This Te Ao Māori take on Hunger Games follows bushman Owen Boynton as he straps on his bow and travels across Aotearoa, to explore traditional hunting techniques and skills, and the kaupapa behind them. In this first episode Tūhoe-bred Boynton returns to his Waimana hometown to pay his respects to the forest, and hunt with whānau to provide kai for their community. On the riverbed the dogs round up a couple of deer, and he gets an anatomy lesson from his uncle. Toa Hunter-Gatherer was produced by Julian Arahanga and Awa Films for Māori Television.
Young choreographer Parris Goebel features in the first episode from season four of Māori youth show I AM TV. The series promoted te reo through interviews and music. Vince Harder performs "Say This With Me", Hawaiian reggae band Kolohe Kai hit Aotearoa, and a teen Parris Goebel heads to the United States to audition for TV's America's Best Dance Crew, with her award-winning hip hop group ReQuest Dance Crew. Plus new presenters Taupunakohe Tocker and Chey Milne are introduced by friends and family. I AM TV is the successor of Mai Time, which ran for 12 years.
Actor Rawiri Paratene was 16 years old when he joined Māori activist group Ngā Tamatoa (Young Warriors) in the early 1970s. "Those years helped shape the rest of my life," says Paratene in this 2012 Māori TV documentary, directed by Kim Webby. The programme is richly woven with news archive from the 1970s, showing protests about land rights and the Treaty of Waitangi, and a campaign for te reo to be taught in schools. Several ex Ngā Tamatoa members — including Hone Harawira, Tame Iti and Larry Parr— are interviewed by Paratene, who also presents the documentary.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
In this series celebrating New Zealand's national parks, Peter Hayden travels through some of Aotearoa's most awe-inspiring environments. This episode — looking at the unique spiritual relationship between the Tūhoe people, and the birds and bush of Te Urewera National Park — was directed by Barry Barclay (Ngati). Barclay used his fourth cinema philosophy of indigenous filmmaking, "to tell the contemporary story of the park through their [Tūhoe] eyes". The film attracted controversy for its then exceptional use of te reo. Catherine Bisley writes about the Journeys series here.
This NFU film visits the remote Urewera to explore the world of the Tūhoe people. Their independence and identity have been challenged by historical tensions with Pākehā, and now modernity — as ‘children of the mist’ leave for education and jobs (at the mill, in the city). A tribal outpost in Auckland is visited, along with law student James Milroy. At a Ruatoki festival the debate is whether young people should manage tribal affairs. For director Conon Fraser the film (partly narrated by Tūhoe) revisited the subject of his last Looking at New Zealand episode.
This second episode of the early 80s chat show sees host Ian Johnstone welcome Howard Morrison, Pita Sharples and Rosa Tamepo to talk about ‘breaking in’. Morrison and Sharples discuss being Māori ‘breaking in’ to a Pākehā world. Tamepo reflects on being a Pākehā married to a Māori. Sharples recalls being a Kahungungu boy from the backblocks at Auckland University; Morrison twists the theme to talk about growing up as a Te Arawa tama in Tūhoe country. Made by David Harry Baldock, the show was inspired by the relaxed style of English interviewer Michael Parkinson.
This fifth episode of comedian Mike King’s Treaty discovery series goes on the trail of the two sheets that travelled around the Bay of Plenty in 1840. One, carrying a forged signature, travelled east with young trader James Fedarb (King asks why, despite gathering 26 signatures in 28 days, the salesman is largely missing from the history books); the other went south with a pair of missionaries. King learns about the Te Arawa and Tūwharetoa refuseniks from Paul Tapsell — and from Tamati Kruger, the reason Fedarb didn’t venture into Tūhoe territory.
This excerpt from the final part of James Belich's award-winning history series focuses on Tūhoe prophet Rua Kēnana — the target of the last action of the New Zealand Wars in 1916, 73 years after hostilities began. He creates an independent community at Maungapōhatu in the Ureweras, complete with a remarkable meeting house. But any whiff of domestic dissent is intolerable for a Government fighting a war overseas. Armed constabulary are sent to apprehend Rua on trumped up charges, with fatal results for two of his followers.
This 1972 National Film Unit production promotes New Zealand’s national parks, from the oldest — Tongariro (established in 1887) — to Mt Aspiring (1964). Besides slatherings of scenic splendour, the film shows rangers clearing tracks, 70s après ski activity on Ruapehu, and school children at Rotoiti Youth Lodge: skylarking, river crossing, and cornflake eating en masse. When this film was made there were 10 National Parks (there are now 14). “In all their variety they’re the heritage of everyone who’s heard the call and felt the freedom of the unspoilt land.”