New Zealand's unique accent is often derided across the dutch for its vowel-mangling pronunciation ("sex fush'n'chups", anyone?) and being too fast-paced for tourists and Elton John to understand. In this documentary Jim Mora follows the evolution of New Zealand English, from the "colonial twang" to Billy T James. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) at the end of sentences, and Mora interprets such phrases as "air gun" ("how are you going?"). Lynn of Tawa also features, in an accent face-off with Sam Neill and Judy Bailey.
The man behind the SJD acronym — Sean James Donnelly — has been an eclectic solo dance/pop-rock act, and part of a live six-piece band. Tracks ‘Beautiful Haze' and ‘I Wrote This Song For You' were heard widely after being licensed for advertising campaigns. His seven albums to date are characterised by inventive and eclectic songwriting. In 2013 SJD was awarded the Taite Music Prize for his album Elastic Wasteland.
After a debut single that flirted with punk parody, this moody, accusatory follow-up firmly points Mi-Sex in the direction of the electronic influenced rock that will characterise their future sound — and make them one of Australia's leading acts in the 80s. In his leathers, lead singer Steve Gilpin has firmly said good-bye to his previous career in light entertainment. The video places the band members amongst outsized pieces on a giant chess board — a rather curious staging choice, perhaps, given that the king and queen in the lyrics are playing cards.
Hosted by television all-rounder Neil Roberts, It’s Only Wednesday was a short-lived TVNZ chat show in the late 80s. It was characterised by Roberts’ energy as host, and performances by Grant Chilcott’s swing band Wentworth-Brewster & Co. The It's Only Wednesday format saw guests staying on after their interviews, leading to some eclectic company sharing the couch. The guests included former Prime Minister Robert Muldoon, and pop group When the Cat’s Away.
A Going Concern was part of a wave of new drama which hit television from the mid 70s, after the launch of a new second TV channel. The soap debuted in July 1975, initially twice a week in an afternoon slot, before moving to primetime. Chronicling the lives of the staff of a South Auckland factory, it won enthusiastic reviews. The Auckland Star praised the "believable Kiwis with topical problems". Critic Barry Shaw argued it had "a good deal more going for it in characterisation, pace and direction" than rival soap Close to Home. A Going Concern was cancelled after a year.
This documentary looks at Christchurch-based experimental theatre company The Clinic. From 1999 the group began making concept-driven works — "idea[s] stemming from a dream, a conversation, or even a costume". Often characterised by multimedia collaborations, their performances took place in abandoned buildings, nightclubs or online. This excerpt explores the genesis of the company and their free-flowing ethos. It features The Peculiar Case of Clara Parsons, and a show in development at Christchurch Cathedral which includes writer Jo Randerson.
Tandi Wright spent some of her childhood in the dressing room at Avalon TV Studios - waiting for her actor parents to finish work on Close to Home. But rather than encouraging her to follow suit, Wright insists they were always 'realistic about how nearly impossible it is to make a career out of acting'. She agrees - but seems to have pulled off the impossible anyway. Wright has been acting for television since the age of six, playing lead roles in some of New Zealand’s top productions including Shortland Street, Willy Nilly, Being Eve, Serial Killers, Outrageous Fortune, This Is Not My Life and Nothing Trivial. Her film credits include Not Only But Always, Black Sheep, and Out of the Blue.
A Week of It was a pioneering comedy series that entertained and often outraged audiences over three series from 1977 to 1979. The writing team, led by David McPhail, AK Grant, Jon Gadsby, Bruce Ansley, Chris McVeigh and Peter Hawes, took irreverent aim at topical issues and public figures of the day. Amongst notable impersonations was McPhail's famous aping of Prime Minister Rob Muldoon; a catchphrase from a skit — "Jeez, Wayne" — entered NZ pop culture. The series won multiple Feltex Awards and in 1979 McPhail won Entertainer of the Year.
MyStory was the first “mobisode” funded by NZ On Air. It tracks a group of young people in their ‘gap year’ between high school and university as they discover one of their friends has gone missing. The 40 x two-minute episodes screened on C4, and was able to be downloaded daily to 3G phones on the Vodafone network, or watched (as a weekly collection) on the C4 website on Sundays. Created by Gibson Group producer Bevin Linkhorn, the series was directed by Peter Salmon.
Before he achieved worldwide fame as an actor, Sam Neill directed documentary films for the National Film Unit. This film examines the philosophy, early achievements and frustrations of one of New Zealand's most innovative architects, Ian Athfield. Athfield won an international competition in 1975 to design housing for 140,000 squatters in Manila, in the Philippines, yet struggled to gain recognition back home. This film culminates in Athfield's trip to the Philippines to pursue the project. Shooter John Toon later memorably shot feature film Rain.