This episode of the turn of the century youth show trips out in the mud, at The Gathering dance party in Takaka. Havoc then talks to Manchester DJs at Piha, and interviews legendary comedian Robin Williams, who ranges from getting bitten by a dolphin to being scared by Paul Holmes. When this episode aired in January 2000, the hosts were at the peak of their infamy, having baited the BSA earlier in the series with a student stapling his genitals to a cross and setting it alight, and a woman on the street being asked whether she’d consider a sexual act for four dollars.
Opera in the Outback offers a wry, fly on the wall view of the lead-up to a most unusual event: the first concert by Kiri Te Kanawa in the Australian outback. Kiwi director Stephen Latty and writer Michael Heath realise the people are the story, from affable locals to those preparing for 9000 joyful, sometimes drunken arrivals. The inhabitants of Beltana — population roughly 12 — risk building a new racetrack for visitors less operatically inclined, while Australian National Railways send all the rolling stock they can. Some of the Kiwi film crew were awake for 52 hours, trying to capture it all.
In this second part of Kia Ora Bonjour Sir Howard Morrison continues his exploration of France — plus an early Kiwi French connection. Back in Rotorua he welcomes Les Bleus (the French rugby team), teaches them about the haka, and looks back at Marion du Fresne’s first, fatal contact with Māori in 1772. In France Morrison checks out Bordeaux wines, takes a spa in Dax, goes fishing in multicultural Marseille, takes a TGV fast train, and cruises Paris in a Citroën. The Kiwi production was made for TV3, to mark the bicentennial of the French Revolution.
One of the last films made by Jeremy Sykes before his death in the Antarctic in a helicopter accident, this NFU short commemorates the 1969 Cook bicentennial. It traces Cook’s first voyage to New Zealand and his charting of the coastline. Contemporary illustrations and dramatic camerawork are used to follow his six-month journey around Aotearoa. It also highlights Cook's navigational skills as he sailed the Endeavour, home to 94 men, two greyhounds and a goat, through uncharted waters, helping earn him his reputation as "explorer extraordinary and servant of the King".
Michael Scott-Smith’s four decade career as a producer/director spanned everything from Compass and Close to Home to Crime Watch. In the 1970s he helped open the doors of television to many of the decade's emerging independent filmmakers. As head of drama for TV1, he oversaw a rush of new production — before stints in information programmes, and back at the production coal face.