Don McGlashan began his career as a restless teenage French horn player. He started to thrive in the post-punk era, writing iconic songs with Blam Blam Blam, mixing theatre and music with The Front Lawn and composing for film and TV, before forming The Mutton Birds in 1991. This episode of Sunday traverses McGlashan's life as he launches his belated solo career. Friends like Dave Dobbyn and Mike Chunn wax lyrical about McGlashan's talents, and snippets from his 2003 Auckland Festival show at the St James Theatre demonstrate why he is so beloved in Kiwi music history.
It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
Steve Roche is one third of Plan 9, a musical collective whose CV of soundtracks includes 20 plus features and over 130 hours of television. Roche first played with David Donaldson and Janet Roddick in celebrated band Six Volts. Since then they have won multiple soundtrack awards, and worked on everything from Forgotten Silver to What We Do in the Shadows. Roche also plays in bands Thrashing Marlin and The Labcoats.
Don McGlashan showed his screen talents early, as one half of offbeat multimedia group The Front Lawn. Since then he has composed for film and television, alongside his own music. His score for Jane Campion's An Angel at My Table won acclaim; his screen awards include film No. 2 — which spawned number two hit 'Bathe in the River' — Katherine Mansfield tale Bliss, and TV series Street Legal.
Bernie Allen, QSM, was a professional musician and teacher before beginning his TV career as musical director of popular 60s show C’mon. He continued on to Happen Inn, followed by a vast number of shows as composer or music director over the next two decades. His score for Hunter’s Gold won an APRA Silver Scroll; his arrangement of ‘Hine E Hine’ accompanied the classic Goodnight Kiwi animation.