Sculpture is arguably more present in people’s day-to-day lives than many art forms. Frequently found in public places, it transforms our surroundings and enriches the community. At times it polarises the public, challenging society and creating controversy. This collection celebrates distinguished New Zealand sculptors, both nationally and internationally recognised: including Paul Dibble, Chris Booth, Greer Twiss, Neil Dawson and the legendary Len Lye. The controversial ‘Virgin in a Condom’ also features (in the first episode of Backch@t).
The capture and release of the French agents who bombed the Greenpeace ship, Rainbow Warrior was not the end of the affair. This film documents the circumstances of the crime, but is focused on efforts by Greenpeace, and artist Chris Booth to create a sense of emotional closure. Booth worked with the Ngāti Kura people of Matauri Bay to create a sculpture marking the Warrior's last resting place. The film interweaves the back story of the bombing with sequences showing the efforts to finish the sculpture in time for commemorations.
This collection brings together over 60 titles covering Kiwis at war. Iconic documentaries and films tell stories of terrible cost, heroism and kinship. There are also background pieces by historians Chris Pugsley and Jock Phillips, and broadcaster Ian Johnstone. Pugsley muses, "It is sobering to think that in the first half of the 20th Century the big OE for most New Zealanders was going to war."
When Forgotten Silver — the story of pioneer filmmaker Colin McKenzie — unspooled on 29th October 1995, in a Sunday TV slot normally reserved for drama, many believed the fable was fact. Controversy ensued as a public reacted (indignant, thrilled) to having the wool pulled over their eyes. Costa Botes, who originated the mockumentary, later made this doco, looking at the construction of McKenzie's epic, tragic, yet increasingly ridiculous story. He interviews co-conspirator Peter Jackson and other pranksters, and they muse on the film's priceless impact.
Initially unsure of how to make a career in comedy or the arts, the politically minded Jo Randerson has become a writer, performer and theatre director.
Television veteran Robert Boyd-Bell's eclectic screen career includes 14 years in journalism, followed by time in academia, public service TV, and producing. Which is not to forget writing landmark book New Zealand Television – The First 25 Years. Boyd-Bell joined the state broadcaster in 1965, and later headed TV One's northern newsroom. He also has an extensive involvement in delivering programmes online.
Oscar Kightley, MNZM, is a man of many talents. After launching The Naked Samoans, he worked with the comedy troupe over five seasons of hit series bro’Town, NZ's first animated show to play in prime time. The group also featured in movie Sione’s Wedding and its 2012 sequel, both of which Kightley co-wrote. In 2013 he took on a serious role: starring as a Samoan-Kiwi detective in TV series Harry.
Simon Reece has had a long career editing television and film, cutting landmarks such as Tank Busters, The Governor, Pukemanu, The God Boy and Vigil. In 1990 he shifted post-production roles and set up Wellington company The Dub Shop, which specializes in providing digital services for broadcast, web and archives.
Danielle Cormack has showcased her naturalistic, seemingly effortless acting style on both sides of the Tasman. After roles in TV soaps Gloss and Shortland Street, she began a run of big screen starring roles — Topless Women Talk About Their Lives, The Price of Milk and Via Satellite (playing twins). On Australian TV, Cormack has starred as a prisoner (Wentworth), crime lord (Underbelly: Razor) and barrister (Rake).