Screened on a TVNZ arts show, this documentary looks at how the strings were pulled on Peter Jackson's low-budget puppet movie Meet the Feebles. An old Wellington railway shed fizzes with energy and imagination as a team peppered with future Oscar-winners crafts the gleefully subversive Muppets parody. Jackson muses on his influences, processes and propensity for "savage humour" in a fascinating interview. Included is footage of his childhood films — war movies and stop motion animation made with his first 8mm camera. Richard King writes about Meet the Feebles here.
This made-for-the-wee-kids series follows SpottyWot and DottyWot, two playful aliens exploring life on earth. In this episode, a chase around the farm sees the two stumbling upon a sheepdog helping a farmer herd his sheep, which gives DottyWot an idea about how cleaning up could be turned into a game. The CGI-animated WotWots appeared on more than 70 episodes, and screened in many countries. The show was produced by Pūkeko Pictures, a partnership between children’s author Martin Baynton, and Weta co-founders Richard Taylor and Tania Rodger.
TVNZ’s arts programme visits the 6th annual Young Composers Workshop held at the Nelson School of Music (May, 1987). It allows 20 promising young composers to hear their music performed and to compare notes with their peers — an opportunity that wasn’t available two decades earlier for budding composers like workshop organiser Ross Harris. Solo instrumental works, ensemble pieces and electronic music are featured — with inspiration found in everything from poems by James K Baxter and Sylvia Plath to slipping and falling while walking down a hill.
The first movie from Otara-based Pele Nili — aka musician Siavani — is the music heavy story of a man trying to do right by his family and his community. After tragedy hits his family, Solomon (played by Nili) returns to the neighbourhood he grew up in, and makes it his mission to ensure his brothers and other local youth don’t make his mistakes. Originally filmed in Manukau in 2010, the "likeable, and often completely loveable" (Stuff's Graeme Tuckett) movie was self-funded — and inspired by workshops Nili ran in South Auckland, that provided training in the arts.
Roots reggae act Kora present this Living Room episode from the beach at Whakatane — hometown for the four Queenstown-based brothers. Then ex-Mental As Anything guitarist Reg Mombassa (born in Auckland as Chris O'Doherty) talks from Sydney about his iconic artworks for Mambo — including the notorious Australian Jesus series — and wonders if he's turning into a blowfly. Finally there’s a profile of outsider artist Martin Thompson, whose painstaking mathematically-based work has travelled from Wellington community workshops to Wallpaper* magazine.
These CGI short films are the product of Auckland's Media Design School; combining the expertise of lecturer James Cunningham (director of award-winning shorts Poppy and Infection) with the raw smarts and hard work of his 3D animation students. With established industry talents (eg writer Nick Ward and cameraman Simon Riera) helping guide the students, the results have won awards and selection to impressive international festivals, including SIGGRAPH. 2011's effort saw the screen debut of alien hunter Dr. Grordbort, originally created by Weta Workshop's Greg Broadmore.
This Māori Television series merged old media and new: giving a group of young people iPhones and storytelling workshops, and empowering them to tell their own fun stories. In this fourth season episode, the slices of life include: swimming with whales off Tonga, a Te Tai Tokerau marae challenge, holidaying in Sydney and learning to surf in Bali, filming live rugby league at Mt Smart, basketball trials, farewelling a mate at the airport with a haka, and a stage-shaking kapa haka act. Press on the 'CC' symbol below the screen to find subtitles for (occasional) te reo.
After winning attention both in The Thomas Oliver Band and with his solo lap steel guitar work, Thomas Oliver took away the 2016 APRA Silver Scroll songwriting award with 'If I Move to Mars'. The video makes the most of the intragalactic theme, with a Gravity inspired/gravity-defying video made by a pair of effects wizards from Weta Workshop. The visually impressive result sees Oliver in a spacesuit, peacefully orbiting the Earth playing a custom space-guitar as the sun slowly rises behind him.
In this Māori Television series, young people aged from nine to 26 are armed with iPhones and given professional storytelling workshops, so that they can tell their own stories. The slices of life as a young Māori in the early 21st Century include sport, travel, fitness routines, pancake cooking, diet and fashion tips, kapa haka, and swimming with whales. Four series have been produced by Raukatauri Productions to date. Some of those who contributed to early episodes have stayed in screen work —including all-rounder Ngawaero Maniapoto, and actor Te Kaha Jonathan.
This award-winning National Film Unit documentary looks at the craft movement in New Zealand, as this counterpoint to industrial mass production went mainstream. The sense of involvement in the title refers to the individual skills that potters, weavers, printmakers, furniture makers and sculptors bring to making their objects. Director David Sims avoids narration, instead using music from composer Tony Baker to score scenes of the makers at work, from the loom, furnace and kiln, to workshop and studio. As a flashback to the late 70s, facial hair, ceramics and wool abound.