In this Attitude episode, 14-year-old Sean Prendeville faces up to a complex and radical surgery: rotationplasty. For the bone cancer survivor the operation involves attaching his lower leg to the hip joint, rotating it and using the ankle as a ‘hinge’ for a prosthetic limb. The programme tracks the nature-mad Sean’s journey, from pre-surgery anxiety to rehab on his backwards right foot/knee; and the things that helped him through: his blue tongue lizard, challenge beads, Mum and family, and design student Jessica Quinn (who underwent the procedure when she was younger).
This 1948 documentary follows 24 hours of work on the railways. It was directed for the National Film Unit by New Zealand’s first female film director, Margaret Thomson. It shows the engines and commuter trains preparing to leave Wellington, and the overnight train arriving from Auckland. Workers toil on the railway lines above the remote Waimakariri Gorge, and the town of Otira gets ready for a dance. The final shots are of an engine coming through the dawn and back to the city.
This episode of archive-compiled The Years Back series sees presenter Bernard Kearns exploring how New Zealand coped on the home front as World War II expanded into South East Asia and the Pacific. Access to imports was hampered and rationing bit. Fuel and rubber shortages are overcome with novel approaches and farmland becomes the garden for our allies. The episode also examines how industry switched from civilian needs to making war materials. The Home Guard changes from a bit of a laugh to deadly seriousness as the threat grows of invasion by Japan.
Fronted by Paul Holmes, this doco looks at the New Zealand Paralympic team at the 1996 Paralympics in Atlanta. It was the most successful team to date with a haul of nine gold medals, six silver and four bronze (and 44 personal bests). Triumph focuses on several disabled Kiwi athletes, from their arrival in the States to victory on the track, in the pool and on the field. The first Paralympics were held in Rome in 1960 with just 400 competitors. In Atlanta 3,500 athletes competed, 35 of them kiwis. Triumph broke ground screening in a primetime slot on TV One.
A helmet cam records the claustrophobic reactions of a rookie mercenary (Elliot Travers) as an interplanetary combat raid goes wrong in Ferand Peek's debut short. Peek produced the one-shot DIY Gravity in Wellington over five years. Audio was recorded first, then Travers (shot in a special rig), then CGI effects were forged with the help of Miramar/Weta filmmaking crew. The result was touted by io9 doyen Annalee Newitz: “All we see of the world around him are reflections in his helmet, and yet the suspense is incredible. Plus, the story [is] surprisingly moving.”
TVNZ’s arts programme visits the 6th annual Young Composers Workshop held at the Nelson School of Music (May, 1987). It allows 20 promising young composers to hear their music performed and to compare notes with their peers — an opportunity that wasn’t available two decades earlier for budding composers like workshop organiser Ross Harris. Solo instrumental works, ensemble pieces and electronic music are featured — with inspiration found in everything from poems by James K Baxter and Sylvia Plath to slipping and falling while walking down a hill.
This one-off documentary from NHNZ reveals new information about the origins of the iconic kiwi. Presenter Peter Elliott travels the country investigating how "evolutionary mutants" — like giant meat-eating snails, kiwi, and tuatara — evolved over 20 million years in the face of massive tectonic upheavals and extreme isolation. Elliott answers why Aotearoa has the "weirdest creatures", such as birds that don't fly and mammals that do. Company Weta Workshop used computer graphics to create images of extinct creatures for this TV One programme.
In this Māori Television series, young people aged from nine to 26 are armed with iPhones and given professional storytelling workshops, so that they can tell their own stories. The slices of life as a young Māori in the early 21st Century include sport, travel, fitness routines, pancake cooking, diet and fashion tips, kapa haka, and swimming with whales. Four series have been produced by Raukatauri Productions to date. Some of those who contributed to early episodes have stayed in screen work —including all-rounder Ngawaero Maniapoto, and actor Te Kaha Jonathan.
Roots reggae act Kora present this Living Room episode from the beach at Whakatane — hometown for the four Queenstown-based brothers. Then ex-Mental As Anything guitarist Reg Mombassa (born in Auckland as Chris O'Doherty) talks from Sydney about his iconic artworks for Mambo — including the notorious Australian Jesus series — and wonders if he's turning into a blowfly. Finally there’s a profile of outsider artist Martin Thompson, whose painstaking mathematically-based work has travelled from Wellington community workshops to Wallpaper* magazine.
SpottyWot and DottyWot are young alien siblings exploring life on earth in this made-for-wee-kids TV series. In each 10 minute episode, the CGI-animated SpottyWot (blue) and DottyWot (pink) inhabit live action environments, like the zoo and the beach. The show was the second production (after Jane and the Dragon) for Pūkeko Pictures, a partnership between children’s author Martin Baynton and Richard Taylor and Tania Rodger (of Weta Workshop and Lord of the Rings fame). Two series were made of the Annie-nominated show, and it screened around the globe.