Director John Bates' 1993 documentary examines the life and work of photographer Robin Morrison, who captured iconic images of everyday New Zealand life and landscape. Part biography, part travelogue, the film goes on the road with Morrison to revisit some of his best-loved locations. Stunningly shot by Stuart Dryburgh (The Piano) before Morrison died on 12 March 1993, Sense of Place won Best Documentary at the 1994 New Zealand Film and Television awards, and a certificate of merit at the 37th San Francisco International Film Festival.
Richard Whiteside began acting in 2004, after time as a businessman. Soon he was appearing in the first of a run of shorts (including starring in 2008's The Rat Trap). In 2014 he played head of a group of anti-media activists in Jonathan King feature REALITi; he also acted in a memorable advert in which he escapes into the air on an ejector seat, after driving lessons with his teenage son. Whiteside passed away on 11 August 2015.
Russell Campbell has been analysing film and television for more than four decades. A longtime lecturer in film at Victoria University, Campbell’s books include Observations, a volume on New Zealand documentary — a field in which he has extensive first-hand experience.
Alison Holst (DNZM, CBE, QSM) has been a household face since the early days of New Zealand television, when her debut show, Here’s How: Alison Holst Cooks, was an instant hit. Her mission was to cook for ordinary people, use uncomplicated ingredients and stick to a budget. Rejecting her unliberated image, she aimed to get women out of the kitchen by making cooking simple.
Bob Stenhouse, the first Kiwi animator to be nominated for an Academy Award, spent 12 years working for state television. After joining the Government’s National Film Unit in 1980, he made Oscar-nominated short The Frog, The Dog and the Devil. Stenhouse’s later films have included several Joy Cowley short stories, plus award-winning short The Orchard, a Japanese fable adapted to a New Zealand setting.
New Plymouth-bred Rodney Charters borrowed a wind up Bolex camera from his dad to make stylish short Film Exercise (1966). It helped win the Elam student a place at London's Royal College of Art. After two decades of filming adverts and documentaries globally, he began amassing more than 50 credits in Hollywood. Charters has framed high profile US TV dramas from Dollhouse and the remake of Dynasty, to 24 (for which he was twice Emmy nominated). He also shot Michael Caine robbery movie Going in Style. In 2013 Charters won a Career Achievement in TV Award from the American Society of Cinematographers.
Charlotte Purdy’s CV ranges from reality TV to Antarctic disaster. After a UK television OE, she helmed docos and factual TV in New Zealand. Under her Rogue Productions banner she created reality format The Big Experiment, and made Reel Late with Kate and The 200kg Kid. A decade producing current affairs (60 Minutes, 20/20) was followed by conceiving and co-directing the lauded docudrama Erebus: Operation Overdue.
David Paul's work as a cameraman and director of photography covers the gamut, from documentary and dramas to shorts, commercials and feature films. His CV includes award-winning work on telemovies Tangiwai - A Love Story and Until Proven Innocent, plus Edmund Hillary miniseries Hillary.
Auckland-born Jeanette Thomas has been working in television and radio ever since graduating from AIT with a Bachelor of Communication Studies in 1993. After time as a newsreader on radio station The Breeze she spent two years co-presenting Crime Watch, then returned to hometown Auckland to become longtime co-host of consumer affairs show Target. In 2012 Thomas joined TVNZ’s long-running Good Morning, and the following year began hosting the show solo. After Good Morning finally went off air in 2016, Thomas returned to the breakfast show on The Breeze.