Hooks and Feelers tells the story of a painter haunted by an accident in which her son lost a hand. Written and directed by Melanie Rodriga, the 45-minute psychological drama explores guilt and reconciliation as the family adjusts to his disability. An adaptation of the short story by future Booker Prize-winner Keri Hulme, Hooks and Feelers starred jazz singer Bridgette Allen and Keith Aberdein (Smash Palace). It screened on TV in 1984. With producer Don Reynolds, Rodriga (then known as Melanie Read) would go on to make pioneering feminist thriller Trial Run (1984).
In the pop-plastic milk-bar universe of Bubblegum Valley, true love is on the rocks. Blue pulls up to the Paperdoll Diner in his mint cadillac. Inside, Candy hears gossip that Blue has been untrue. Will Blue's musical extravaganza fantasy reunite him with his true love? Will his gel hold his quiff up for the length of the film? This is an excerpt from Kezia Barnett's confectionary tale of marching girls and rock'n'roll dreams on rollerskates. It was the first funded short shot by cinematographer Ginny Loane; and was scored by indie duo The Brunettes.
This 2015 edition in the Loading Docs series explores the past, present and future of Crystal Palace, a dilapidated but stately theatre on Auckland’s Mt Eden Road that has been drawing the curtains since the 1920s. Co-directed by Karl Sheridan and Robin Gee, who work under the Monster Valley moniker, the documentary canvasses the spilled Jaffas, dances, surf film screenings and local legends of the venue — and is also a plea to bring the ballroom and cinema back to life. In March 2016 Monster Valley answered their own call, and took over management of the theatre.
Taking viewers on a tour of the Volcanic Plateau in the central North Island, this aerial jaunt is enough to make anyone want to take to the skies. After taking off from Rotorua, the award-winning NFU short treats us to soaring shots of the Waimangu Volcanic Rift Valley, Ruapehu, and 'The Frying Pan', the world's largest hot lake. As well as the impressive scenery, the voiceover (supposedly by the pilot) offers up a brief history of the geysers and fumaroles littering the plateau, and a mention of how the Waikato River has been interrupted by "that necessary monster: progress".
This NZBC profile finds singer/songwriter Shona Laing as a 17-year-old in the seventh form (now year 13) at Hutt Valley High, distracted from study by an impending music career. Laing had shot to national prominence with her performances on the Studio One talent show, had a hit with her Henry Fonda-inspired single '1905' and supported American singer Lobo. She is already a guarded interviewee while her school mates are unsure what to make of her success. Lobo is effusive in his praise and there are performances of '1905' and Roberta Flack's 'Killing Me Softly'.
This show was possibly the most controversial edition of the Heartland series. Gary visits the sometimes maligned working class dormitory suburb, and hits sports fields, local homes and Tupperware parties. In this full-length episode he meets everyone from cheerful league coaches and builders remembering the challenges of getting supplies up the hill, to the woman many would not forget: Chloe Reeves, with her squeaking voice, distinctive fashion sense and tiger slippers. There is also a fleeting glimpse of future All Black Piri Weepu holding a school road safety lollipop.
To mark its first 25 years, TVNZ commissioned independent producer Ian Mackersey to chronicle a day in its life as the national broadcaster. Coverage is split between the often extreme lengths (and heights) gone to by technicians maintaining coverage, and the work of programme makers — including the casts and crews of McPhail and Gadsby and Country GP. The real drama is in the news studio during the 6.30 bulletin (with light relief from the switchboard) in this intriguing glance back at a pre-digital, two channel TV age during the infancy of computers.
Wellington artist Gordon Crook was known for his bold, colourful prints and tapestries. In this documentary, director Clare O’Leary mixes Crook’s biography (from UK foster care to London Central School of Art lecturer, then decades in Wellington) and interviews with Crook, dealers, students and mates. In this excerpt Crook discusses his work, and collaborating with weaver Lesley Nicholls; and friend Edith Ryan recalls first seeing Crook’s massive Michael Fowler Centre banners. The documentary premiered at the 2010 NZ Film Festival. Crook died in August 2011, aged 89.
This short film finds four 1990s teenagers caught up in the complications of growing up in Hutt Valley suburbia. Rising tensions during a day hanging out at the local park see misfit Rory (Riley Brophy) ignite a cracker bag of cravings for belonging, furtive sexual feelings, violence, racism and boredom. The combustive results of his misdirected teen spirit give the film’s title a grim irony. Fijian-born director Shahir Daud based the story loosely on his own experiences as a teen. Double Happy screened at the Montreal Film Festival and was a Short of the Week website pick in May 2011.
This 1960 tourism film, produced by the National Film Unit, is aimed at a particular market niche: hunter holidaymakers. It follows a visitor from Omaha, USA, ‘JD’, who flies down to the “land of countless deer”: Dart Valley in the Southern Alps. A folk song extols the joys of answering the call of the wild — “The very best thing for a man: To hunt and fish and sleep out of doors, eat his tucker where he can” — as JD and his guide climb via bird-filled beech forest onto scree slopes to nab a 14-point stag; before a ciggie on the ridge and a squiz at the scenery.