Action movie The Dead Lands joins the short list of screen tales set in Aotearoa, before the pākehā. James Rolleston (star of Boy) plays Hongi, the son of a Māori chief. After the massacre of his tribe, Hongi sets out into the forbidden Dead Lands, hoping to enlist the help of a legendary warrior (Lawrence Makoare). The Anglo-Kiwi co-production marked new screen territory for director Toa Fraser (No. 2) and writer Glenn Standring (fantasy Perfect Creature). After debuting at the 2014 Toronto Film Festival, The Dead Lands topped the Kiwi box office and won three Moa awards.
Made six years after local TV broadcasting began, this wide-ranging 1966 documentary looks at the past and future of television in NZ. Political science lecturer Reg Harrison examines local content, a second channel, private enterprise, transmission challenges, editorial independence, sports coverage, and how TV’s expansion has affected other pursuits, and children. The doco includes interviews with privacy-keen Gordon Dryden and film legend Rudall Hayward, and MPs. Director Gordon Bick later argued that the NZBC had allowed "a good deal of criticism against itself" on screen.
After years of protest, agitation, and court hearings, the Māori Television Service finally launched on 28 March 2004. This is the first 30 minutes that went to air. Presented by Julian Wilcox and Rongomaianiwaniwa Milroy, the transmission begins with a traditional montage of Aotearoa scenic wonder (with a twist of tangata whenua); the launch proper opens with a dawn ceremony at Māori Television's Newmarket offices, featuring MPs and other dignitaries. Wilcox also gives background information on the channel and outlines upcoming programming highlights.
Pirate radio hit Kiwi airwaves on 4 December 1966 when Radio Hauraki broadcast from the Colville Channel aboard the vessel Tiri. Made by Sally Aitken, this film reunited the original pirates for the first time in 30 years to recall their battle to bring rock’n’roll to the youth of NZ. Featuring rare archive footage, the tale of radio rebels, conservative stooges, stoners, ship-wrecks and lost-at-sea DJs was originally made as a student film. It was bought by TVNZ and screened in primetime to praise: “Top of the dial, top of the class” (Greg Dixon, NZ Herald).
“It’s hard to imagine our way of life before the box turned up in our living rooms.” Newsreader Dougal Stevenson presents this condensed history of New Zealand television’s first 15 years: from 60s current affairs and commercials, to music shows and early attempts at drama. The first part of a two-part special, this charts the single channel days of the New Zealand Broadcasting Corporation from its birth in 1960 until puberty in 1975, when it was split into two separate channels. Includes recollections from many of NZ TV’s formative reporters and presenters.
Once upon a time the Kiwi accent was a broadcasting crime, and politicians decided in advance which questions they would answer on-screen. Here is the News examines three decades (up to 1992) of Kiwi TV journalism and news presentation. The roll-call of on and off camera talent provides fascinating glimpses behind key events, including early jury-rigged attempts at nationwide broadcast, Dougal Stevenson announcing the 1975 arrival of competing TV networks, the Wahine, Erebus, Muldoon, turkeys in gumboots, and the tour - where journalists too, became "objects of hatred".
A man stands alone in a room, watched by unsmiling faces, before literally falling into the rest of the group. Young women dance in time, their shoes belting out a rhythm on a wooden floor. A strange ritual of falling and rising is played out on a fog-shrouded hill. In this beautifully-lensed dance film, director Warren Green and choreographer Megan Adams take a new approach to showcasing the talents of acting students from drama school Toi Whakaari. The shifting, syncopated soundtrack is by Hamish Walker and David Holmes of Kog Transmissions.
Directed by Rollo Wenlock (founder of video production tool Wipster), this dark, moody music video was shot in a studio with a lot of cooking oil, dodgy transmission and some flickering fluorescent lights. If you like watching well-oiled male torsos, you’re in luck. After gaining a new drummer, the band reinvented itself as Villainy, and went on to score NZ Music Award-winning albums Mode.Set.Clear. and Dead Sight.
Set in Antarctica (and partly shot there), the science fiction tale sees a researcher (Crawford Thomson) dealing with unsettling events — traumatic personal news, isolation, disquieting “anomalous electrical readings”, and warping time. As newsreader John Campbell says in an intercepted transmission: “the speed of light is changing. Well, what does that mean?”. The title is from Hone Tuwhare’s anti-nuclear themed poem of the same name, but the film was inspired by Pat Rushin short story Speed of Light. It was an official selection at Edinburgh Film Festival.
Here is the News surveyed Kiwi television journalism up until 1992. Presented by Richard Long, this 10 minute excerpt looks at radio and TV coverage of the Wahine disaster, where over 50 people died after the interisland ferry struck Barrett Reef, on 10 April 1968. NZ Broadcasting Corporation reporters Keith Aberdein, Fred Cockram, Nadoo Balantine-Scott and cameraman Andy Roelents are among those recalling their experience of the storm, and the challenges of covering the tragedy — and broadcasting it across New Zealand, in the days before nationwide transmission.