV’s expansion has affected other pursuits, and children. The doco includes interviews with privacy-keen Gordon Dryden and film legend Rudall Hayward, and MPs. Director Gordon Bick later argued that the NZBC had allowed "a good deal of criticism against itself" on screen.
After years of protest, agitation, and court hearings, the Māori Television Service finally launched on 28 March 2004. This is the first 30 minutes that went to air. Presented by Julian Wilcox and Rongomaianiwaniwa Milroy, the transmission begins with a traditional montage of Aotearoa scenic wonder (with a twist of tangata whenua); the launch proper opens with a dawn ceremony at Māori Television's Newmarket offices, featuring MPs and other dignitaries. Wilcox also gives background information on the channel and outlines upcoming programming highlights.
“It’s hard to imagine our way of life before the box turned up in our living rooms.” Newsreader Dougal Stevenson presents this condensed history of New Zealand television’s first 15 years: from 60s current affairs and commercials, to music shows and early attempts at drama. The first part of a two-part special, this charts the single channel days of the New Zealand Broadcasting Corporation from its birth in 1960 until puberty in 1975, when it was split into two separate channels. Includes recollections from many of NZ TV’s formative reporters and presenters.
Once upon a time the Kiwi accent was a broadcasting crime, and politicians decided in advance which questions they would answer on-screen. Here is the News examines three decades (up to 1992) of Kiwi TV journalism and news presentation. The roll-call of on and off camera talent provides fascinating glimpses behind key events, including early jury-rigged attempts at nationwide broadcast, Dougal Stevenson announcing the 1975 arrival of competing TV networks, the Wahine, Erebus, Muldoon, turkeys in gumboots, and the tour - where journalists too, became "objects of hatred".
Pirate radio hit Kiwi airwaves on 4 December 1966 when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. Made by Sally Aitken, this film reunited the original pirates for the first time in 30 years to recall their battle to bring rock’n’roll to the youth of NZ. Featuring rare archive footage, the tale of radio rebels, conservative stooges, stoners, ship-wrecks and lost-at-sea DJs was originally made as a student film. It was bought by TVNZ and screened in primetime to praise: “Top of the dial, top of the class” (Greg Dixon, NZ Herald).
Directed by Rollo Wenlock (founder of video production tool Wipster), this dark, moody music video was shot in a studio with a lot of cooking oil, dodgy transmission and some flickering fluorescent lights. If you like watching well-oiled male torsos, you’re in luck. After gaining a new drummer, the band reinvented itself as Villainy, and went on to score NZ Music Award-winning albums Mode.Set.Clear. and Dead Sight.
Set in Antarctica (and partly shot there), the science fiction tale sees a researcher (Crawford Thomson) dealing with unsettling events — traumatic personal news, isolation, disquieting “anomalous electrical readings”, and warping time. As newsreader John Campbell says in an intercepted transmission: “the speed of light is changing. Well, what does that mean?”. The title is from Hone Tuwhare’s anti-nuclear themed poem of the same name, but the film was inspired by Pat Rushin short story Speed of Light. It was an official selection at Edinburgh Film Festival.
A man stands alone in a room, watched by unsmiling faces, before literally falling into the rest of the group. Young women dance in time, their shoes belting out a rhythm on a wooden floor. A strange ritual of falling and rising is played out on a fog-shrouded hill. In this beautifully-lensed dance film, director Warren Green and choreographer Megan Adams take a new approach to showcasing the talents of acting students from drama school Toi Whakaari. The shifting, syncopated soundtrack is by Hamish Walker and David Holmes of Kog Transmissions.