The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
One of the most controversial political adverts to emerge from New Zealand, this 1975 spot only played twice on local television, but helped bring National a landslide win. National leader Rob Muldoon’s chief target was the Labour Government’s superannuation scheme, which the ad notoriously associated with communism, via a troupe of dancing Cossacks. Created by ad agency Colenso, the concept was animated by company Hanna-Barbera in Australia. After being elected, Muldoon brought in a replacement superannuation scheme.
New Zealand's representatives in parliament have had some of their most memorable moments captured on camera. This collection showcases their screen legacy: from stirring addresses (Kirk), feisty debates (Muldoon, Lange, Olympic boycotts), revolutions, nukes, and snap elections, to political punches (Bob Jones), and young leaders (Clark). Listener writer Toby Manhire writes about Kiwi politicians on screen here.
Like many other current affairs shows in the 70s, Tonight had a fairly brief existence, but it provided the forum for this infamous battle of wills between journalist Simon Walker and Prime Minister Robert Muldoon. It is May 1976, and Walker is daring to interrogate Muldoon about his claims of a Soviet naval presence in the Pacific, and New Zealand's vulnerability to Russian nuclear attack. Muldoon grows increasingly annoyed and bullish at being asked questions that are not on his sheet: "I will not have some smart alec interviewer changing the rules half way through."
This Alister Barry-directed documentary is about the National Party and the 2005 election; it was made in conjunction with Nicky Hager’s book written from leaked party e-mails. Barry follows novice MP, and then leader, Don Brash through a hyper-charged era in NZ politics as National attempts to reconcile a political agenda with electability, and to unseat Helen Clark’s Labour government. Speechwriters, advertising agencies, pollsters and party donors all feature, as do Brash’s infamous Orewa speeches, Exclusive Brethren “attack” pamphlets and Iwi/Kiwi billboards.
Blackmail, lies and secrecy feature heavily in this TV3 documentary, which follows the teenage daughter of the photographer killed in the 1985 bombing of Greenpeace ship Rainbow Warrior. Marelle Pereira was just eight when her father Fernando died after French Secret Service agents set off two bombs in Auckland. The boat was set to protest nuclear testing in French Polynesia. Now 18, Pereira and her mum travel to French Polynesia, France and Aotearoa to ask why the French carried out the attack. Pereira interviews Rainbow Warrior crew and former Kiwi PM David Lange.
Merata Mita’s Patu! is a startling record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the marchers and a large team of filmmakers, the feature-length documentary is a landmark in Aotearoa's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".
Russell Campbell has been analysing film and television for more than four decades. A longtime lecturer in film at Victoria University, Campbell’s books include Observations, a volume on New Zealand documentary — a field in which he has extensive first-hand experience.
Richard Thomas has a passion for documentary. After directing for the BBC's legendary doco series Man Alive, he moved downunder and became head of Television One’s information programme department. Following a short spell as Director of Television at the ABC in Australia, he settled in New Zealand to make some compelling television documentaries — and inspire others to do the same.