Almost two decades before Once Were Warriors, another drama about urban Māori under pressure stirred controversy. Hema (Dale Williams) and Janey (Julie Wehipeihana) are two kids adrift in the city, trying to escape a broken home. Screen historian Trisha Dunleavy found this "the most powerful and controversial" edition of the Winners & Losers series; it was TV's first drama about "the alienation of Māori in a contemporary urban setting". Based on a Witi Ihimaera story, it also marked the first solo directing credit for Ian Mune. He later directed the sequel to Once Were Warriors.
After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
This teledrama explores the tensions surrounding an elderly woman's tangi, as whānau members gather in a suburban house. Alienation of urban Māori — particularly son Paul (Jim Moriarty) — from iwi roots, and differing notions of how to honour the dead, are at the heart of the conflict between the mourners. A pioneering exploration of Māori themes, the Rowley Habib teleplay was one of three one-off dramas the playwright wrote (alongside 1978's The Death of the Land, and 1982's The Protesters) encouraged by director Tony Isaac. It screened in April 1980.
Broken Barrier marked the first New Zealand dramatic feature to be made since 1940. Its production saw directors John O'Shea and Roger Mirams crowding into a Vauxhall with two silent cameras, one picked up "from a dead German in the Western Desert". Ditching dialogue for 'spoken thoughts', the pioneering film examines cultural complications in a romance between a Pākehā journalist (Terence Bayler) and a Māori nurse (Kay Ngarimu, aka Keita Whakato Walker). According to O'Shea, some viewers considered it "a dirty movie" for spurring mixed race relationships.
Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.
A rural raised woman (Dianne Renolds) reconnects with her half sister (Rena Owen) in the city, and learns some hard life lessons. Roimata was the first film directed by then unknown writer Riwia Brown. Brown was initially reluctant to direct the adaptation of her play but, encouraged by producer Larry Parr, she decided that with only one Māori woman director in New Zealand (Merata Mita) there was a need to develop the talent of Māori women in the industry. Brown later wrote the screenplay for Once Were Warriors. Screen legend Ramai Hayward also features.
Actor Rawiri Paratene was 16 years old when he joined Māori activist group Ngā Tamatoa (Young Warriors) in the early 1970s. "Those years helped shape the rest of my life," says Paratene in this 2012 Māori TV documentary, directed by Kim Webby. The programme is richly woven with news archive from the 1970s, showing protests about land rights and the Treaty of Waitangi, and a campaign for te reo to be taught in schools. Several ex Ngā Tamatoa members — including Hone Harawira, Tame Iti and Larry Parr— are interviewed by Paratene, who also presents the documentary.
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
This NFU film visits the remote Urewera to explore the world of the Tūhoe people. Their independence and identity have been challenged by historical tensions with Pākehā, and now modernity — as ‘children of the mist’ leave for education and jobs (at the mill, in the city). A tribal outpost in Auckland is visited, along with law student James Milroy. At a Ruatoki festival the debate is whether young people should manage tribal affairs. For director Conon Fraser the film (partly narrated by Tūhoe) revisited the subject of his last Looking at New Zealand episode.
Made for television, this 13-part National Film Unit series aimed to showcase "people and events that shaped the New Zealand of today". The Bernard Kearns-presented series is mostly composed of footage taken from NFU stock. Fascinating early film clips are accompanied by interviews with elderly gents and ladies who reminisce about events as they unfold on the screen. This edition focuses on the opening decades of the 20th century; the nostalgia takes a dark turn when bow tie-wearing Kearns discusses World War I and provides alarming statistics of loss of life.