Comedian Billy T James presents an introduction to The America’s Cup as Team New Zealand challenges for The Auld Mug for the first time. Billy T visits Fremantle in Western Australia — where the Cup is being contested — and meets members of the NZ team including skipper Chris Dickson and backer Michael Fay. Rules and strategy are explained and there’s occasional product placement for sponsor Sony. Billy’s sense of humour is never too far away but this is a largely-factual exercise from a time before The America’s Cup was (briefly) “New Zealand’s Cup”.
This fourth episode in Prime’s series on Kiwi television history series charts 50 years of sports on TV. Interviews with veteran broadcasters are mixed with clips of classic sporting moments. Changes in technology are surveyed: from live broadcasts and colour TV, to slo-mo replays and CGI graphics. Sports coverage is framed as a national campfire where Kiwis have been able to share in test match, Olympic, Commonwealth and World Cup triumphs and disasters — from emotional national anthems and inspirational Paralympians, to underarm deliveries, snapped masts and face-plants.
The very first Holmes show. In this famous interview, Paul Holmes asks American yachtsman Dennis Conner to apologise for cheating in the America's Cup. Conner storms out, making headlines the next day and giving the new show a ratings boost. The NZ Herald described this interview as "an aggressive, overly-mannered encounter interview rather than a thoughtful interrogation, a ratings-generating event rather than a genuine, tenacious journalistic grilling." It was a style that made Holmes famous.
In this award-winning tourism promo, an easy-going narrator guides us through a land of contrasts — “where else would you find golf and geysers?”. The sights range from frozen to boiling lakes, characterful cities to odd natives (kiwi, takahē, carnivorous snails). Visual highlights include quirky road-signs (“beware of wind”, “slow workmen ahead”), toheroa digging and a flotilla of capsizing optimists. Directed by NFU veteran Ron Bowie, the film won an award at the 1963 Venice Film Festival, before headlining a special Amazing New Zealand season of shorts in NZ cinemas.
This post-war film was made to showcase New Zealand to UK audiences. Directed by Michael Forlong, the NFU film is a booster’s catalogue of contemporary NZ life. The message is that NZ is a modern pastoral paradise: open for business but welfare aware. Nature is conquered via egalitarian effort; air and sea links overcome the tyranny of distance; and science informs primary industry. Māori are depicted assimilating into the Pākehā world. Sport, suburbia and scenic wonder are touted, and an NZSO performance shows that the soil can grow culture as well as clover.
Between 1942 and 1944 thousands of American servicemen were 'in camp' in New Zealand, either before or after seeing action in the Pacific. This early National Film Unit documentary captures life in an Auckland military hospital, where wounded US soldiers went to recuperate. Servicemen take part in occupational therapies like 'Māori carving' and boat building, and frolick about in the harbour. There are shots of Auckland industries, a woollen mill and a weapon factory, and footage of a military parade in front of the Auckland War Memorial (now the Museum).
Subtitled A Journalist's View, this award-winning documentary makes the case that Scott Watson shouldn't have been imprisoned for murdering Ben Smart and Olivia Hope — because he couldn't have done it. Returning to Endeavour Inlet, veteran director Keith Hunter talks to witnesses, and argues the prosecution fumbled vital details of the murderer's yacht and description, then advanced a new theory without evidence to back it. Hunter went on to write 2007 book Trial by Trickery, further critiquing what he calls “New Zealand's most blatantly dishonest prosecution”.
A group of young tourists charter a yacht and go cruising in the South Pacific. In a dense fog, they come across an old, sick Greek man on a sinking boat and rescue him. They have no idea of how evil he is and how brutal their night is to become. Thanks to the special weapon he is holding, this man has the power to inhabit other people's bodies. The Ferryman approaches - he's after the old Greek as the path to the afterlife is close and there is a payment to be made.
This 1999 documentary goes behind the scenes with veteran Antarctic filmmaker Mike Single, as he films icebergs in the Southern Ocean. To Single they’re "ice creatures" and his mission is to get to their dynamic "essence". He and his crew face time pressure, storms, cabin fever, and challenges shooting underwater. Some of Single's shots of epic ice sculptures, calving glaciers, crabeater seals, gentoo penguins, humpback whales and trademark time-lapse cloudscapes also appeared in his documentaries Crystal Ocean (a 2000 Emmy Award-winner), and Katabatic.
In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges. The Fri was a key part of activism that was formative for environmental group Greenpeace, and anti-nuclear sentiment in NZ. Barry's debut film screened primetime on NZ TV and gained international attention.