Some of New Zealand's most memorable screen images have come from the genre of science fiction: Bruno wandering man alone onto Eden Park in a nightie; giant slugs living under Rangitoto. From alien hunters to futuristic fuel wars to nuclear volcanoes, this collection is a showcase of film and TV that has imagined 'what if?' versions of life in the shaky isles.
Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small.
Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order).
This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
The primetime current affairs interview is the heavyweight contest of screen broadcasting. They can woo hearts and minds, speak truth to power, turn elections, end strikes, enrage or reveal subjects, and enshrine or tarnish reputations. This collection puts the spotlight on iconic Kiwi contributions to the genre, from headline-making clashes (Muldoon versus "smart alec" Walker, Clark versus "sanctimonious little creep" Campbell, Pilger versus "just read" Hill, Conner versus Holmes) to warmer encounters (David Frost charmed by Big Norm Kirk, Paul Holmes bemused by the Ingham twins).
Twins are afflicted with a strange power: the power to make others stare. Presented by singer Jackie Clarke, herself a twin, this documentary grabs a fascinating topic with both hands. Among those interviewed are two sets of twins who are romantically involved, a family with twin sets of twins, and an uncanny pair of older women whose thoughts seem to run in tandem, every time they turn up on screen. There is talk of the close relationships twins have, identical medical misaventures, tricks paid on the unsuspecting, and how fathers are often less able to tell twins apart.
In director Garth Maxwell’s 1993 gothic horror twins Jack and Dora (late US actor Alexis Arquette and Kiwi Sarah Smuts-Kennedy) are separated while young; their adult reunion sees them battling the trauma of their past while being pursued by Jack’s sadistic step sisters. Complete with ESP, and a steam-driven hypnosis machine, Maxwell makes an exuberant and surreal contribution to the cinema of unease. New York Times’ Stephen Holden lauded the heady head-spinner as “a superior genre film” with a “feverish intensity that recalls scenes from Hitchcock and De Palma.”
Anthropologist Max Scarry goes missing in Fiordland, while searching for a fabled Māori tribe. The local policeman believes Max broke local tapu. Max's partner Ruth sets off with his twin brother, murder suspect Edward, to try to unravel the mystery. John Laing's second feature attempts an ambitious Hitchcockian plot, and the cast — especially John Bach's terse doppelganger performance — testifies to the talent on hand in the early days of the Kiwi film renaissance. Atmospheric camerawork makes the most of damp Wellington, and remote bush settings.
This first episode of NZ's most popular and critically acclaimed drama series revolves around Wolf West being sentenced to four years in prison — and his wife, Cheryl, deciding it's time for her and her children to get out of the "family business". Wolf and the local police are dubious. But even this early in proceedings, it would be foolish to underestimate Cheryl. Whether she can take her daughters (ditzy wannabe-model Pascalle and the cunning Loretta) and sons (yin and yang twins Van and Jethro) with her is another matter altogether. And so begins a dynasty.
This homespun, informative and gently satirical hunting and fishing series is presented by good kiwi bloke Ken Moller (Lynda Topp from the Topp Twins). With alpine guide, Queenstown radio DJ and crack shot Emma Lange, aka Lady Hunter, Ken takes viewers on armchair adventures to some of New Zealand's most spectacular wilderness regions where they hunt sika stag, fish for feisty rainbow trout and "bloody beautiful browns". Closing segment Ken's Camp Kitchen features "gastronomical delights" such as venison casserole.