Luke Nola is the creator of madcap children’s show Let’s Get Inventin’, which over seven seasons spawned awards, dozens of inventions — and 11 successful patents. The show screened in more than 30 countries. Nola began as a graphic designer, and the advertising world soon led him to television; he has also directed children’s shows Life on Ben and The Goober Brothers, in which he played one of the Goobers.
David Blyth cemented his place in the Kiwi filmmaking renaissance with two films that left social realism far behind: 1978 experimental feature Angel Mine, and 1984's Death Warmed Up, New Zealand's first homegrown horror movie. Since then Blyth's work has included family friendly vampire film Moonrise, a number of documentaries on war, and varied works exploring sexuality.
Neil Stichbury trained as a photographer. After a short stint directing for TV3 and Communicado, he began a busy decade making commercials with Republic Films partner Simon Mark Brown. His partnership with director Luke Nola resulted in a run of kids shows, including Let’s Get Inventin’, whose escapades spawned multiple seasons and overseas sales. Stichbury is now developing further screen projects.
Former Spot On presenter Ian Taylor, CNZM, is the founder of computer graphics company Animation Research Limited. ARL made its name providing real-time sports graphics at the 1992 America's Cup, and has gone on to apply their technology to golf, cricket, tennis and Formula One car-racing around the globe.
Geoff Steven's career spans documentary, experimental film and photography. In 1978, he directed acclaimed feature Skin Deep, the first major investment by the newly established NZ Film Commission. Steven followed it with Strata and a long run of documentaries, before time as a TV executive at both TV3 and TVNZ. He now heads the Our Place World Heritage Project.
Derek Morton is one of those happily unsung industry all-rounders who has tried a little of everything: from documentaries and children's TV to underground films, doing time as a cameraman, editor, writer, producer and director (from commercials and docos, to trucking drama Roche), as well as running his own production company.
Known for his stylish reinventions of familiar genres, Scott Reynolds followed successful short A Game with No Rules, with rave reviews and a host of awards for his debut feature, serial killer tale The Ugly. Two further movies — Heaven and When Strangers Appear — have followed.
Alison Holst (DNZM, CBE, QSM) has been a household face since the early days of New Zealand television, when her debut show, Here’s How: Alison Holst Cooks, was an instant hit. Her mission was to cook for ordinary people, use uncomplicated ingredients and stick to a budget. Rejecting her unliberated image, she aimed to get women out of the kitchen by making cooking simple.
Filmmaker and artist Gaylene Barnes has used her grab bag of skills on film sets, in editing suites, and as a painter and multi-media artist. Nominated for awards as both a production designer and an editor, Barnes has also directed everything from Hunger for the Wild to documentaries and animated shorts.
Colin McKenzie joins Rudall Hayward and Ted Coubray as one of the earliest New Zealanders to make feature films on Kiwi soil. McKenzie was a technical innovator, responsible for a number of international filmmaking firsts. His unfinished epic Salome finally premiered in 1995, six decades after his death.